Sakai Blues festival


Blues in Sakai

 
There is an annual Blues Festival in The city of Sakai Japan, which is in South Osaka. It is a small city, city not a town. I am not sure how long it has been in effect this show. This is the third year I know of.
However last year was the first I played in it, with the Doc’s Blues band. We played in a little bar in the basement. There are several venues in operation during the two day event. There is a main stage out door, where the “names” play, and there are two other small venues, such as the bar, where we played.
 
 
Last year our first year, was pretty sad, so I thought, rushing to set up, small space, too many people packed in. The Doc did all of the singing, afterward says ohh, I should have had you sing a song. Whatever, I thought. Not really a big deal, he wanted the spot light so, no problem. We did not even know what songs we were doing until just before the show, or he decided once we were on stage. I no longer let that bother me, and just roll with it.
 
This year, we were back. That was a surprise. We had to go play at a Jam session by one of the promotors, but that was easy and did not go badly. So yeah this year we were back. Sorry no good picture. The drummer pressed for a meeting before hand to go over what songs we were to play. I am glad he took the effort, because I am done with trying to have the band look professional, much less sound professional. 
 
We meet for lunch just before the show and talked about what songs, etc. Helpful. Although the songs were picked weeks ago or longer, but the Doc said nothing until the night before. Sigh.

So we roll up, walk up really, to the club after lunch, figure out some setup details and go setup at our time.again a rush, but not so much this time. We went through the songs mostly with out any gliches…mostly. The crowd like when I did Mustang Sally, and some danced. It was a good set. The drummer and I took off right afterwards. We stopped over at the main stage area and checked out the all girl band that as playing. Turns out the leader is the owner of Chicago Rock daughter. Chicago Rock is a club we used to play at. I had spoken with the daughter before and said I wanted to see her band, however never made it back to do so. They were pretty good! After one song I left though, there was the rain happening. Vocals, two guitars, bass, drummer, full sound. Maybe this link will work to a video

 
The next day, Sunday I was back, this time not as a musician, but as a photographer and reporter .
I was going to do an interview of one of the performers. The interview is for a website called BlackTokyo.com. I was interviewed and a podcast was made when we were in Kamakura. The owner is a friend of many years. The person I was interviewing today is pretty well known around this area and is also from Philly. We have met several times and she did a couple of songs with us before. She is good, vegetarian, buddhist, animal rights supporter. I planned on hooking up with her after her show.
 
I arrived just before she went on and so I wandered around. I knew she would be busy before the set. I chatted some with the owner of Chicago Rock, who is a sponsor of the show.
There was also another band whos members I know, at least the leader and sitting in trumpet player, who were playing right after my friend Davina was done. I was not asked but I could tell by how excited he was seeing my business Nikon, that he wanted me to take some pictures. It was during my interview time, but I would make the effort.
 
I got a little bold on where I walked and took pictures, since I knew a sponsor and several of the attendants, knew me. Only once was I asked about having a staff pass. I just said I am with blah blah, and it was dropped. The band were good, it was pretty fun just hanging out doing some shots, then speaking with my friend afterward, in English. That was nice I could relax and talk for a change.
 
My only regret is that my guys do not want to put in the effort to be good enough to play main stage. I am toying more with the idea of my own group more. Even playing in one of the basement venues next year as a start. I need to give more thought to who would play with me. I would love to do some serious funky blues. No one I saw is doing that. Well my friend Davina is close. 
 
Anyway the festival is wrap for this year. I need to give some serious thought to a game musical game plan. Next weekend I am doing a couple of song with the Jazz band folks and the following I will sit in with the mix Jazz group at Snafkin. I was invited today to do play at a show at Tajiri Marina in Jul, for some event. This is where I work. They had a show there on the same day/ night as the blues fest. The friend, the percussionist who set me up with a recent gig for charity invited me to this. Now I need to think of band members. I know a couple of keyboard players and a drummer. I am thinking a female keyboardist who speak some English, and a female drummer, who does not. She is not that good, but she is steady, I like that. I know a couple of female horn players. It maybe a good gimmick, me with a Japanese mostly girl band. I will see how it all flows as time goes on.

Waiting

The wait zone…

 
I am deep into to that right now. Ever think about how much time we spend waiting on stuff, things, people. It is neither god or bad, it is just what it is, nothing. Like the taste of tofu, we add flavor. On its own, it is pretty bland, like what this post will be. Unlike the last post which for some reason got a large amounts of hits. Perhaps from the Tumbler readers, I have a lot from there, WordPress , not so much. Why? Well in the scope of life it does not matter, like this post…more so, since this is a free trip…for everyone.
I digress
 
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Waiting…I am deep in the waiting zone. As one who meditates daily, does Tai Chi, drinks green tea, hmm ok not so much the green tea part, but slowly down, calming the mind and spirit is part of my everyday training. I live there, it is not someplace I go to for a break. So one would think I would be more at peace with waiting, it is after all like doing sitting Zen. Being still, yet actively waiting…
 
I am in the waiting zone. There are things I notice as I apply Chan mind to behaviors. Sameness like doing zazen and being in the wait zone. The items are small, trivial, they will only be a scratch to an itch, yet desired. I know this and am not attached to item or out-come, still there is desire. Which makes me think about the Four Truth in Buddhism, suffering. More in this care the awareness of the act or case of a possible suffering. Is that a form of enlightenment? The awareness of self foolishness, illusion, attachment. It is not using un-attached mind because I am thinking and registering that I am doing it, and not just doing it. So not in the non-abiding mind state.
 
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My bass has been in the Shop for 10 days, I was told 10 days, then LZ says “about” 10 days he said…waiting…my ya have been sent to the Ya shop’s shop, for 30 days…waiting, my Abbot is going to find out what is the hangup with my Priesthood certificate and get it sent to me…waiting,..new Shakuhachi in the spring…waiting
 
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Life is waiting, we wait to be born, then we wait to die…Zazen should be easier.
 
 

吹禅 – Toyonaka – Another day another recital


Recital in Toyanaka

 
Another day another recital. Sensei had given me info on another teacher’s student recital. The teacher, Ishikawa Toshimitsu famous, in Japan. His teacher Ksuya Yokohama was more famous! My sensei told me tonight at class he could make the introduction for me to study with him…at a later time. As my skill as still somewhat low. apparently the honkyuko songs are his specialty.
 
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It required a bit of a travel to reach Toyanaka, however lucky it was not expensive. All local trains, then just a short walk to the venue. About three minutes, unless you get lost like I did I took sometime thinking about it. I only decided to do so the day before. I figured, hmmm ok, someplace I have not been, listening to different people who are not masters, my peers and sempai. It will give me some idea of where I am at. I have only met my one other sempai. Another thing about this recital it will be all HONKYOKU music. Just for Shakuhachi. I have only I believe heard one or two. Over the course of my appreciation for the instrument I am sure a lot , but now I know what I am listening to.
 
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It was nice it did not start until 2:00 pm . I did not have to leave the house until 11:20. Even then I had a casual trip. I did get lost trying to follow the google map LZ had setup on my phone so I would not get lost. My first time using it, and did badly. oh well. I made it. I arrived as one student was playing, I believe the same song I did for my recital. It was interesting hearing another amateur play it.
 
There were a fair amount of people there. Most of them students, most of them in my age group and older. No one seemed surprised to see me. I thought I was the only foreigner there, but when I was leaving I saw a guy who looked, East Indian. I did not get a clean look. I was also quite surprised when one guy, a Japanese came over and started talking to me. First in Japanese then in English, which he said he learned in High school. Very casual normal stuff and short.
 
 
 
The performance itself was good. Some very good, some so so good. I was surprised to see several of the player were blind. The sensei told of each player’s or most of them’s “dan” . I heard Shodan and Na na Dan several times. It was a worthwhile experience to go, educational.
 
 
 
The area of Toyamaka was not pretty or interesting at all. Now I know. 
 
Picture/videos link here. Videos are still being uploaded, ( not-easily ) so if you go look, stop back a couple times if you want to see the vids. Most of the vids (songs) are just short bits. Only a couple are full lengthThe pictures are nothing other than just a markers for FB and such :-). It is all about the music.

The Bass Story / prt 2


It is all about the money…a Bass story, part 2

 
When I last left off, the Bass was off to the hospital…
 
I had did a quick look see for places nearby to take the bass. Of course my search was limited by doing it in English. I gave LZ the short list. She had something to say about it.  I suggested she look in Japanese. A short while later she had found a shop. They did not do sellijg of musical instruments they only did repiars and customizing. They were somewhat close. 
Yea, call them I said. She spoke with the shop person, it was arranged that he would take a look at the Bass. The part that floored me was he would come and pick it up…at no charge! I was floored. Never happen in the states! As it turns out this shop was not nearby a train station and up in the hills. Doing the pickup was part of there service when needed. He would get the Bass , check it out, and advise me of the repairs and cost. I could have the work done or not, my freedom, no work, no charge! Dayammmm! He made arrangements to leave right away to come pick up the Bass so he could speak Japanese with LZ for details. As she was going out soon , he would leave right away! 45 min later he arrived.
 
The guy came by and did a quick check of the Bass. We talked a bit, him mostly to LZ since he did not speak English. They talked about the bass and about how I hot it from Yahoo Auction. Sometime he says they are good. The private people are mostly good. But there are companies on there who one needs to watch out for. After LZ had done some research she found out some of the bad comments from some customers. Not all but enough had I known I would not have purchased. We learned. Anyway it was arranged what I needed. A few hours later she received the eMail.
 
The Bass can be fixed early fairly cheap. Some small parts should be replaced, a bit of rewiring, and did I want New strings anyway, also they would setup and balance everything and check and ad just. Basically refurbish the Bass for just under 30000 yen. I said go for it! This included doing some work on the body I asked about. It was just under half of the cost of the Bass, but made it almost new again. I was planning that much as my ceiling anyway so it worked out. A like new Bass and a little cash for the Shakuhachi kitty.

So I am still using eBay in the states. They have been really helpful for things I need. The nice thing about them is they have a company policy to get involved with a transaction if they is a problem, and the customers is getting screwed. This Yahoo Auction here in Japan does not. Once the sale is made you are on your own. You can leave a bad rating but they will do nothing for getting you a refund. 
 
The person who purchased my Bass was very happy and left a good mark for LZ . We will leave a very bad one for the seller of the one I purchased. LZ was saying I should just accept the bad deal and buy a brand new one. I said no way will I just waste the money spent from my brother Bass. The body is mostly good, the electronic are bad they can be replaced.
 
All in all I am not saving a great deal of money, but some is better than none. This will most likely be my last Bass purchase…
 
Sometimes I look at my instruments and wonder who will get this when I am gone? I am here alone in Japan. Or when it comes time for the old folks home what will I take? Not really morbid thoughts. Reality. Dealing with the sale of my brother’s Bass brings back thoughts of me having to clear his apartment after his passing. Some of his stuff carries on through me. Mine will be the end of the line. I left my grandfather’s violin with my first son before I left. I took my first formal music lesson on that. I did not want it just lost in Japan…or on the boat! Maybe I pass down one or two of my Kung Fu swords. Yeah at least even through none of the kids do Kung Fu, the swords make great wall displays.
 
I digress…
 
So now my working instrumentation for Japan is complete. Thanks to the passing of my mother and brother. That is kind of weird, but truthful. I have to be grateful to them.
 srt805dxcn
…to be coniuned

吹禅 – Owari desu…yokatta


Whewww, glad that is done…
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I was off, it was to be a full day with Kyudo, stuff, Guitar, and Shakuhachi in hand I head out…
It finally here the day I wanted to get over with.
It felt more like taking a test than doing a recital. I have a good grasp on most of the song, but not all the small parts. It was requested that I should memorize the song not read it. Hmmm, ok. I figured out why I am having trouble memorizing this song. Beside me getting old, so many things with just my playing , then to add memorizing …it is a lot for something that is new. 
 
Anyway, no matter. I had it down enough that only those who knew the song, would know I am not playing it “true”, There were other people there beside shakuhachi students. In fact mostly koto students and shamisen. This is what I was lead to believe…it was mostly right.
 
So, anyway, i wanted this over with that was part of it. It would be my first real playing live. I did play a section at my Ordination , but this was the whole song, in front of Japanese strangers, musicians. The “musicians” is the key in this case…peers.
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Also there was the requests from my Sensei to play a couple of other songs with him. One of which I was to sing. I am not sure why I dislike doing that song. That part was not fun , but the other song playing with Sensei was harder, and I did not have the time to practice it. So my guitar work was expected to be poor..It was! Embarrassing to me, maybe they did not care or even notice. I did, Sensei , hmmm, not sure. My timing was there but some notes and cords, where funky (sour) to me.
 
The day started early for me, even though the event was not until 2:00 pm. It was a 90 min train ride about. However since I had a stop to make i left earlier than needed. I was stopping by the Kyudo shop. I wanted my ya fixed. It has been a small thing, but the coloring design has not been right since I got the new Ya. Since the shop was on my way to the recital house it was a perfect time to stop. Finally, I can get that behind me. It is a very small thing , but it irks me everything I use the Ya. I am still attached to the vision of how they are suppose to look. No one cares but me, but it is part of my small joy of if not shooting well, at least looking good whilst shooting bad. 🙂
 
That part of the trip went well. I hope the guy understood !? It will take a month for it to be done. I guess their shop stays pretty busy for custom work. Or something. It took a month for me to get the original set. Hmmm maybe he said a week?! Or well. Not a rush anyway. So just wait, mode engaged. I have my everyday Ya to use anyway and I am not going to shinsa next month. Speaking if which, I went into practice on Sat night expecting quiet and aloneness to practice with my new-to-me winter kimono. Wrong wrong wrong, ran into a a big practice session with several Senseis had to join. Anyway, alway good, to learn something.
 
Yeah, after the Kyudo shop, a quick stop at Subway for a sandwich. That is one of the few things I miss about the states is the mixture of foods I can get. I would love to find a falafel shop. Yummm. Anyway. i got my usual. Flat bread, avo, cheese, all the veggies, with basil sauce. It was good! Then onward to the recital. We were to have a meal afterward but that would not be until 4:30 , it started at 2:00.
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I got on the train and headed to the house of the Koto Sensei where the event was to be held. It was almost to where we used to live when we first arrived and stayed with my Mother-in-law. I made it to the home with no problem, by following the map and a little common sense. My Sense had not arrived yet. There was a Sempai of mine their, I had met before. The rest were a bunch people I did not know. But it was ok, they were all pleasant and tried to be helpful to me, with my limited Japanese. Pretty soon , everyone was there , except for my Sensei. He was not late but it was close when he arrived.
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Once he was there we started. He was the MC it turns out. So he did the speaking. He started off with a small talk introduction of the players for the day and then began with his first song. I was to be next. Great, following the master!! Another reason to be nervous! Just Great! Ok, my turn. I took my music chart just in case. I put it on the stand , but not right in front of me. Just to the side, I could look over if I needed, but for the most part I would have my eyes closed and just play from memory. If I mess up, I just mess up. I will keep going. One thing I learn from playing so long live, just keep going, the mistake does not really standout until the player makes it so. I would keep rolling, and sure enough I got a part or two mixed up. Only my Sensei and maybe his sempai who was there noticed. Afterward, sensei said I passed, I did well. Most people fail to get notes out. I was able to play through-out. I think I also got an approval from his sempai. Although he did not say so to me, they were talking about me. I would get pulled into parts of it. It seemed positive. So I guess I had Shakuhachi Shinsa of sorts.
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The rest of the show was interesting, all traditional Japanese songs. Solo, duo, trio. Cool stuff. No young people in the event, all oldsters like me and older. Sensei told me there is a big event next week, where there are many players semi-pro and pro. I am guessing a mix of ages. Maybe I will go, for some inspiration or something.
 
I am to start a new Honkyoku song, called “Tamuke 手向.”. These are traditional “spiritual” shakuhachi songs. They seem fairly long and complex. Perhaps these are the ones sensei is picking out for me as a teaching path. He says we will be working on this next song of, which the name I do not recall, through the summer and into the fall…
Wow, long time for one song. It does not matter, I have no rush plans on what I learn or pressure to stop. I am just learning and will apply when ready. As for stopping, the universe will determine that. I will continue to play until I can not. Lessons may need to be adjusted due to conditions, but the playing does not stop. 
It just surprised from doing modern western songs. I never really studied classical music in-depth to compare. I will guess there is a mixture like in western music. There is a another honkyoku I am working on to play with the Nara Monk this spring, which I find short and fairly simple after what I have been learning. Which brings me to the thought Sensei is selecting complex works to use as a teaching tool, not so much for the music or to just learn another song. Like in Kung Fu the principal behind the technique is the important part. The soul essence. Understanding that, rather than the physical act at the applied moment is the pearl. Once you own it you can adapt it and needed.
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It is kind of nice studying with this shakuhachi sensei he is somewhat of a rebel, besides the greatness of him speaking English. As a rebel he does not give ranks (dans) to his students. That is still a practice in many schools with. A traditional background. One gets a Dan and also pays more with each Dan for classes. I do not really need a Dan, I have no plans to teach.
 
So now onward. New song, new adventure, new area of learning…yosh!
 
.more pix and vid here
 
 
 

On such a winter’s day


This n that….on such a winter’s day.

 
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I have been looking forward to going to Kamakura. A visit to the Engakuji, not just to see the old Zen temple ground but to see the Kyudojo. Dream perhaps dare to dream of a chance to shot there. We have friends from the states that moved nearby, so besides visiting the Great Buddha we were going to hang out a bit with them.
 
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LZ has made the arrangements we are set for April! It will just be a short stay , but even with the disappointment of the Kyudojo at Engakuji, the trip will, be interesting a short pilgrim for me to the Zen Temple. 
Oh, what’s that I did not tell you about the disappointment of the Kyudojo ? Well, I had Lz do some research and ask a few questions about the Dojo. It turns out it is there and anyone can view it from the outside. The club itself has changes as the an old priest who ran it passed away. The new priest does not do Kyudo. The space it rented out to a private club, not taking new members. Sounds like the shrine I tried to join when I first arrived in this area. They, the temple staff, say they do not know how to get in touch with the club. Of course that is BS , but I get it. Oh well. Another life item to be viewed with non-abiding awareness. The Great Buddha I just want to see for the photo op and say I been there, kind of thing.
 
So yeah , it will be fun seeing our friends. It has been awhile.
 
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Shakuhachi,
Recital next week, I know the piece but not by heart. I still have a week to focus. I have also been working on a another piece called Cho Shi. I am learning this to play with my acquaintance the Komoso in Nara. He has been kind enough to offer me the extra gear, hat, sandals, etc, I need to be a kumoso for a day. I was able to score a plain black kimono. I need to learn the piece now. I am slowly getting it. I will be able to focus more after the recital. Also not having a Yon-dan shinsha staring at me will help. This will come I think shortly after the Kamakura trip…or before. Which will be in April.
I was pleased to find out Golden week is in May, so I may make it to the Kyoto Tai Kai this year.
 
Waterworld
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The weather has really sucked down at the marina as of late. That is hail in the picture above this.
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However it is good to have the couple of days work. More so since the City Park work has dried up for the season. Working inside the boat on some bad weather days , really reminds me of my own boat owning past. The rain on the cabin, the sway of the boat, the comfort of a heat small space. Watching the boats through rain streaked glass, in the marina dance with the waves. I wonder some time will I ever own again. I have noticed a pattern with things I have “owned”. They all go away. My clock is running out, as has my build-able income. Yet, one must stay open to gifts from the Universe, because one never know what the tides will bring.
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Kung Fu dharma world is once again quiet. Not surprising, disappointing but not surprising. This is a different world here, and I am in a way different area. Anyway it is ok, I still keep my feelers out, but return to having my practice for me, improving me. It seems selfish when I say it like that but, that is reality. Use this knowledge and training to keep me healthy and supported in my other practices…
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Music, Chan/Kung Fu study, Kyudo, these are part of what I wanted for my retirement years. So I am mostly there and I am indeed feeling blessed to be able to do this. More so with the oncoming darkness of the Trump years ahead. I am missing the sailing part, but I also have that sort of since I can borrow a boat from Aoki Corp if I want a day sail. So mostly just missing doing ceramics. I ant at some point get back into doing some clay-work, however Kyudo is my big challenge right now. Even though Shakuhachi, is also and will most likely give me more payback as far as actual use. Kyudo remains my big challenge. So mostly things are as I hoped for in Japan, it is rare anything turns out just as one plans, but in life like sailing , one can not control the wind, but one can adjust your sails.
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Anyway with approach of winter all one can do is hold on to their inner light as long as they can have faith in whatever one believes in, even if is just duct tape. Then see what the universe has in mind for you.
 
…for now, it’s winter
 
 

And the beat goes on…Jan 2017

I got a note from a friend asking if myself and the band, wanted to do a few opening numbers for his band at a foreigners club in Kobe. It is not really a “Gaijin” club, but it is.anyway, I said I would check. The Doc of course wanted to, the drummer after a bit also wanted to. So I put the wheels in motion. I also planned the song list and figured I would do most of the singing as that is the way it usually rolls. I also figured since I was doing all this the band should go under another name, since I was asked-by my friend, what was the band name? I said “Blues international”, and told the guys. There was No argument.

 
Show night comes, get setup, I hand out the agreed to song list. We get ready and the Doc says, we are doing blah blah to start. I could not believe what he said. This was a song there was some question about even doing , he was asking about. Calmly I said, I just gave you the song list, it says Mustang Sally. He looks at it and goes oh yea! 
We start playing he is having some issues with his guitar or something, besides not standing he is kneeling on the stage mostly. Hmmmmm, he is acting weird I am thinking.
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Ok, his song is up, now he stands and starts talking, Hello, I am doc blah blah, we are called the Matsuo Blues Band. I rolled with it. Next song, he is kneeling again, up and down… my friend gives him a stool, after some talk about him standing and his age. I rolled with it, he is younger than me. Anyway, overall it went well, considering the drummer stopped the wrong place on a song, and lost his beat on another, the doc, I pointed to him for his guitar solo and he missed it. Most of the songs had, really messed up endings. All of which is expected for a bunch of guy not played together since May and had no rehearsal. There were parts were we sounded pretty decent when I heard some of the recorded play back. Oh well, the was no money involved, it was just a shot at playing in. Kobe again at a different club. So yeah, it went ok. I made a note to myself, really try to not do that again with these guys. Not bad guys, but not satisfying to play with. I am not saying I will not ever, I am just saying I will not pursue playing with them.
 
Snafkin
Another friend contacted me. He is a percussionist. I played with him a couple of time before. We met at a show I was doing for Snafkin at the community center. He is nice guy also. However much more professional about his playing. So he was doing a show at Snafkin and asked if I wanted to join in. I said yes of course, thinking it would be the usual jam type after whoever or sit in with Bass. Still I worked on a couple of songs with me playing guitar, just incase, the club master asked me to do a song.
 
So it turns out the show is him, sort of called. Mario live and friends. He invited a bunch of musicians he knew and we all played with him, really he played with us.
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Everyone did a few songs and he played percussion. I was shocked to find I was the second in line to play, and there was just the two of us playing for my song. Ok, so I was prepared. I went into my solo artist mode. I have been giving that some thought for Snafkin anyway. It went ok, not as well as I would have liked, i could have used more practice and I wanted to song in Japanese at least on part of one song. I chickened out, I caved, however the is the Feb. jazz band, I have time to practice more.
 

So Snafkin went over all well. I did a couple of songs, and I played bass on a couple of songs for a guy Mario and I did a show with.

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I was also asked to play bass with another guy on his set. I met a new person, who I got to chat with a bit in English. She lived in the Bay Area for a couple of years with her husband.

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She is a friend of two people I already know that were there performing. I also got to speak a little English with another woman, a piano player, who friended me on FB after she saw me playing at the community center. It was a pleasant evening, meeting new people, seeing familiar ones.

 

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It made me more secure about setting up my own solo and band performance. What I need is someone to play with who is bilingual. Like the Doc but a better musician. That and or step up my Japanese. I got a couple of tips on playing Shamisen (Sanshin), that was cool and helpful. really the only small bummer was I do not get any pictures of my solo acoustic set.

 

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Just one play Bass for another guy I played with before. oh well, not really a big deal. Another nice part to the deal was I got picked up and dropped off at home.

Shaolin in Fuji’s Shadow

Shaolin in Fuji’s Shadow

Getting my Chinese Martial art footing in Japan has been a challenge, has been and still is really. However I am speaking more the space of a toe hold. So it seems rich as I write.

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I have gotten a space that works comfortably for now at least with the new student that has started. It also gives me time before and after his class to have another class or two for the same slot I am renting. 
My Shaolin student has been out sick for a while, I do not expect him back until after the holiday to see if he can work with the new parameters. Really the only issue is he wanted it later on Sunday but that can not happen, so he seems serious, if he is, he will make the earlier time slot or the later one.
 
There is also a mother who has been wanting to start he son, I can offer him a 30 min slot same day earlier. If all works well, i can have two or three sessions on Sundays. That will be my regular Kung Fu teaching day. Or as I have to come to think of it as Shaolin Dharma training sessions.
 
It is also nice to have a space to call a center, rather than just a Park or Shrine, give the teaching more of a rooted feeling. Besides, “winter is coming” hard enough to get students, but being out in the rain and cold is not training that most want just starting out on this path.
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It is also great for me to get my own regular practice time, before the class starts, I can get in my own hour or more of training. No bugs, cold, rain, snow, extreme heat, nice. I am not that young any more some comfort is good. Life, enjoying life is living in Balance. That is the Buddhist way, the middle way, in all things.
 

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As it was my first real settled in class at the new place today, I made a portable Altar for my Late Shifu. I burned incense in his honor. It gave the space a sense of being a school, not just a rental room.

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One other thing I came up with as use of the space is to offer a free meditation class, a 30 min beginners class for anyone. That would be another real method of spreading Shaolin Dharma. As part of my forming of the “Osaka Lohan Chan Temple” .
That would help some of Priest Vows on a couple of levels. 
Marital Arts/Chan
 
I am finding the path for me under Music/Chan is more difficult to understand, locate. I am finding more interest in the Komuso path, however it is hard to find concise info on the Path, what one does, other than play, is this a purely solo a Yogi type path or does it have a “show compassion” to other side as well? What is the real link between the sounds and the playing, just the breath, or the breath plus certain tones, to activate certain Chakras. Do the sutras have a certain, breath pattern , tones that translate to Komuso songs. Many question few answers. More research. Somewhat limited research at this time. I could just track down a teacher and do whatever to join, and find out just what is what with the Komuso of this day. Are they all about the show of some festival? Are there others who really care about their spiritual path. Anyway, as said my time with this research is limited. For now I still need to practice , not only my shakuhachi, but my Kyudo. The goal for next year is to pass Yon-dan. That is my focus, really to get Go-dan. Then, I can consider other items, other challenges…like A Komuso teacher and get some in-depth Shakuhachi spiritual training. 
 
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Anyway there is is still also develop the Osaka Lohan Chan Temple, home of the Shaolin Dharma: Martial Arts and Meditation
 
 
We’ll, see what the tide brings next year…because
 
“man plans, God laughs”
Happy Festivus.

Monk’n around Nara


 
Ever since I started studying Shakuhachi and found out there was a Zen sect that was developed around it, and it was a off shoot of my own Lin Chi sect, I have had an interest in knowing more about the practice, the philosophy, history, etc.
(My English lit teacher would not have like that sentence too long) 
I was introduced to a real life Komuso monk via another on-line acquaintance. The internet has real value on bringing stranger together. We had a few messages via on-line and finally I got the chance to meet in person in Nara.
 
I had a day scheduled for the trip, there was supposed to be two other meeting up with us,but it turned out to be only one other a student of hIs and she was late. It was a good day to visit Nara, the weather was good, for our 6 mile walk around the hills and by-ways of the town.
 
I got to listen to listen to some things about, my new acquaintance and Zen Brother lets call hIm “J-monk” practice. He is pretty much the local face of Kumoso around Nara. Playing a begging around the town on a regular bases. This is his connection to the community, this is his bring his Zen practice to the people. It is a live practice, not just sitting in the mountains. I found that most interesting. Another interesting I found is that he is on the bad side of his Sensei, perhaps for being too “out there” too much in touch with the community. Not in a bad way, but a good way. To the point he gets praised and his sensei get jealous. That says a lot about the weakness of his Sensei’s practice. It hits home with me being someone I thought was my friend, who is also considered a “Zen” master also has a big weakness as a person in his practice. Labels are just words, when one does not have the heart fill the reality of the meanings. It shows, in another sense, people are just people and no man “walks on water”.
 
It would also seem from what I was hearing is that a large amount of the Komuso only are active for public displays. Ceremonies, parades, that sort of thing. Also it seems , the already small number of monks is in decline, because the senior monks are not really active in taking new students.
This is just generally speaking from what I heard, and not to be taken as gospel.
 
The Komuso also from what I gathered do other Renzai type training as well, chanting, zazen, the like, but the main focus is the Shakuhachi. J-monk had said he has found that it more about the breathing that gives one the meditative state than the music it self. Which goes along with my thoughts, and research from other paths and studies. Including input from another Zen teacher of mine on doing Zazen, using breathing techniques before Zazen to put one in the correct state to be respective.
 
So we walked around Nara, took in some sights of old temples and shrine. Even walked a bit in the woods off the main trails. All the while J-Monk’s student collected Pokimon-Go monsters around town.
 
We hd a great veggie lunch at a place that is off times too crowded to get service at times. We just happen to hit it right.
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It was a good and interesting day around Nara. I took my serious camera along, really I lugged it around but only used my phone camera. So I had a sore back and knee afterwards for nothing. Oh well, it was a good thought, but not a day for taking serious photos. More of a smartphone shot kind of day.
 
I also had my Shakuhachi with me, but did not play or even take it out. The spirit did not hit me. A good point would have been at the Golden Buddha where J-Monk, burned incense and put some smoke over his Shakuhachi, a blessing, cleansing sort of thing. I did not have incense so I miss that unexpected moment. But I did photo catch in in the process.
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He also blew a few notes at a couple of different spots. Being used to playing in public and on his home turf made him fully at ease. Me and his student on the other hand, were quite self-conscience about drawing attention. I did mention to her she should play something. Beside being shy she said, “I only know two notes”. I said it is not how many noted you know, it is how you play them that matters. My Sensei still after over 35 yrs of playing says he many time just plays one note. Seeking the purity of sound. Sort of like doing a shot in Kyudo, the masters are not seeking just to hit, but the purity of the shot. She said she felt better hearing about my Sensei, on her own practice of just the couple of notes.
 
While at another place she reminded J-Monk and I of our practice when we three were debating who was going to pay for lunch, we all wanted to cover the tab. She says, Are jot you guys as Priests suppose to gratefully accept the heart felt gifts from someone making an offering… We could only smile.
 
I will be returning, for part two of the Monk’n around Nara Komuso experience.

吹禅 Blowing Zen…Autumn

Blowing Zen…Autumn

 
It has been a while since updating, I have several to do, maybe I will have a blog marathon today…Maybe.
 
Either way I will start with Shakuhachi. I am finally making some progress with my studies. I played a small bit of Summertime, I have been working on, for my Sensei’s opinion. He was pleased. He said he can not play like that with my use of “blues” notes. Japanese do not “hear” that way. He gave me an example of him copying me. It was different. He says he does not do well with Jazz either. He is a very good traditional player but new stuff and improvising, not so much. It really is more of a reflexion of his limitations than my skills but, I will take it anyway.
 
On the traditional front, I am finally almost finished my first full honkyoku zen Komuso song. What is even cooler is I am reading it, and not playing from memory. When I was a music major I was lazy, I would always end up memorizing the song I needed to play rather than just read it. I was almost going down that path again with this. However I ran into problems after a small break from class and had to repeat sections from here or here when Sensei pointed. Oh boy, I thought, this is embarrassing. Ok, I need to crack down and memorize these written Katakana notes. It was a vast improvement to my piece of mind once I did that. It will open larger venues for me, later. For now I am just pleased I can read the score I am on. When I look at it I think, oh snap, can read this scratching, how cool is that!
 
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Another thing to do with the shakuhachi but not musically. I have been wanted a place to put my shakuhachi when they needed to be stored or set down. Finally after much thought and some effort I design and built a couple of stands from Bamboo. The Bamboo I gathered from a small grove next to a Buddhist temple.
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With very minimal tools I made two racks. One for me, which hangs on the wall. Another for my Sensei, I notice when he has several out he just lays them on the top of his piano. With the rack it will be neater and safer from rolling.
 
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I have been giving some thought to my Shakuhachi pilgrimage for next year on my two year anniversary of playing. I am thinking I may go to Kyoto , to a different temple instead of back to Wakayama. Maybe that will be my thing, every year a different Komuso temple.
 
Next week I am off to Nara. There I will meet with a real life Komuso Monk. He will show me around and I will get some low down on the Life and times of a modern-day Komuso monk. I am interested to know more of how the Zen aspect works within this sect.