Back to the tunes


Back to the tunes…

I kind of lost my place in my blog tales, near as I can figure the last thing was the Jazz band jam. Ok so yeah. I had the Shakuhachi thing at Shintannoji. I wrote about it on the Komuso blog. A brief recap here. Shintennojiis considered the oldest Buddhist temple in Japan, I was invited once again to join the memorial concert and play a song on the Shakuhachi. This is my second year doing this. It is both a big deal and nothing. I was the only “gaijin” in attendance. This is event is something that has been going on for many many years. Once again I was the first one to perform. I figured out later it was because I was the new kid on the block. It went well. I played a different length Shakuhachi this time. The one I use for modern music, because I like the deeper sound than my 1.8 standard size. It went well. I did not make any noticeable mess ups and was only somewhat nervous. A new music friend who had contacted me on-line came over to me meet and listen. She was interested in doing some music collaborations for YouTube. We went for coffee afterwards. We came across a place where there was an open mic session going on. As it turns out one person there knew me and mentioned to the club owner I was a Shakuhachi player. I was pretty surprised that he knew that as I thought this person had only seen me play bass.
Next up was another Jam session at Chicago Rock. I got in touch with the keyboard player from m band. We meet up at the club. I had planned this time to do a blues song on the Shakuhachi. The same one I did with the Jazz band. This time I was more prepared to deal with the sound issues I had before. At first, I was going to start with the group play with me on the Shakuhachi then switch at a certain point and play the bass. However, at the last moment, I changed my mind. Since I had the music chart written out I figured I would let someone else play the bass. I would just focus on the Shakuhachi and singing, maybe do a little harp depending on how it was going.
I did a couple of songs playing bass and singing, they went ok as expected. My last turn up on the mic, I chose to just play Shakuhachi. As usual, people were surprised when I bought it out. I had the bass player from the last group play bass and my friend on Keyboard plus a couple of guitar players. We started. It went well. It was a bit rough but that is to be expected at a Jam with no rehearsal and a new song for everyone, plus a new arrangement. I had no real problems with the sound this time. It was not great but I could hear myself and others could hear me. The middle section did not go as nice as I wanted but, as I said expected. However, overall it went ok. There was no point I felt embarrassed. So that was a win. I asked a couple of people afterward online what they thought all said it was good. So I have the confidence now to continue. I have figured out the getting the sound out issue, so I can move forward. Also now I am getting established as a Shakuhachi blues player, something rare on the blues world. I am getting to do something a little different, in a place where everything is the same.
The band has a concert coming up at the end of April. A big blues festival. Last year I played solo on keys and Shakuhachi. This year the new band is enrolled. I will be doing two songs with them. The guitar player has no nite a second guitarist to sit in with us. That will work out fine. I will have one of them play bass whilst I play only Shakuhachi and sing. I had thought of doing the opening with Shakuhachi then switch up midway to playing bass. This way will be better. We have two practice sessions, before the concert so there will be time to work out the rough spots in the tempo change. It should go over good and be unique and memorable if we can pull it off. Diffinetly something no other band will be doing, I want that.
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…and so we are here.

Life can get in the way of blogging. LIfe rules. Life goes on, blog or not. You can not blog without life. I am in the deep post stage of healing now from the operation. No side effects I can see. ( hehehe) . I am so glad it is over. My eyes sight is still recovering, I am told about a month for vision to stabilize. Even I am so much better off now, visually speaking.

…In the world of bows and arrows.

I will get back to Kyudo training now, I can see clearer. Visually and mentally. I think I should make some progress now. I do not expect a lot of change because of the vision thing, but because I am understanding more about alignment, holding it, without tension. The other “seeing”. I can go back to shooting now, the weather is warming up a little. Summer shinza will be here soon. I will pass this year! I have signed up for a Tai Kai at Osakajo park dojo. It is the end of the month. It has been a while since I have gone to a Tai Kai outside of Kishiwada. I have not felt confident. I am better now and improving. This will help strengthen dojo ties, focus, form and be fun…I hope 🙂

…In the world of Sounds and beats.

I have been working on a couple of musical projects. Oh, wait did I tell you the drummer with the Sieki band quite. Not a big deal, I did not think he was that good. Ok in a limited scope. The leader has found a new guy. I do not know if he is long-term or filling in for the spring Shows. I hope he is a good player.

Then there is my stuff. I have a Komuso Shakuhachi memorial coming up this weekend. This is the one had to play at in front of the masters last year. to have my sponsorship announced. Now I am back,  I have been putting some extra time as possible. Trying to memorize the song. Having eye surgery and no job kept me time free to get some practice in. I decided this year to go with the long length Shakuhachi. At first the 2.0 now I am thinking the 2.5. The sound is much richer and fitting a shrine performance offering. Also, I seemed to have improved because now I can hit the higher notes. Sensei said to me today at my lesson. If you miss a note, let it go as part of the performance. In other words, It is done, let it go. Make the wind part of the note. In short, roll with it.
That’s something that every musician learns. Life is Zen, Music is Zen.

Life (Sound) is impermanence. When poo happens ( bad notes), learn and move on. The moment like the sound has faded away…Amitoufo

Ok, yeah I am doing the long flute. Another point today in class, I was shown more than told the answer to a question I did not ask but had been thinking about. Did I have to play the way it was written? No, I play what I feel, that is the point of an offering. I was corrected on a way I played a line at the Shakuhachi Club when I was giving a demo of me playing for the temple. Sensei gave me an example of playing the song as an offering in the temple. Much more in keeping with my thought, although much much better! LoL! So my main key to mind is playing to enjoy it, the feeling is more important than the notes!

 

The other project also involves the Shaku, but in a completely different setting. I had not been to the Ozaki Jazz society session in a while. I wanted to make a point of going this month. I organized 4 songs, to play. with whoever wanted to join. I also arranged for a friend who plays Mandolin to attend and another woman friend who attends regularly was going to be there. She agreed to play piano for me. I like her playing. So she and the mandolin player knew in advance what I wanted music wise. So I felt pretty set. The rest of the players could be sorted out on their parts as they felt them.

When I arrived it was quite crowded, I was surprised. Many faces I did not know. I greeted all I knew when I came in and had a seat near my friend. The session was lively and interesting. It was my turn…

I thought I had things all worked out about the sound. The last time I played the Shaku with a band I could not hear it well. I brought along a small amp and a clip-on mic holder, this time. I thought I was set. I explained things to the drummer and keyboardist how I wanted the beat and tempo. Turns out they both speak English, the keyboardist I knew did. I counted off and we started. slowly fleeing the groove. I got organized and stepped-up up to the mic for a note check. BLahhhh. Weak !  Weak! sadly weak I signaled to the MC for another mic to switch with the one I brought. We did a quick swap to the house system, I could sort of hear. I had to make do and just roll with it. I could not get into the feeling I wanted because I could barely hear myself, I am flat or off, or what. I suffered to hear. I could hear a few notes and I could hear some shouts of approval from the crowd. so I played on trying to hear by feeling, by sense. We made the timing change in the song it was a tricky part. The drummer blew it but we got past it and went into the next groove. I kept my Shakuhachi playing low-key, like background strings. Once in a while, I throw in a few solo bars notes. We made the tempo switch again this time the drummer really blew it, I was able to reset the time and get it back up to beat. Listening back on the video, it is not too bad. Some parts were even good. The attendees seemed to love it!

I was only able to do the one Shakuhachi song, then another song on the Bass, two total, because of the size of the attendees. No matter I found out what I needed to know, it was an experiment. It went well, it is no longer a question if I can play well enough or if I can pull it off mixing the sounds. The next issue is being heard. I mentioned that also to Sensei today. He told me the correct position to place a Mic and the best angle. I was way off-putting it at the end, it needs to be next to the mouth like a metal flute. Duh!!! ok, Now I know so it was a successful mission. Next, I will take it to the Blues club for a run. If the sound issue is solved I should be good to go. If you want to hear the cut-instrumental cut of the song, you can click here.

next return to the temple

 

 

Aftermath…this n that

 

Aftermath …this n that

It is a little over a week since I had my operation. It is remarkable the difference in the Vision in my left eye. When I compare it to the right now, which was better before than the left, I find it amazing that I was seeing reasonable at all. I do remember seeing a friend a couple of time in the park at not that much distance and also looking for family coming to visit at the train station and not being able to recognize their faces. Just more of an impression that it was them. Also some text on a box in the kitchen across the room I could not read, now I can. So it was a good thing to get the work done. The right eye is coming up next week. I am both looking forward to it and not. Rather I am looking forward to it being over and done with. I am also not so nervous about it since I know fully what to expect. Not really painful, but uncomfortable for a day or so. The drops 4 times a day is a hassle but, better than getting an infection. 
I went to Kyudo the other day the first time since the surgery. It was weird shooting with the glasses on, which I am supposed to wear for protection. A couple of people thought I was just wearing glasses and were surprised to see me wear them. I explained and they went ohhhhh. 
So the big question that was in my mind, does it affect my shooting. For sure I could see better on the left, however, it was not quite clear, as I saw just a bit of a double image or off image since my right is not balanced with my left. It is differently better but just off a bit. In a different way than before.
However, most importantly I could shoot and my hit average was up. Not only up I got more back to back shots. I finished at 60%. I do not credit all that with being able to see better, but with I am getting better at setting up the shot and maintaining how it supposes to be. Meaning my form is better, I believe. I am not going to go all nuts thinking I am making big progress because in the past I thought that way and the next time I shot I was lower. This time I was higher @ 60% than my last which was 50%. So if I can maintain that or increase I will feel, more confident about the Shinsa in June. I really want to pass in June as I feel it would honor Nogami Sensei since that is where it all started for me in Japan. To finally pass my Yondan there would be outstanding! So, I have to ganbarimasu! 
On another front, another item I wanted to do here in Japan was ceramics. I found a high-level sensei before however, he had retired, so that was a dead end. I found there was another ceramics “club” at the community center I was taking Japanese. My wife thought it may be to a beginner class, too housewifey for me. I did not bother going to check it out at all. Today I went there, I got the inspiration from going to the Budo expo to go check out. Not related but there was an Aikido class nearby I thought. I had heard back before there was one nearby, but also the ceramic clas. I had my wife call the center and yes there is a ceramic class and it was on a good day for me to go.
I went by there today and spoke with the sensei and introduce myself. I rode my bike which I was not supposed to do until I was fully healed. So I took some precautions to protect my eyes, and still, get some cardio exercise.

It is a very small group with me it would be 6 total over a couple of days and different times. I looked at some of the students work. Nothing great but some were a few nice pieces. I had taken photos of some of my past work, they were impressed.

I was shown the kiln and things were explained to me. I understood very little of all that was said enough though I felt welcome and could join when I wanted. Also, I could pretty much do whatever project I wanted. Help advice was available if I wanted. It was nice. It was also limited as there were no real wheels in use. Mostly hand building with a small hand turned wheel. However a fair supply of glazes. It made me realize how much I learned when I took the class back in college. Mixing the powders of my own glaze, using wheels, also Hand building, coiling, and slab. I was comfortable with it all. All the work done here would be by hand building, which was ok. That is how I started. I can also do that at home. So yeah, cool. I have a couple of projects in mind, I will not need to rush, so I can really take my time and work as I see fit. I want to make a couple of pieces for my garden and not houseware stuff, like before, bowls, sake containers, the like. I still have my tools which I brought from the states. So I am looking forward to it. Yeah, another something else to do. But hey, I am here to live and enjoyed the best I can with what time is left. So Kyudo, Shakuhachi, Zen training via SuiZen and some contact with my Chan teacher in Taiwan, plus the band, some occasional work, some occasional sailing. A blessed life here in Japan. If I can add some Kung Fu teaching of some type, and training it would all be perfect. But little by little, small steps. For the amount of time I have been here, it is quite a lot. I really should be looking for some more income, but I have spent most of my life chasing that, now is my time to chase my arts, with my lifetime left. With the blessing of the Universe, I should have at least another 10 -15 years left.
I will plan on starting the ceramics in May, after returning from Hawaii. The day and time is perfect and will not interfere with my shakuhachi class or when I am working during the summer back with the silver center. I believe that if I need to miss a day or time I can switch up with another since it is the same sensei running the whole program. 
Next is to find an Aikido or something club/class or even better a place for me to teach and students, that would be wonderful and the icing. I may have a place to teach, maybe. There is a new community center opening just around the corner from us, also a Sempai in the Shakuhachi group is an Abbott of a temple not too far away. Then there would be finding students. I would even give free TaiChi classes to seniors if there was interest as part of spread Buddhist dharma. It is not really about the money, same as teaching Kyudo, it is not the money. In fact, one does not pay for Kyudo instruction. You pay for club membership, space, not the lessons.
The Band.
The band has lost the drummer. Not really a big deal. I did not think he was that good anyway. Not versatile, and zero funk feel. The guitarist is on the search for one. I have spoken with the drummer I played with in the Doc’s band. He really wants something convenient for him and does not want to travel, bit says he wants to play. Also can not practice not after April 7 th, as he is involved with local politics. Hmmm, he is an option if we really cannot find someone for the gigs we have in Last April and early May. Another is to use the current guitarist on drums. I think his beat is better than the former drummer and his guitar work is ok, but not great. With him on drums and our current keyboard player, we could carry on, even sometimes use my dummy machine. My last major band in the states did not have a drummer, we played with an electronic drummer. The one that I have not is more advanced than what we had at that time. Anyway, we’ll see what the universe brings in with the tide…Amitoufo

Sessions…

Session by the Sea

Sessions are kind of like sex. It is usually good, but sometimes it is great! Depends on your partners. My last visit to Snafkin, I was invited to attend another session there on the 18th, which was yesterday! I was not sure who would be there. However, I was looking forward to it as there were going to be at least a couple of people I knew and played with before.
I had contacted another local musician, a mandolin player I meet at a session at Chicago Rock. We are in the same age group and he lives nearby. I played with him at Chicago Rick a couple of times and we rode the same twin home once before. I invited him to attend the session, but I was n to sure if he would. The keyboard player I have worked with and is perhaps one of my favorite players was scheduled to be there, but he said he was not sure about the time or appearance because of work. I was expecting the percussionist I have played with several times to be there, so I was told. 
The day arrives and I make ready to attend. I had three songs picked out to do. Really just two but this was just in case. I had no idea how long I was to play. I was even ready if I had to do with just myself and drums. 
It was nice it was not super cold, even though I was dressed for it! The temps were mild. I made my way to the cafe! It was not as crowded as I expected. Also, several people, I was expecting to be there were not. But it was ok. I arrived and said my hellos, I was pleased to see the mandolin player there. I was expecting him to be there to do a free Jam, but he said he was there for me! Cool, I thought. I also saw the keyboard player there already. However no percussionist. Ok, no big deal, we have played San-percussion before. 
There were a couple of acts before me. I sat, watched and grooved with them. One of them was another friend. I played with her a couple of times, she and played shamisen with me other times. Tonight she just had her keyboardist and sang. 
Soon I was up. I gathered my players, piano, and mandolin. It took a few minutes to figure out what we were doing and get things setup mic wise. The keyboardist was a little unsure about a couple of songs I spoke of, so I chose to stick with some simple blues. I also found out he remembered how I did Summertime and he played it in the right key for the Shakuhachi I brought along.
The first song was my version of “I hear my train coming,” by Hendrix. It is sort of a Jazzy funk blues. I have done it several places now. It fits me, and the people always seem to like it. It works with any group/band I am finding. Next up was “Summertime”. I played Shakuhachi on this and no bass, which I played in the first song. People are always surprised to see me bring out the Shakuhachi. Not something one expects to see for a Blues player. I was more prepared on what to expect this time as far as mixing the Shakuhachi. So that went ok. Another thing that had come to me when practicing. Is that I should be playing now, as when doing Honkyoku, it focuses on the notes, not how many I played, or how fast a run, but the feeling, the quality, tone, character of the notes. It made the playing better. Also made me less excited and able to blow more evenly instead of losing notes to just air sound. Even though that still happened at times. Overall it went very well. That was really my biggest concern is how will my Shakuhachi playing sound. It is still new to me in this venue. When we finished, we got a good response. From the band and the audience. 
My last song was a simple blues, but in a way sort of complex because of the rhythm change. Usually, I try to explain that to the players, but tonight I did not. I was going to keep it simple and just feel our way through it. Piano, Bass, harp, mandolin, and a guitarist joined us. We did the final song, almost perfect the tempo change came naturally and we flowed right into it. It was great. Again we were all impressed and pleased with the outcome. My only regret is that I did not record. I had thought about it, but after speaking with my friend about taking pictures and she wanted to use the camera, it slipped my mind to turn on my recorder on my smartphone. Oh well. It was sort of like a Zen thing, it was only to be experienced at that moment.
Afterward, we hung out a little, before my friend the Mandolin player and I walked to the train for our trip home. He gave me a lead on another good place to go fo Blues sessions, that was fairly local which also had good players to attend. Nice! I will be checking it out. Also, I am thinking more now about adding this mandolin to my personal group idea. I had thought of mandolin being more of a country sound, but this guy worked it with the blues. People at the club were impressed with his playing. I was even more impressed than when I heard him before. In this setting it was nice, nothing was too loud, so it all could be joyed, unlike at Chicago Rock where everything is so loud.
So yeah, like sex with the right partner, the session was great, a learning experience and a blessing…Amitoufo

Session @ the Rock

I had a gig a week earlier at Chicago Rock. I was part of a trio that the Chicago Rock Master had assembled. We had no rehearsal and no song list before the show. We three had played together once before again with no rehearsal just did it off the cuff. The other time we had Jo-San the keyboard player, this time no. Still even though very very loud it went over well. I was told to turn up my bass. That is really different! I neede to turn it up so it could be heard in the sitting room. In Chicago Rock, one small room is where the band is, the stage of sorts. The other room is where the people sit and drink. I had to turn up so loud it sounded distorted coming out of the amp. I did some recording that night, but because the Bass was so loud and the smartphone mic was not able to handle it, it sounded crappy when I played back. Generally, we, the band sounded pretty good, but the distortion was BAD on the recording. Which is really too bad a couple of songs we actually sounded good on! I am not sure what will happen with this group if I will play again? Nothing was said and I left pretty soon after we finished. I did not even stick around to see if there was enough income money to pay us. I chatted with a woman singer, for a short time who spoke some English. Then I took off for home. It was a good night.

Session Izumisano

Ok last on the music train. My friend the Percussionist, contacted me the other day. The day before the Snafkin session asking me to come by a show he was doing nearby my home. Usually, when I am invited it is to play something. however, nothing was said about me playing, So I was not sure. I was thinking maybe he just wants some body support at the show. However, I thought hmm ok, maybe I should bring my Shakuhachi just in case I am asked to do a ( one) song.


I went to the showplace and small little Cafe. Near the Indian restaurant, I go to and have been meaning to go by lately. The Manager saw me as I was walking by. we talk a little. I said I would be back if he was not closed. For you no worries he said. So off I went to find the Cafe. Without the smartphone. I would have never found it! Ok, I locate the cafe and someone comes out and shows me into a seat. It is a very small place. One big round table and several chairs around. I am greeting by my friend who is playing. I take a seat and settle in to watch. After about 3 songs, they are finished, I am thinking they are going on break. Nope, I am asked to do a song. EhhhH!!!!!! what? really?! hmmm. ok, I take a guitar and give some thought on what to play. I start slowly as I am not warmed up. It went ok. I changed somethings as I went along because I did not know all the Spanish words and did not have my harps. So it was just singing and guitar. Next up, a guy comes out and takes another guitar and starts playing off to the side but right next to me. I am thinking ok, I am done. However, I am asked to another song. Hmmmm ok. I say since there is someone with a guitar, I will play my shakuhachi. I give the guitarist some cords, tempo, and beat. We fiddle with it a little bit then start. It is all improvised for me, as what I was expecting to hear and what was being played were different. So I just listened and went with what was being played, not with what I wanted to hear. Again more on the tones and spirit rather than technique. I rolled with it and just freestyled, again feeling like I am doing musical push hands. Listen, Stick and flow with the energy/notes. It was good practice for me. The more I play, the better I will get, everything is practice, everything is Cha’n. Once again everyone was surprised when I whipped out the shakuhachi. LoL! Then one last song I took up the guitar again. I had been trying to avoid doing a blues but it was that time now. My first song was Besame Mucho, then the medium speed instrumental Shakuhachi freestyle. Now, something a little funky yet simple. It felt to me a little empty without my Harps but …yup I rolled with it. By now my fingers had warmed up and I was feeling more comfortable on the guitar now. It was like driving a new route not quite sure where you are, but then recollection kicks in and you are like, oh yeah I am close to home.

Again it went over well. I stopped and the next act to come on. Being mostly unprepared, but always ready, things went over ok. I wish I had known I was expected to perform, I could have prepared better. I watched the next two acts, then it was over. I made ready to leave. After a few chit chats, in Japanese, always scary. I made my way out the door. Outside my friend gave me money for coming!! I was shocked and tried to refuse, but he insisted, after three times I yield. At that point, a friend of his comes over. She is an English teacher so we chat a little before I head off to catch my train. So, new contacts, meetups, got paid, got lunch, it was a good day! I brought dinner home! Amitoufo _/|\_

 

 

尺八 – Blowing Zen the New Year


Blowing Zen the New Year…

 
It was cold, it was raining, it was not how I like to start out on a mission, trip, Journey, whatever. However, nothing to do but do it. The rain did not last much, just some light stuff that went away I was grateful and prepared. I had plans for the day, when it was early, Tai Chi, Indian lunch, then to the Society Shakuhachi session. I had this plan the other day, now like then it did not work out. I just went to the Shakuhachi gathering and even then I was late. Not a big deal, but there I was. My lateness was enhanced by stopping to buy food to bring in and one of the shops insisted on wrapping the purchase. sigh, ok, I sat, I waited, I drank tea. It was finally ready. Yeah, it was full on Japanese wrapping, very nice. A bit much for just the guys, but one rolls with it. If my language skills were better I would have explained the wrapping was not needed.
 
Ok, after another quick and simple food stop, I trucked on over to the Shaku Dojo, the few Sempais that were there had already started of course. I did my happy New Year greetings and put the food on the table, amongst a bunch of newly finished Shakuhachi from Oota Sensei. Some looked interesting with a different root end. I mentioned that it was shaped the same as the lotus bud, which is on the temple in Angor Wat. This had the same shape as a lotus bud, not a club. I was thinking when I saw it, it would be a cool Buddhist Symbolic Shaku for a Komuso.
After settling in a bit, I was passed one of the new shakuhachi to play. It was very nice. Easy to play and nice sound, not as shrill as I was expecting from a 1.8. There was some chatting from Oota Sensei if I wanted one or what size did I like, something. I did not quite get but was told he would make one for me if I wanted one. I do not recall if I said yes or it was interpreted as yes… I think one is being made for me. In ‘D”. I do not really need another Shakuhachi, I guess need is subjective. If it happens, it is supposed to, if not…
 

Meanwhile, everyone is getting settled. The main Sensei is there today. Shimura Sensei, I had heard about him before that he was going to start coming again. I meet him once at Myoanji. He is the official leader of the group. I found out later he is a Professor @ Osaka University of Arts he teaches the only class in traditional Japanese music or something like that. I also found out he is a Komuso and a noted performer. This guy is the real deal!! What good fortune to be in his group. He sent me a picture later.

I have gotten an idea to put some questions to the group about Shakuhachi and Komuso. That could be an interesting post. There is a mix in the group, I believe of Philosophy types. One day we had a short talk on Spirit vs Technique in playing over some food and sake!

I had brought along my extra flutes today. The 2.0 and the 2.5 made by Oota Sensei, but also the “bell” the plastic bamboo hybrid for the guys to look at. There was only mild interest as I expected. Only a couple blew the Bell. Shimura Sensei took the most interest, he took pictures, looked inside, etc etc. when he played it he said musugashi, meaning difficult, or perhaps something else as well. He has a doctorate in Shakuhachi Research and quite a personal collection I hear. So naturally, he would take an interest in the new kid on the block. I did not “pick up” that he was overly impressed though. This is a long flute Ryu, so the 1.8 is not the choice tool. Kishi Sensei was looking at it more from a good for a student level, whereas Shimura Sensei was thinking from a performer level. I am guessing this only. Seems logical, life is perspective.

Back to the story… I was surprised to see the 1.7’s or whatever had been on the table when I arrived. Oliver was picking up one for a new student of his from China.

 
Ok, so we played through a few songs and listened to a recording of songs some “Master” was playing, ( maybe their former Sensei) then we played the song. I have the sheet music in front of me and I can, for the most part read and play along. But something is sounding funny today! Something is weird, very weird. I am playing with the same size Shakuhachi as everyone else but mine is sounding different, not in key. I am thinking must be my angle, so I try to adjust, but nope no change. This really throws me off when playing along with the group. So I stop trying to read the chart to follow. I had to transpose whilst playing, I watched the Sensei’s fingers. So I just listened and played along that way. There were enough others and slack in the timing, that I could sort-of follow along, done softly. It was sort of like doing a Musical Tai Chi Push Hands drill, or maybe a Sticky Hands drill. The musician in me helped again, maybe some of the Kung fu Shifu. Otherwise, I would have been totally lost. Yet still a couple of times I was shown where the group was at, in order to rejoin. 
 
Ok, we had petty much gone through everything, and Oota Sensei says it is my turn to choose something. So I am thinking this is where I suppose to show if I am making improvements on Cho Shi and I will play solo. It is time for the grasshopper’s lesson. So I wanted to try out playing the 2.0 on this song, for a change. I can hit all the notes on it, but not the larger flute. As I am about to play everyone else does also. Ehhh, I say, everyone is playing? Yes! Ohh! So I am thinking this will be not good because I am using a different key flute. Yet for some reason, I did not change flutes. However, slap me down and call me Shirley, it sounds right. We where all in tune now. I am thinking, ehhhhh??? Oh well, I rolled with it. So we finished the song, no comments, so I guess I did not screw up. oK, I guess it is time for me to pick another song now to work on. Maybe the other version of Cho Shi. Yamoto.

About now we start misc stuff and again someone plays something. Then I hear Fuu-San play something your style. Ehhhhh! Again I am surprised. hmmmmm, Ok, I have been thinking about doing a Jazzy “Summertime” on the 2.0 it is my performance flute. Even though, Kishi Sensei thinks it is junk and will give me bad habits if I play it. I like it. It is in tune for playing modern music, it looks funky cool. so I gave it a shot. It went well. I was pleased. My next performance of the song I will use that flute and not the short one. Also, people end up with more than one instrument, when playing for a while. I saw one famous woman on FB that had her collection up. Maybe more than 20! She said different sounds, different feeling, emotion when playing Honkyuko. She is a pro, as a musician and teacher, I understand what she was saying. I have been using restraint with my gathering of instruments. Many Bass players and guitarist have many several and are not even collectors. Anyway Yeah, I use restraint and not having money to throw around also helps maintain the will power and discipline. I digress…

After another song that, pretty much was a wrap for the practice session. Out came the food and drinks and we relaxed and hung out for a while before heading off into the night to go home. We walked not quite so steady after the drinks, well maybe it was mostly me. Because I have not been drinking and I kept getting my glass filled. Three of us took the fast train back to south Osaka and for a change, I did not have to go the furthest.

 

 

The piglet session ….2019

 

The first Kobe Jam session… 2019

 
Wow, seems like not that long ago it was 1999, my life was completely different but kind of the same. Now 2019, I was invited to a new year jam session, by a friend. The first musician I met when I arrived in Japan and was just stepping out. This was out in Kobe area. Which was where originally I would have liked to live. I’d not know then as I do now it is a very active music scene. I would have more paying gigs if I lived there and Kung Fu students. But, the cost! 
 
Anyway, the first Jam of the new year was held in a Kobe area music studio, I went to last year, it was crowded. A good mix of gaijin and natives. This year a little fewer people, still a bunch, but more manageable size. Still, there was food, and a lot of drinks and stuff. Some were already made, some was being made on the spot. This year the Stage was half the room, instead of squeezing the band in a corner so much. There were about 20 people there when I arrived.
Things were already going. It was different music and people than I expected. I hooked up with a few old peeps of mine. We went and chatted a bit and I slowly worked my way into the scene. I was called for next up to go live. It was a good thing I got the warning, it took me a while to get unpacked to play. I had planned on staying the night so I was really packed, along with stuff for the party, all strapped on a cart. Easier than lugging it all on my back and shoulders.
 
I saw a few more people who I knew as I made ready. I played along with the band to warm up on my harp. I kept getting pushed to go up and join, but no, I did not want to, not yet. Ok next up my turn. What had been before was sort of a rock blues. Then there were four of us, picked, we set up. We never played together or knew each other. We worked it out that one guitarist was going to sing and start with the first song, he wanted slow blues. I just played bass, as it was not a key for my harps. It went well it was rough in spots but that is to be expected. It makes it part of the liveness of Jamming. My turn, I tell the guys the format. Lucky they understood enough English. We had at it, a funky mid speed jazzy blues. It was different from all before. It changed the vibe of the room. Not in a bad way, more in a laid-back tap your foot nod your head, have a sip of a drink kind of way. The vibe felt comfortable and
I felt that way as well. I felt no need to rush just let the groove happen. We ended, fairly well and got a lot of yays! It was that kind of crowded though, loose. We mulled about a bit seeing if we were finished or not. Ok, I say let’s do one more since no one was coming to replace us. I pick a slow blues, we pull it off well and leave the stage area.
 
The next group is up with a drummer, who I know, we played together sometimes. He always takes pictures and sends me some. I grab a seat in front and take some shots. I another friend comes over and she shows me a plate with food it. She explains about it being a vegetarian quesadilla. It was being made by two women she turns and points to at the nearby table. They smile, we smile. I say I will go get one in a bit, (as I was trying to take pictures,) she says this one is for you. Thanks, I say and take a bite. It was good! I Munch down on it whilst taking a few pictures. I went back for seconds, this time as I took my seat the band started playing an old Rock Roll by the Stones. Three of my friends sitting next to me on the front row had a mic and were doing background vocals, I joined adding another harmony. I had not been drinking much for a long time. The glass of wine was good and I was feeling quite comfortable. We had fun on a couple of songs.
 
 
The rest of the evening others played, and switched, I was called up again to play bass, but another player who had not played went up. I changed over to vocals and harmonica for the rest of the evening. I was surprised I was really the only Harp player there. My lip I felt like it was getting sore by the time we stopped and people slowly left. It was a fun evening. It is rare for me to be to hang-out with other foreigners and chat in mostly English. It was a nice change.
 
There ended up being four of us guys who spent the night. I think it was three last year. Anyway, we chatted for a short while after everyone left, before turning in. We had futons and rugs to sleep on. The unit space is not set up for sleeping, it is set up to be a band rehearsal and misc room, with a small kitchenette and bathroom.
I did not get much sleep. Uncomfortable, sort of chilly, but mostly the snoring of the other guys. First one, then two, the third joined. It was an oddly rhythmic merge of sounds. I took it as sort of meditation practice, just to lay there, an listen, then not listen, just to lay. Somewhere around 4:30 I got a little sleep. I know so because I was woken by someone’s alarm to get up about 5:00 am to catch the train. I had no need to rise that early. I had the day off and a pass from the house Shacho to hang out. She was going to work that day. I would be home alone when I arrived.
 
I had a little bit more light sleep, before getting up, just after my host. I casually made my way home. It was a good musical start to the new year. It felt like a blessing…Amitoufo
 

Festivus…2018


Holiday Jams

 
This is not the kind of Jam you eat, it is the kind you dig, dig?
 
I was asked to fill in with a band at a session at Chicago Rock, by a friend who plays keyboard in a couple of groups I am with. The regular harp player and the bass player could not make it to the gig. So I was. Invited. There would be no rehearsal, just pick a couple of simple songs to do, which we would test out just before the show. Ok, not a big deal, we just do something simple and listen to each other as we play. Listening to the others is Key. Something Matsuo with the blues band did not do well. Anyway. It was loose and fun, we pulled it off like we had played together a lot. The club master ( it was his project this band) asked me to join them again on a later date in January. We will do a trio, the keyboard player was busy so it will just be three of us, drum, guitar bass. It will be my first time with a group where no one speaks any English. LoL it will be interesting, but not that difficult I do not believe. Just some simple blues songs again. The guitar player is good and entertaining as the lead man. I will not have to do much other than just do my thing.
 
I came across a post by a friend who I have played with on several occasions. He and the Iyo band were playing at Snafkin the past Sat night gone. IYo-San is my favorite sax player, she has a jazz band I have sat-in with them before. Always fun. I decided to stop by the cafe and hear the group. I figured they would ask me to play something, so I figure to use the chance to try out my Shakuhachis. I took the 2.0 and the new bamboo hybrid 1.8.
I arrived after they had started. When I entered it was announced by Iyo-San. I was shocked to get applause just for showing up. I took a seat and relaxed into the music. Which was mostly Christmas stuff. They played one modern piece, upbeat and funky. I was asked as were a couple of others to join in. I said I did not bring anything, thy aid, said sing then. Ok, I joined and did a bit of scaring along. It was fun.
After a while, it was time to wrap up the show. They asked if I would do a song, what did I want? Piano, guitar, bass? I said let’s try an experiment, I have my Shakuhachi. I heard the sound of surprise form a couple of people who were listening. Ok, I gave the bass player a pattern I wanted and key, the keyboard player had done the song with me before, so I was not concerned. It was going to be loose which was ok. We started, had some issues with the mic and my Shakuhachi but I worked it out. I could not get the volume I wanted but made do. Also some small issues with a few notes but nothing to be concerned about. Overall it was loose, funky, and fun. We had a good time on the song. It was a learning experience for me. A live test with a band and the Shakuhachi. I just played the one song. Learned I really need a mic or amplification system just for the Shakuhachi. I ordered later a clip on mic holder so I can put a second mic on the voice mic stand I use, this new one I can mount lower. I also learned if I am going to play seriously I need to bring my own mic and a little amp to play through. That way I am covered by bringing my own sound system. I have been slowly putting that together of just such a thing. I have a small portable bass amp that is battery operated, easy to use and some small effects are built in. So I can add a bit of reverb to the mic and that is just on my mic, not the whole system. I also have a mic so adding just the clamp on mic holder is easy then good to go. A strap on mic to the Shakuhachi would be better, but they are costly. For the amount of using I will get, that I can foresee, it is not worth the cash outlay. So the session was fun and educational. I can work the Shakuhachi into some Blues jams, the Shakuhachi from Ota Sensei I have will work! I just need some better amplification…and more practice.
An added plus from this session is I was invited to come to another open session with many old friends attending, next month. It should be fun and something to look forward to attending.
 
There was suppose to be a Sieki band practice up next on my schedule, however, it was canceled. I found out about it on my way to rehearsal. Good thing I was going to contact them to say I was running late when I found it there was nothing none. Some error cause me to get the notice late. Not really a big deal, just some time lost.
 
Next up is the monthly blues Jam in Kobe. Rarely go, it is too far. Since I had some other reasons to be out there I attended. I also arranged to meet a couple of friends there who live in the area. It is a 2-hour train ride from my home, so I like to make the trip worthwhile. Also, I need to catch a train in time to get back before the pumpkin hour. I arrived a little later than I planned but still in time to use the happy hour for food and a drink. I was spotted by one set of friends. A sailing friend from Team BLISS the sailing friends. A bit of chatting then another friend spots me, the drummer form the old blues band. I had also contacted him about coming by, we still jam together sometime. He got to talking with my other friend and joined us. Meanwhile, we are both called up to play. I notice they are short on musicians tonight. Usually, there are more musicians to play than there are customers to enjoy. Tonight was different. After I insisted that I eat first I went up afterward and did a couple of songs, playing Ba and singing. I had gone up on stage earlier and played the harp and sang a bit when I first arrived and after ordering my food. At this point I was spotted by another couple of friends, I had arranged to meet there. I had not seen them in several years, so a quick chat then back to, my food before going back on stage. Usually, I get to play a couple of songs then I am done because I have to leave and there are many others playing. Tonight different I played Manabe six songs before I had to catch the pumpkin train back home.
It was a fun night chatting with misc friends, in English and playing a lot more than planned. It was a good night!
 
The next stop on this music train. Chicago Rock with the Seiki band. After several issues, with sickness, broken bones, hurt feeling, it was show night. I was not expecting much of a turn out. The weather during the day was pretty sucky. There was another band playing as well so that would be a larger split afterwards.
I arrive on time and went in, we got setup and did a small practice sound check. It was well. As I was waiting for our turn to start, we were the second band. A couple I meet on the plane back from the states came to the club. It was a big surprise. This was the second time they have shown up for a show. This time they brought along their son. They speak English but spoke in Japanese. They took a seat and waited and watched the opening band. A very short while later another friend showed up. I friend from Kyudo, the shrine school. She had said maybe she could come but never said if she would or not, or followed through with my question about her job. So I was very surprised to see her.
After a short while, we were up. The mainliners for the evening. There was a fair amount of people, but it does not take much to fill TheRock it is very small. We played without issue. Some songs went very smooth, others went ok smooth. Nothing was really poor. Overall we did well. I usually keep an eye on the watchers. Seeing if they are nodding or tapping to the beat to judge. My friend showed nothing, I could not read if she was enjoying or not. No foot tap, no head nod, a cool number she is. Overall people seem to enjoy. With Americans you can tell if they are enjoying, no question, with Japanese… not so easy, except the drink ones 🙂
 
Our final song, the encore, which was clapped on by the last band, as we did to them, was pulled out of the hand, by me. Not one we usually do. The singer and harp player from the first band joined us for this song. He sang some. I was glad he did not play harmonica because his playing is hard to listen to for me. We shared singing and I played harp and bass as normal. It was a good session, people gave congrats afterward.
 
It was a good evening, I took a few pictures with friends before bounding out the door to catch my pumpkin train.
 
That was a wrap on the Christmas sessions. I have a New year, jam session coming this weekend, it is very very loose more of a party, potluck than an official Jam, although that will differently be happening as most attending are musicians and we will be in a rehearsal studio of my friend. The nice part here is I will crash over at the studio so I can stay and hang out without turning into a walking home pumpkin.
 
For now, it is preparing for the New Year, cleaning house, organizing, etc. the Kyudo 108 ya is upcoming on New Year eve. I was expecting and hoping to hear about the New Year shooting at the shrine dojo, but no invite has been forthcoming so. I will write that off for this year and go back to my solo New Year Kyudo 108 ya ritual.
 
Oh ohhhh I forgot there is one more jam tonight @ Chicago Rock. I suppose though it is an end of the year Jam rather than a Christmas. Not that it matters. It is in a few hours. I am still mulling over the idea of going or not going…it is always good to be seen and recognized..good PR even among just musicians.
 
Well, I caved on the idea.
I was dressed and walking to the train station when I changed my mind. Doubtful if it matters, and I did not commit to attending. C’est la vie, my zensence said no.
I will stay in a practice Shakuhachi and chill in general, on this cold windy night. This makes the minister of finance, happy because I am not spending money. I have only maybe two or three work days before the job is over for the winter. For me it will be cut back on travel and spend time doing at home study. Reduce spending, increase knowledge. Tomorrow is house cleaning for the new year and the Un-party New Year’s dinner with my in-laws. How fortunate that we get along well…Amitoufo

Shakuhachi Pilgrimages: Cambodia- finale

Have Flute will travel: Cambodia

It was the last day. The plans had changed some during the evening. We opted to pay for an extended stay at the hotel. Instead of 1:00 pm check out, we went for 4:00pm. The typhoon had fizzled out so the planes were flying. That was not going to be an issue. Our flight was at 9:00pm. we had most of the day to hang out. I had arranged with my driver to pick me up at 12:30, to take me around town. My wife wanted to do something or another then just hang out poolside in the Jacuzzi.

After my morning drills, a light breakfast, my ride came and I was off. The first stop was the Killing fields Memorial. He gave me the story about what happened. I was under a different impression from what I had heard. He gave me the story then let me walk around. I read the posted writings. It was sad. I went around to the Misc statues and bowed in respect and silent prayer. Over in one unit were the bones of those they had recovered. I paid respects there also. Then we left. I had thought of canceling that part of the day at first in the morning because of the time, but I am glad I went. Interesting, and educational. I just was watching a youtube show about the 7 wonders of the Buddhist world. Some of story of Cambodia was included.

 

We next went to a local Buddhist temple. It was old but not like the Stone ones at the paid sections. This small shrine/temple complex also had a new temple being built on the grounds and it was an active temple, with monks there. Nothing spectacular but still interesting.

Next stop was a local made in Cambodia marketplace. We pulled into the parking lot. I thought the place was closed as there were no cars or anything in the lot, not even people. That is other than a few musicians lounging on a raised platform. My driver tells me after I say something about no people, it is lunchtime. Ohh. I said.

When the musicians saw us they sat up and started playing. I looked at them for a small bit. My mind flashed back to my earlier thoughts a few days ago. I had seen no street musicians other than a trio of the same instrumentation at a marketplace the other day. I had thought briefly them about asking to play with them. As were ever I went I had my Shakuhachi. However, I did not follow through on my brief thought at that time. Again I had the thought now should I go up to them???

I was taken over to the entry doors of the main store by my driver and entered. I walked around looking at stuff. I felt uncomfortable. The people here have a habit of following you around the store and jumping on selling anything you touch or look at for more than a moment. It is irksome. In the states that is done more so to make sure people of my color are not going to steal something. I have never had that in Japan. Here it is for a different reason but it still was irksome. I walked through, and I found nothing of real interest to buy at least. In my price range in mind.

I went back outside. My driver was waiting. The musicians sat up and started playing. I listened for a bit. Then walked over and gave a donation. These were not just street musicians they were disabled in some way or another. I bowed and made a motion asking if I could join after pulling out my shakuhachi. They smiled and nodded yes. I tried to play along, but could not quite find the notes. Other than one or two I could not get the tone pattern. The tuning was different. They finished that song. One of the players of a violin type instrument played a note for me to hear and sample. Hmm Ok, I could get that and another. Hmmmm I thought maybe it could work. I asked to take a picture with them. They made a spot for me to sit with them on the platform. I gave my driver the camera and sat. This time I lead the music and they followed. It was better, not perfect, it was rough but ok, different and interesting. I think if we did another take on something it would have been a lot better, but I did not want to stay too long, my time was limited for the day. A few other local people from the next stand came over to see what was going on as we played for a bit, then stopped. They asked a few questions about me of my driver and the shakuhachi. Also, I had on my old kung fu pants. I did not change from my morning Tai Chi set. loose and very comfortable. They had some Chinese symbols on the legs. That was noticed and commented on. My Driver translated. I explained about my background being a Cha’n priest and a Komuso in Japan doing sort of what they do. I showed them a picture of me as a Komuso and gave the one guy who spoke a little English, my card. This little session was the other high point of the trip for me. I bowed and we took off just as a couple of Tuk-tuks pulled up with other tourists.

We made our way through the town and along the river. Interesting views all around. Interesting, but not always pretty. The next stop was at the Imperial gardens and another Temple. This was a mix of Hindu and Buddhist. Cambodia is a very Buddhist country however at one time it was Hindu. There was a big conflict at one time in the past between the two. It was resolved that they could get along. The Angkor Wat building design is a sort of reflection of that past. It foundation design was Hindu in nature. Later the Buddhist influence became more dominant at Angkor Wat. This temple we visited today was mixed, but more in practice than just design. Hindu dominated here though it was a more modern building it leaned more to the Hindu side of Spirituality. A combined worship place. Sort of like how the Buddhist and Shinto con-exit in Japan. Just that here it was the same temple. I walked around a bit here and ended up getting overrun with ladies wanting to sell me scarfs. When I spoke with one, then others seeing that came over. I was surrounded. I politely got away. I told one I would think about it and come back. She got on the cell phone. I walked away. I few minutes later she comes over to where I am, with another price. I speak with her, then others see and again swamp, me. I am ready to buy one, then the others overwhelmed me. I start to get pissed and strongly say NO! One of the women “got it” from my tone and laughed and backed off, as did a couple of others. One keep at it! I made a purchase from the first woman. The other woman is still at it. I ask, are you married? She looks weird and says yes. I say, “you must drive your husband nuts being so pushy”. She goes back into her selling mode. I walk away she follows still talking, I ignore her, and she walks off, to another person.

I go back to my ride and say I had enough for the day. Off we go back to the hotel. I have not yet paid this guy for the two days he drove me around. I ask the price. It comes out to about $28.00. I give him 30.00 it was worth it. If you go to Cambodia, I will give you the hookup for him if you want.

The rest of the day is spent after packing, poolside until dinner. Afterward, we are taken to the airport and it we are off back to Japan.

It was a good and educational trip. My wife really enjoyed the hotel and wants to return. She felt comfortable. Most people spoke English so she could cope. For me once to Cambodia was enough. I would rather go to Taiwan. Even though the hotel was not all that where we stayed, and did not really get to spend any time outside the city, other than the Ch’an monastery. Modern cities are the same, and Taiwan is not poor, but I would rather go back there. I am sure they have some scenic places. The food there was better for me, there is a nightclub I can jam a bit at, there is Kyudo there, there is my Cha’n Shifu, I have local friends. If I could find a Kung Fu Shifu it would be wonderful. Maybe maybe maybe, if the Kyudo seminar turns out to be real thing I can go back. That is a big maybe, almost doubtful due to finances.

Our reality starts with a dream…so we’ll see how the Universe wants me to roll with this…Amitoufo

 

Days in the Life

I spent most of the day doing gardening. When one reads that you would think I have a big yard . However it is quite small, my rear Balcony mostly. There is a small front yard. In this case I am speaking mostly about the vegetable space which is on the rear balcony. The front yard space gets too many bugs! The rear space is manageable.

So I spent most of the  day there and doing related stuff instead of going to Kyudo. More on that later. The veggie garden is a good source of Chan awareness of life, interdependence and a sort of meditation. Working the soil, watching something grow, nurturing it, then eating it. A life cycle. I picked up a bunch of chicken poop for plant food the other day. Cheap. I was not getting the results I wanted with the Fish poop. I am hopefully this will be better. It is what the farmers use around these parts. I also picked up new soil for some bigger pots I got for tomatoes, and some new shelf making items. I did not really do much planting , just getting organized for the spring planting and arranging some things for the autumn stuff. There are a few things I can grow pretty much all year round, like Kale. It is a blessing to have mild winters.

Right now I have some cayenne peppers I am looking forward to harvesting I picked a few here and there now drying. Also just did a new group of lettuces plants. My one pot of Kale is recovering from the caterpillar attack this summer, and planted some news one that are coming up well. Yeah the Bamboo mantis Veggie garden is doing well.

 

 

After 4.5 years of experiments I have a good sense of what is needed, and what will work. Part of the time was also spent going to the store and picking up a few things for the gardens, front and back. It was good to do and a blessing to have and do…Amitoufo.

Kyudo…

In other news. ( that more readers care about)…Kyudo. The next shinsa is a few weeks away. I have a different attitude about it this time. I am less mental intense, but at the same time, more focused. I have gotten some new adjustments I am working on, angle of the Yumi after release. If it is the wrong way it means I messed up during the release and most likely opened my hand. This I was told by Yamashita Sensei.  Do not when going from DaiSan to Kai bring the Yumi straight down the cheek. It should be away from the face until at the lip line then brought in to the face. Left arm is completely straight, the small twist comes when pushing the left thumb toward the Mato. Not from turning the arm which makes the shoulder rise. Yamashita Sensei, Nanadan told me the other day. Your hitting on the right side of the mato is a good thing , even missing. Hitting on the left is not so good. There was a because stated, but I did not get it!  Anyway little by little it is coming together. Even if it is not time yet, when it is time, I will be awesome… Amitoufo

 

Music:

Two of the three bands have gigs schedules, so that is picking up, sort of. I had one practice session with band 1, Sieki Band, the other day. It was ok, not everyone was there, some it was very loose. But ok, by way of just reconnecting. The 3rd band has a gig next month, we will practice a couple of days before that. The gig is the same night as my Shinza. Then up at 4:45 am the next morning, Monday to go to work. It will be a looonnnng day, really a long two days.
Casually thinking about my own solo show. Slowly getting a song list together. I am really more focus right now on Kyudo and Shakuhachi.
I really have no goal plans for shakuhachi, just to get better. The goals I had were learning to play the right way , not just by ear, and self-taught and then becoming a Komuso. I got both of those now, it is just to improve for the sake of improving. Also explore more of the Sounds and Meditation/healing aspect.

Music life has two parts. Pop/Blues and Shakuhachi…The Spiritual Side. It is not as fun, but it is an internal spiritual thing. The reward is different.

I am planning a trip to Muroji next month to do Takuhatsu and visit Matsutani Sensei. I am looking forward to playing there among the Autumn colors. I hope I can time it right. We have a trip to Cambodia also coming next month. It is be a busy interesting, hopefully fun month.

The survival job…

Work at the silver center goes on. At least for another 2 months before I am off for the winter. I am up at 4:45 so I can do my morning thing and get to work by 7:00 am. There after I do my morning greetings and check in, I find a quiet spot for some Qi Gong and a bit more stretching. Then find another spot to just sit and meditated. This spot is sometimes right there with the Lads who are chatting or just off to myself. Everyone is pretty friendly with me at this point. I am one of them some have taken to calling me “Chan” instead of “San”.

I from time to time get asked to do some Qi Gong/point Pain relief for some. Sometimes interrupting my meditation, but it is ok. I am usually looked out for when refreshments are being gotten for the crew. I have a good relationship there. It is much more comfortable than working for Marina for the zen “master”. Much harder physically, but that is ok, I look at it as training and exercise. It is all perspective and gratitude…Amitoufo

At lunch I usually go off to a quiet spot and sit alone. Depending on the location. When I am alone I can eat for 30 min, practice Shakuhachi for 15, nap for 15. Sometimes I grab a selfie for my SuiZen @ Lunch photo series. Once in a while depending on the location I just eat and nap like everyone else.

 

 

 

 

生活 – so now what…

I had written on my last post we had just had a Typhoon. This weekend, now, we are supposed to be the middle of another. The Force was with us on this one and it turned to rain Havoc on China instead. Even still the winds here are up with stronger gusts. Nothing to be concerned about though. I am doing a bit of blog work, listening to the local drums, it is a holiday weekend. Drums, flutes and those pull or carry floats are out and about. I forget the name I will check it out for later…if I remember…Matsuri.  It really has nothing to do with this post, other than it is what’s happening now. One thing about this Matsutri festival, they go late into the night. One of the main stations is just around the corner. With the drums, chanting, flutes, in my head I am not in Japan, but at a Native American Pow Wow ( tribal gathering). The sounds take me back there…

I will be going off to Kyudo soon as soon as there is a break in the weather, it is raining on and off from the passing typhoon.

Things has been quiet with the bands lately since our last gigs. Band number 3, our job was cancelled due to the Typhoon ( two ago), just got a notice to play in Nov. Band # 1 the drummer is out-of-town and I have not heard anything other than our submission to the Sakai Blues fest. Band #2 no news there either. I expect this means it is time for me to get back to working on a single act, to help support this addiction to play. Really “help to support” is kind of a joke, a lame one. Japan, at least this music life I am in, is not structured for band living support. For Real not as/with a single band, one has to have several items going, several pans on the fire you could say.  Even then still need a regular pay check from somewhere.

So yeah, Pop music life for me here will be from all “signs” purely a hobby. No money to be made, can be fun or a fantasy, not a way to make a living, at least at my level, at my age…even making transportation cost would be a good thing. A blessing!

And speaking of a good thing, –  I will use that as a Segway into  – …my Shakuhachi of which the Komuso aspect is a good thing. It gives me a sense of doing something worthwhile. Not chasing fame or fortune, but a more spiritual goal to my music study by blending Cha’n practice. It gives it all some point, some purpose other than making me feel good. Trying to get that musical orgasms playing. However the band players are not quite that good, and there is no money. So at this time in life, with no real dreams to fill, and the clock winding down on my earth passage, it is important to feel, at least for me, like I am filling a purpose. Making a contribution to easing suffering for someone on some level. Doing it via music is a big plus.

Hands in the dirt…

My summer gardening is for the most part done. I started a few Autumn plants. This year was, I think my most successful in terms of crops. I did not get a lot, but there were several and some variety. That was successful not the volume. I need to find a good organic fertilizer. I am more aware now of what will work. I need to develop a bug repellant formula and some way of applying it. The spray nozzles I have been using clog after a few uses.

I had an interesting time growing cayenne pepper. When it finally starts to grow, after many tries. The peppers did not look like the package picture. I was excepting small, thin and long. These were fat , thick and long. Also they were purple! Not red or green…ehhhh? Now that they are older, the Peppers turn green then red! Wow different! Now I have to let them dry once they are mature. Maybe mid winter or late winter I will finally have my shaker cayenne seasoning. I am thinking of making my own special mix, two kinds of pepper, some pink salt, lemon peel, maybe something else. I will wait for inspiration, I have time. 

Ok what else, boating. After working through a few things with the boat owner from BLISS! I am going to give another shot to a sailing club. I feel like my marine life was taken from me by the boatyard owner who I thought was my friend but now shall remain nameless.

I did go to kyudo after I started writing this post. it was sad. I got really depressed afterward. However…oh well, no one said it was gong to be easy. Going out to Takuhatsu the next day at Osakajo castle was a lift to my spirit. Out from under desire, other than to make a good sounding note, breath, take a step. The day pilgrimage is posted on the Komuso Blog it was a worthwhile day. Not in money terms but in sharing wordless Dharma.  Small blessings can be huge…Amitoufo