Return to Paradise…Kung Fu Kyudo Sunday
Return to Paradise…Kung Fu Kyudo Sunday
Return to Paradise… Kyudo at ChoZenji
Ok, so they got set up as did I. The equipment was funky! I found a bow I could use, however, I needed to re-tie the string. It was way too loose! The bow would flip around to it’s unstrung state when I shot. That took some time to correct. Next I had to find arrows. The only ones near my length were Makiwara ya, with Makiwara feathers. Sigh. After trying to shoot them and not have them not go near where I was aiming to shoot, I looked for some different ones. There was another set of range mato arrows, however, they were short for me, quite short, since I had no other choice than the markiwara ya, I figured I would try at least. With a lot of conscious effort, I was able to shoot. As I drew the bow I had to keep touching the tip of the arrow to see how far I had left to draw safely. Then I needed to compensate my right pull to be able to straighten my left arm as it should be. I was able to make a couple of hits, after much effort. It was a challenge but I was able to pull it off being fully mindful of what I was doing. I guess in a way it was helpful because I had to really pay attention to all parts of my draw.
The others continued with their shooting. A woman joined us. So the three of them did western shooting I did Japanese. In order to maintain harmony with the flow of shooting and fetching the arrows, I set my timing with them so everyone could retrieve their arrows at the same time. They shot 12 arrows to my 2. Their twelve arrows time also included them doing their weird funky, to me, Tai Chi. Which should have not even been called Tai Chi! I was told the founding master had learned Tai Chi Chuan in China. He was very accomplished in many Budo arts. He had several high ranks in Judo, Kendo, Karate, maybe more things which I can not recall. It is said he was a martial art genius.
He took what he considered the most important elements of the long form of Tai Chi Chuan and condensed it down to 10 steps. It was not supposed to be a Budo from, but a way to build “Chi/Ki” and focus the mind and spirit for shooting or whatever. There was also a loud Kiai in the form at times. It was a Zen tool for them, not a “Budo” or even a health art. Ok, I thought it was lame watching them do it, but that was just my opinion and perhaps a reflection of their skill. Either way, it was just my opinion which does not matter. So yeah, their 12 shots to my 2 shots. Kind of funny when you think about. I reflected at one point that my going through one cycle of Shooting with the correct breath, grounded stance, mindfulness was much more centering, calming, a release of attachments, focusing, Ki building than the soft karate they were doing. Just my opinion. If it worked for them, the program and the master…so be it! This went on for about an hour.
It was brought up at some point, not by me that maybe I could come In and shoot on my own since the Kyudojo was not being used much and I was coming back on Monday for an early class plus later that evening or another class. It made sense I could just hang out there and practice on my own, no one would be there using it. I thought as well it would be great. I had seen a back room where there were longer Ya so I thought ahhh! That would be cool! I would ask. We closed up the Dojo and I was shown how to put things away.
Les and I chatted for a while about, Tai Chi and his current Tai Chi teacher. Not the current in change person there. This was someone the founder or ex-master recommend he train with or something like that, to learn full Tai Chi. Anyway, he was I find out the person there at Chozenji that runs the Tai Chi class. I would join this class on Monday. Anyway, we spoke of misc martial things and training there at Chozenji. The difference between the old ways with the founder and former master and the current young admin, and his sometimes displeasure, with the new “way”. Also the strong point of the Martial art training there was Kendo/Hojo. A Shotokan Karate class was just added fro Sunday’s.
Afterward, I went back to the community room to gather my stuff to go to my hotel. The young head priest in charge since the master was traveling was there. When I came in he says. Oh, so you got to shoot! How was it? I said it was challenging, I had some issues with equipment. He replies I learned early on it is not the equipment but the shooter!
I took a breath…and replied, gently. I was feeling/reading a certain “vibe” from his comment. One could say the hairs on the back of my neck bristled a bit. I deepened my breath and then spoke. Yes, that is true, except in the case of safety and being the wrong equipment for me. The arrows were way too short, the string was not tied correctly. If I did not take care and make adjustments I or someone could have lost an eye or gotten otherwise injured. However, I did make it work, as I said it was just a challenge. My reply was not in a mean or a smart-ass way as he was in charge. I was respectful.
I ask; the music you were playing the other night, that was not a Honkyoku was it? Now he replies, that was something from Honda Sensei, we play Shakuhachi as Zen tool, not as a musical instrument. We use it to develop breath and the like. Some times blowing until we completely empty the full breath, not in keeping with a musical piece. It is ChoZenji Shakuhachi not a music piece like most people play these days. Me: again a breath and reply hmmm Honkyoku are Zen pieces. He said, not with most people I know, most I encounter they are playing as them as music. Honda sensei says one can play one note your whole life to work on getting it right, developing it fully, as Zen training. It is about breath and mindfulness… I say slowly “those you have met in your circle”. Yes, he says in my circle. I drop the subject again.
I move on to safer ground.
I next asked about making a donation, I saw envelopes. I was told where to do it. Donations were not something that they pushed on people. The person had to want to make it enough that they asked about to do it. Ohhh, different from other places. Ok, Thanks. Or maybe this would have been a good starting place first. Oh well.
I made the arrangement and purchase via his “girlfriend” I believe she is, from watching how she serves him lunch, maybe, maybe not, but I got that vibe. She is the first person I was dealing with when I was arranging to visit and did my orientation and gave me the tour. She was nice enough I thought at the time. Even though she would not let me join right into the Zazen when I arrive, therefore wasting a day. She was fairly pleasant and professional.
The more I thought about it the more I was irked about it, and not just him, but the sense I felt there. Having traveled from Japan to experience the center I felt they should be a bit more accommodating. I asked to attend a Zazen session on my first day. I said I had the experience, I could follow along fairly easy. But was told no! I had to wait until the proper orientation class. In which it took all of 15 min or less for her to explain things and was the only one attending the intro class. Therefore causing, me to waste a whole day of the trip and miss a class I wanted. Now this, with the denial of grounds use, so I would not have to spend hours traveling back and forth to the dojo. Hmmm. Not really helpful folks, are they. I thought more and got more irked, however also came the thought. Why should it be all about you (me) why should I get special treatment, just because I traveled a long way? That was an ego minded thought. One thing came to mind often during this thought process was something I was told in the beginning ” we here are more in the Japanese tradition than Hawaiian tradition.” Also recalling something I read about they do not encourage just casual visitors or something like that.
“we discourage tourists and recreational visitors from attending zazen or class.”
Just because I did not consider myself a recreational visitor, does not mean the same to them.
With that thought came the ahhh moment! Hawaiian style is laid back, more flexible. Japanese are not flexible, the rule, the way is the way. It can not be changed! Although they are doing just that with their Kyudo, Tai Chi, junk food treats and meals. It is still their way, their “DO“! What an ego, I had to make things about me, I am nothing, but a passing visitor to their home, center, Way ( Do ). Ok, my bad…
Once that clicked in place. I was able to let the negative thoughts go…mostly. When I told my wife that she said ahh yes, he is not being mean he is following the Japanese way. He is in charge and has to follow the rules.
Still though…a bit of compassion and consideration goes a long ways…Amituofo
Next off to Hsu Yun Chan Buddhist temple…
Next, we stood in a circle held hands and did some Hawaiian call and response chanting. After that we sat and did introductions around, who was who, was who, your name, where do you consider yourself from, and why are you here. That was sort of interesting, where do you consider yourself from, sort of like what was your face before you were born type of question when you thought about it. After I did my part in the circle sharing we did some movement drills, is the best way to describe it. Moving around the room in a line, not in a line, avoiding someone else moving around the room with their eyes closed and try not to hit them. It was explained as a drill in awareness. Like moving through your life, trying to get somewhere, but needing to avoid some random item, issue, person, a thing. Needing to be aware of it and that it is coming, but continue to move forward.
The last section of the class the leader asked about who wanted to do some Tai Chi or do some chanting. I wanted the Tai Chi, but the group wanted the chanting. So I remained quiet and went with the flow to learn, experience something new and different. I have never been big of chanting. Maybe to self-conscious, weird for a person who sings in a band. Anyway, we sat in a circle. We were given a book of chants. A bit was discussed about the nature of the chant. It was not about the words, in some cases, the words have been lost. It is about the sound, the vibe. The body as a sound chamber. The same as what is being done playing Shakuhachi as SuiZen. It is not the music it is the sound, the vibe.
We chatted for a while with the leader banging the fish for the timing. It was interesting, more so now that I am thinking back on it.
We ended the session with another Hawaiian hand-holding group call and answer chant.
The class session name “Zen and Aloha Spirit” makes sense now. It was not what I was looking for, but I got something out of it. I learned something, which was part of the point of going to this Hawaiian pilgrimage.
“Sometimes times one learns what they need, not want they want.”…Brown Buddha
There are not many people in your life or have come into your life that you can say made a big difference in the course of it, for good. That can stand out. Also not just your life but in the lives of many. Usually, in my case at least it is an older person. An Uncle, teacher, coach. Rarely is it a peer. Rarely does one think of any of their hanging out buds as great people. I do not mean great as far as a cool friend, I mean great as to humanity. It is rare to know someone who has helped change many lives positively.
I had the honor and blessing of knowing one such man. He recently passed away. A shocking wakeup to impermanence. I have been reading over the posts to his FB pages and I am continually touched by the remembrances from his students and friends. His name was Steven Baugh (Da Shi ChuanSheng). We trained Northern Shaolin Tai Chi Praying Mantis together since the ’70s. Even though I was his technically elder brother, I held great respect for him as did everyone. I watched him develop his art through the years and expand beyond just the several styles of martial aspects of study. He returned to the basic roots of Spiritual Shaolin and studied deeply the spiritual side of Chinese Budo. He studied and graduated as a priest from the Hsu Yun Chan Buddhist temple in Hawaii and afterward founded the Lohan Buddhist temple – Spiritual and cultural center in Las Vegas. He was already schooled in Taoism and Native American spiritual practices. Being part Native American he had inside access to that training path.
His past, training, studies, and heart gave him insight and connection to the minority community, which in many cases is overlooked when spiritual teachers are going public in Mainstream America. He told me once his teacher told him to go back to the mainland from Hawaii and teach because he was able to reach out to a large variety of people. If one saw his school, students and temple members, one could see this right off.
Once I moved to Japan, I had little thought I would see him again. I found out later that we had one of the same Chan teachers, and she held him as one of her favorites. Saying she had little to teach him as he was already deeply knowledgable. I found out he was coming to Osaka as a treat from one of his student’s who’s wife is from Japan. We arranged to meet up, and that marked a serious changed in my Chan path even after over 10 yrs of study and later became ordained through him in the Buddhist Order of Hsu Yun.
For the past three days since his passing, I have been usually sensitive and mournful. It took me some thought to figure out it had to do with not just losing a friend, kung fu brother, but my abbot. I received direct dharma transmission from him. That gave us a different, more Spiritually Psychic connection, I am guessing. I suffered a grave sense of loss at times over the 3 days. I made a pilgrimage to a local Buddhist/Shinto temple complex yesterday. I prayed at each of the Statues, burnt incense, and played Tamuke ( a Komuso offering song for the departed ), tearing up partway into the song unable to finish. However, it was enough. I was told by my Shakuhachi Sensei it is not important to play the whole song in this type of case. I recalled my first really public playing was as a “thank you” offering at the temple after my ordination.
This post this time is about something, someone more important than me. My Abbot, my brother, my friend ( 35 yrs + ). May you have completed all cycles and now be free of suffering.
Most who chance to read this, will not know who he was or will it matter. However, it matters to me in some small way I can honor him and ease some of my sadness with this post.
弓道 – The path continues…
Have flute, will travel: Siem Reap pt-1
In the broad Cha’n sense, every day is a blessing, Gohan Shifu says every day is good. Narrowing it down though to a smaller scope here I am referring to a blessing pilgrimage of sorts I took. Hmmm thinking on it more, it would be better called a purifying pilgrimage. I went just before going to Myoanji, the last trip.
While practicing some songs on different flutes to determine some sound differences. I got carried away on playing with my “A” shakuhachi. 2.0 , that Oota-san from the Shakuhachi society gifted me. I had not thought of it in my Takuhatsu practice, but it could be used. This thought came when I could play some high notes on it but not the 2.5. Also about taking it to Moriji next time and use in an offering at the temple.
I also wanted at some point to go to the nearby bamboo grove and get some bamboo for a new project, several in fact. One of which was a simple as stakes for the tomatoes and anything else. Instead of buying tomatoe racks. This grove was on or next to my favorite local Buddhist temple. I have gone there before and sat and played. Most times it is very very quiet. The thought was born to take the 2.0 to the local temple and give it my own purification ritual.
So now with the need for bamboo and the thought of taking my 2.0 flute and do a purifying ceremony. The next day was chosen, the weather was excellent. A lovely autumn day I mounted my bike and peddled off to the temple. I gave inner thanks for the beauty, peace, and blessing of riding my bike to the local temple in Japan to play my flute and do some Tai Chi. Also, grab a few photos. I am still a stutter bug. I do not get off on taking photos of myself but I am a handy model whilst out and about.
It is a fairly easy trip to the temple, other than the last bit, where it is easier to walk the bike up the hill or leave the bike at the bottom and take the steps. There is some kind of tradition to the steps. I think it is 100 steps. If you use the stone steps one gets a blessing or merit or something, a wish filled…? Usually, I take the steps just because, I can. However not today I walked the road outside and around the temple grounds to another entrance. I wanted my bike there. and I had to go to the bamboo grove just across the road, the lot, something. Anyway, nearby and still needing to climb the hill. From that side of the temple, one must also go to the highest point around for quite a ways. One has a great view of the countryside.
From the other side of the grounds, one can see to the bay. That is the side of the grounds where the 100 steps are and the old main gate with the two stone guards. Next to that is the cemetery.
So I guess technically I enter from the back side of the temple. No matter. I had some concern about where I had parked my bike but, unwarranted concern. I enter the grounds and felt the spiritual presence of the area and again gratitude for being there. I went to the main temple urn, and found insense burning. I took out my flute and passed it through the smoke and bowed. Then played a single Ro note. I did this also at the main temple steps.
Once done there I went to the front side of the temple to where the great bell is located. There I played more. Maybe Cho Shi and/or Tamuki. I do not recall. Afterward, I did some Taiji, to bring my physical vibe up speed. Balance out, it a good thought. Sort of like doing walking meditation after doing sitting.
I left this spot after a while and went to another of my favorites. It is next to a pagoda just behind a sand and rock garden. I can climb up on the rock and hang out. There I settled in an do some playing. A group of people came onto the grounds, they were heading for the great bell and one of the other smaller pagodas. I kept playing at one time I would have stopped, or tried to play softer, now I am Komuso and I play for others. On Buddhist temple grounds and people coming to pay respects or homage to their departed loved one, it felt appropriate…Amitoufo