吹禅 – Birth of a Komuso


A Komuso is born…

 
It had been my plan for a while to do some type of shakuhachi pilgrimage every year. The anniversary of my formal shakuhachi lessons is in April /May, so I am late this year…if doing it on the date matters.
 
I set off fairly early on the pilgrimage. I was nervous, and dressed in a traditional Zen monk’s work clothing a Samue. Even then I was a bit self conscious, no one noticed or cared, they were dressed in western fashion, me the gaijin was dressed in traditional wear. It is an interesting world view.
 
The trip to Nara was simple, and fairly quick. I was traveling ahead of schedule so did not feel rushed at all. I arrived and looked around for a locker to stash my backpack. However even though early the coin lockers at the station were full. Oh well, thanks to my Sempai, I was shown another place that was setup for people to drop off luggage. He had arrived shortly after I did. I found a toilet room and changed into my kimono, after which I put on the borrowed Komuso gear from my Sempai. He had given some basic directions about what to do while wearing the “basket”, theTengai. Do not talk while basket is in place, remove it on the temple grounds, when speaking lifting the basket was ok or taking it off. I found that a bit hard to remember, lift and talk. I forgot many times and thought oops! I rather liked having the basket down, I was anonymous and hidden. A no one, people saw the clothes, and heard the sounds, but me as me not so much. Not the Black guy in Japanese gear. At least in my mind.
 
We started slow, I followed Sempai’s lead. With the Tengai in place I could listen to my playing and his. Not see the people watching, or at the least ignore them better. I was pleasantly surprised we were able to play in harmony. I have heard recording of other Komuso playing and many times the tones do not match. In the Komuso world it is not supposed to matter. My Sensei also told me that in traditional Japanese music it is not about being in tune, harmonically with other players. It is more so with Shakuhachi Komuso Playing. However my musical roots come from a different place. Disharmony of tones can be an accent but not the norm. So, I was told that it did not matter, but to a musician it did. So yeah, not having to fight a tonal discord made it easier to follow the lead of Semapi on his phrasing of the Cho Shi melody. 
 
We played first near the train station, then slowly walked toward the park, stopping every so often. People always took pictures. Being in the basket, I did not care. I was not me, who I was did not matter, what I was doing mattered and I could do it faceless. There is a Kyudo ceremony I have seen that the archer covers his face while shooting. This way it is not about the shooter but the shooting. Here it was not who was sharing the dharma, but the dharma. The Dharma in this case is the musical tones of Cho Shi.
 
Once we reached the park we had our first negative encounter. I was told negative encounters happen. Not always, but they are out there, where there is Yang there is Yin. This is the Tao/Do of life. Sh*t happens! they say in the street.
A security guard or sorts made us the target of his day’s power trip. He basically told us we could not play there on the street in front of the Park. Even though we were not IN the park, it was considered part of the park. At least in his view. Sempai was quite surprised having been doing this for a number of years. Rather than hassle with this “rent-a-cop” on a power trip, we moved on and crossed the street. There was fewer people traffic, but it could not be helped. We walked on.
 
We made several stops to play after that without any further incidents. Our next encounter came from a couple of tourist girls. They said we were Co-playing. Sempai corrected them that we were in fact real priests. He was from a local temple. They were surprised and wanted pictures taken with us and them. The first of several group pictures throughout the day.
 
I noticed most times we stop, there was always a small crowd gathered taking pictures, even as we walked some times, pictures were common. This day much much more than donations. I was not really concerned about the donations, for me it was more about being out there. Playing and doing the practice. Turning inward and doing the song under the “Tengai” got easier as the day went on. I could block out, the photo ops crowds and just play. A couple of times a few people would get really really close like they were trying to see inside. Perhaps Chinese tourist, they are not known here for being subtle. I rolled with it. When you stand in the wind, you have to expect something to get in your eye.
 
One of the more difficult parts was walking and playing. That became a real challenge. There was the timing of the song, the musician me was concerned about the rhythm of walking and the playing of the song, the martial artist me was concerned about the rhythm of the breath while walking and playing. Should everything match? Meanwhile my Tengai was slipping down over my head and covering my eyes, and other parts of my Kumoso wear needed constant adjustments from slipping. Add to that some knee discomfort and foot discomfort. As with sitting Zen there was more to it than meets the eye. It is not Just sitting, it is not just playing, one as to over come distractions, internal and external. One can not attach to the distractions, one just does the practice.
 
I noticed during our travels, the different reactions to us. Tourist took pictures, kids pointed and had kid reactions, some just ignored us. Some of the older Japanese surprised me with their reverence. They would stop and bow. That was to me touching, not seeing me, but the spirit I represented.
 
One older man spoke with Semapi upon hearing us play. He said the sounds returned him to his childhood during the war. There was a legless Shakuhachi player in his town. He wanted to learn from him. However the cripple said he ( the kid) did not want to go on this path (of suffering/sadness? ). Later he was able to take lessons, but had not played in many many years. He said the spirit that we conveyed was beyond and more important than not being Japanese. I found that comforting.
 
In most of the tales about Komuso, it is about them wandering around playing. However it seemed the playing was about and for their enlightenment or money. They did not really do Buddhist Priest type of things. When I see and have donated to other Priest on the street they give some type of blessing to the giver. I was told when receiving a donation as Komuso, one bows and keeps playing or restarts the Cho Shi song. After the day was over, Sempai said to me, the donations you received it would be good when you got home to put it in your sacred spot and say a pray or chant over it to honor/bless those who gave. For me that struck a good cord and really gave a purpose to the collections outside of self to buy lunch or the train ticket. It was also doing something as a priest since I do not belong to a temple here or do outside charity work, here in Japan. I have not seen much of other Komusos other than for special events, so this to me gives meaning to being a Zen Priest. Something to support my vows.
 
Overall it was an educational and enjoyable experience. I enjoyed having a spiritual outlet for playing and being a “Ronin” priest. I have decided to do more of this and make it a part of my Lohan Chan practice. Even if nothing happens via teaching Budo and sharing dharma that way, there is this musical dharma outlet, that is not just me playing for self enlightenment. The Modern street Komuso playing touches people, more so the elders, perhaps they need it more these days. Perhaps also praying over the donations adds positive energy to the world conditions. Maybe on some level eases someone’s suffering… even if just in their or my head having a Priest pray.
 
 
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吹禅 – Lohan Shaolin Shakuhachi


Lohan Shorin Shakuhachi

 
My two-year of formal shakuhachi study was last month. I have yet to make my annual anniversary pilgrimage. It is coming though. I did have a small one of sorts. Rather unplanned.
 
I finished learning my second traditional Shakuhachi song this week. Golden week here in Japan. It was a struggle for me. The first two days I spent in pain and a numb mouth from dental work. Which was just hours before my scheduled Skype Lesson. I believe I already said this on my last post. So I will not again, if not, just imagine, numb mouth shakuhachi class. Next two-day a cold! Anyway, I persevered. My fellow Zen path follower was kind enough to teach me the song I needed to do a day with a Komuso upcoming later this month. I am grateful for the help to make the trip possible. Now I need practice! 
 
So any-who, I decided on Friday the weather was great, I was feeling almost 100% normal…for me. I make the choice to go out, get some practice in, some fresh air, some exercise. One of the things, that stuck me holding the shakuhachi was its feel as a weapon, having a martial art background. I read that some of the old Komuso, being former samurai also felt the connection with the shakuhachi as a weapon and they at time used it as such. With that in mind I had been thinking about training with it with a different mind-set. In my shaolin studies, we have a short staff “form” or kata as it is called in Japanese. This lends itself well to use of the shakuhachi as a a short staff. However, i was thinking more in terms of sword. I have a Tai Chi sword form I am re-learning, this I felt would be perfect for use with a shakuhachi instead of blade. In Japan I can not freely go out and practice with my swords as in the states. So I use a cane, or a collapsible sword or cheap meal. Both work , but lack a feel, which I am sure is a mental thing. I decided, practicing with a shakuhachi would give the practice a different feel, something unique. A different feeling than with a sword, but also different from a fake sword. That would be part of my practice for today. Physical, mental, spiritual, audio. Formless and form. I could also Practice Kali with the shakuhachi. But really unnecessary due to the nature of Kali. Also the limits of a two-part Shakuhachi. None of the training is really suitable for a two piece shakuhachi, however the Tai Chi jhian form is the least of being chanced harmful to the shakuhachi.

So I have my plan. Go to the temple grounds near our home. This is my favorite temple in the area, Chokei-ji. The grounds over look the area . I can see to the Osaka Bay from over by the large Bell, which is next to the grave yard. The place is usually quiet. I can practice some of the faces of Chan, in peace. Movement, stillness, sound, as well as take a few photos. Practice my photographic art. I wonder sometime from something LZ said if people think I like posting pictures of myself on FB. Really I have started being able to separate myself as the model and as me. The model is just there, because I need a subject or as part of the subject really more a prop. My photos are more about the shot than about me, or a graphic to support the story.

Off I set on the bike heading for the temple grounds. It is about a 10-15 min bike ride to the grounds. Then there is a climb of 100 steps to reach the main ground. It is said that a wish is granted after climbing the 100 steps at the main entrance. I also feel a charge going up the steps , then passing through the entrance gate with the two spirit guards on the sides. I am guessing the entrance is very very old from the looks of it.

 
I make the upward passage to the entrance, I bow and enter. Today I am being extra respectful as I have a motive from coming. I go to the main temple and to the incense burner and forever candle. I light a stick of incense I brought with me. I pass my Shakuhachi through the smoke of the incense after a small thanks of gratitude for the use of the grounds. Next to the altar and bell. I made an offering , bowed, small prayer. Now I felt I could do my practice, after giving respect to the spirits.
 
I went over to the large bell and changed my clothes. There I took few shoots, and practiced Tai Chi, hand and sword sets. Then I walked around a bit and took some more shots I thought would be interesting and fun. There were some that thought would be great, but I did not want to walk on certain parts of a pagoda, it did not seem proper. I was made more aware of that when I visited the Kyudojo in Kamakura and I was stopped from walking on an area near a prayer spot. This was also in my mind from watching the visitors there today. The pagodas had some meaning as they prayed at them. So I figured the best way is to avoid possible lost of face. I grabbed a few shots from here and there , changing my on some planned shots.
 
I picked a spot overlooking the main grounds and had lunch among the rocks. I was not sure if I should be eating there so I kept a low profile. Afterwards, I played the Shakuhachi songs I felt fit the place. One was the new song I am learning. My Sensei said when I go to visit temples, the amount that I have learned is proper and enough to pay as a “gift”, offering. I also played the new song I was just taught. I did not play long but what I felt was enough. Then just sat for a bit before making ready to go home.
 
This day was the first I had ever seen any of the temple staff. A couple were out doing gardening, another couple went in and out of the housing area. I watched them closely to see if I was doing something wrong. I was pretty much ignored the whole time.
After I had finished my audio shakuhachi practice and was packing my stuff. I did not think I was playing that loud, or noticeably. I thought I was pretty on the “under”. Someone came out of the housing area, a woman, on her way to someplace else. She looked over at me directly and did a small bow. I did not notice at first, she did it again, I returned the bow, she left.

World Naked gardening day

NNGD…

 
It is said that working in dirt, feeling it, helps cure depression. I can see how that would happen. There is a certain feeling that comes from working with clay, doing ceramics, bring something to life from dirt. Gardening is bring something to life from dirt. I call it the God complex, they have I am sure other names. Anywho, yeah, doing gardening is therapeutic, very Zen active mediation kind of thing, Kyudo, Tai Chi, shakuhachi, kind of Meditation. Other faces of Chan. I heard one of my Chan Shifu recently say that, along with every day life is Chan, Chan is everyday life.
 
So my Chan gardening meditation project, spring session has started. I thought it would be a one day project but it has turned into three. It is a good golden week project. I will be working with reduced hours for a while, so on another level it is good to be planting food. Helps to eat fresh, save money, eat healthy. I do not have enough space to really be serious about growing. However herbs, tomatoes, bell peppers, eggplant, teas, can be grown easy and enough to be worth the effort as harvested.
 
It took me travels to three places for soil, food, misc. It was a large undertaking.
I am putting more effort into the garden this year. Last year was weak, very weak. The first year was better. This year I am adding more organic fertilizer, but of a different type. We’ll see if that makes a difference. I am also setting up a computer sheet, showing what was planted where, and what date. I will not rely on guessing what was growing. I tried labels, but they come off, get wet, something. This is a better idea…so far.
This time I have a chart with pictures as well. This way I can recall the seed. Don’t know if I can find these again, i got them from a place in northern Ca called the seed bank. It is an old bank changed to a retail seed store. I have my oldest in contact still friend living in the same town, so there is a chance of a repurchase. God be willing and the creek don’t rise.
 
I finished up the planting yesterday. It was a three day task. The downer of two of those day was my trip to the dentist. First time in many years. I need work. 😦 Three shots on day one! My mouth was a wreak trying to take a Shakuhachi class afterward. I also ended up chew my cheek flesh a bit, when eating and not being able to feel. It made the evening not too pleasant.
 
On the third day a cold struck ! Maybe from the dentist…the chill change in the weather, stress from being in the chair, holding on for dear life. Actually, I started thinking about Kyudo, if I can remain relaxed while this guy is digging in my mouth, I can easy stay relaxed when at Shinsa. Although, being relaxed at shinsa is not my issue, hitting is….I digress
 
So yeah the third day. I heard that May 2nd is World Naked Gardening day. I thought, wow, perfect timing. As I am finishing up today. So I joined in the celebration. I took a couple of photos, because you know the saying, if there is no pictures, it never happened.
 
So the first picture, I could not find my tripod, so I took it while holding the camera.
 
 
I was called away afterward so I could not get back to working until after the dentist, and my shakuhachi class via skype from Chicago. That is kind of different iznnit! Lesson from Chicago on a Japanese instrument, while I am in Japan. I am learning one certain song that is why. I need this in order to get the Komuso experience …coming soon. Oops , digression, the picture, yeah, so I got back out to finish up, I found my trip so I was able to get a full shot, it was a little dark though. Oh, well…
 

I am looking for a good harvest this year. I have some ideas in place that I have been thinking on from the last couple of plantings. The practice is evolving.
_/|\_

World Chan Conference

World Chan conference.

 
I have been doing some study on-line with a teacher from the Chan linage of Sheng Yen. Beishi Guohan is the head teacher and founder in the Cosmos Chan Community. A few months ago Guohan Shifu mentioned that he was coming to Kyoto to see some Zen temples. I offered to help him get to Kyoto. This week he arrived, I was contacted and asked if he could met any Zen Masters or monks. I said, I only know of a couple and only one in my area. I was referring to Yoh Aoki. Even though I have some issues with him as a Zen Master, he still has the credentials, even if not the heart. In my opinion.
 
Moving on…
 
Although pretty much last minute, the arrangements were made. Guohan Shifu, his wife, and myself would go over to the Marina and meet with Aoki “Shacho” (company president). 
 
I was somewhat fretful the night before, I am not big on meeting new people. What will we talk about? Ok well Chan, but meeting with a master, am I suppose to ask some deep questions or something? Slowly slowly slowly I let it go, and just did what I needed to do, rolled with it.
 
I arrived at the agreed place but the Shifu was not there. He had arrived very early, him and his wife were out and about, looking at stuff. I messaged them and we hooked up. It was comfortable meeting him. He is sort of quiet, so I felt somewhat pressed to speak. I asked the general stuff and the three of us chatted comfortably. I really liked his wife, she reminded me of my Kung Fu auntie in Oakland.
When she found out I could speak some Chinese she helped me with a few things. At the end of the day she gave me a Jade, necklace for LZ.
 
One of the things I wanted to ask The shifu, well really the only thing. “What is the meaning of life? “
I have seen this question posted by a Buddhist Meetup group. I had seen this posted in another form by a Muslim, I recall this from my Christian days. Christians say “to bring glory to God”, Muslim: “To know God” ( something like that), my teacher’s answer was,” to know truth”. To me this could all be the same thing. It was not the mind blowing answer, I hoping for, but not a surprising answer. Hmmm perhaps in its simplisty.
 
We made our way over to the Aoki boat yard, where we were greeted and offered tea. There we chat a little before heading out to lunch. It was decided that we would go to the Indian Restaurant we go to was nearby and we could get veggie foods for Shifu and myself. Once there my friend the manager, made both myself and Shifu some thing special. It is good to have a connection.
 
So the world Chan conference began. China, Japan and American representatives 🙂 We had a nice chat about this and that, reasons for starting Chan, temples, masters, etc. At one point Aoki Shacho had to leave there were things to do back at the Boat yard. I found out later there was an interview. Anyway it was fine. I sat with the Shifu and his wife a while longer. Then we left.
 
We walked to the train station and I rode with them to the airport, where they made the connection to return to Kyoto where they were staying. I was invited to come visit them in Taipei. I liked them both. They were both approachable and down to earth. I will be continuing to study with Shifu Gouhan. Perhaps I have found my true Chan teacher…when the student is ready kind of thing. Some fate involved with him coming to Japan, otherwise he would have just been a voice on a internet conference. Too bad he is not a Kung Fu master as well, that would be off the hook…cool!
 
As for going to Taiwan, that could be a very cool thing and affordable for at least one visit. I can visit both my Chan shifus, I can stay at one of the temples for sure and people from the Heart Chan group will take me/us around as family. Also I have I believe a Kung Fu Uncle there who I could visit maybe train a bit with him. I am pretty sure Ling Sisuk sometimes goes to Taiwan for training, he could get me a hookup. I was told there are more and more vegetarians there in Tawain now so a lot of places to eat. I could get a lot of bang for a few days of low spending. Hmmm something to think about. LZ is up for a visit. I would need at least 4 days. One day for Kung Fu training , two days for the Chan temples, sight seeing one day, hmmmm. Ok maybe a week. Maybe we could go together and I can stay a couple of days extra for training. Something to think about anyway.
 
Anyway as far as Chan study, it is good to have a teacher again, someone I respect, I can grow now, I told my Abbott I would continue to train. My Heart Chan Shifu, Wujue Miaotian from Tawain does not speak English and I am not really in touch with the Ca group, it is hard to connect via on-line teachings, with the time factor. I am still connected but my path is different, I am not feeling somethings about that path. The group of Hsu Yun, my teacher there passed away. The group seems to have stalled, I see no future for me with them further. It is as Gouhan Shifu would say, a Karmic connection that has connected me with his group. (PS: Anyone interested in dharma classes free on-line drop me a note). I find it interesting that part of the training that I wanted to do in Japan was Zen, but my training is coming still from the Chinese path, even being in Japan.

Waiting

The wait zone…

 
I am deep into to that right now. Ever think about how much time we spend waiting on stuff, things, people. It is neither god or bad, it is just what it is, nothing. Like the taste of tofu, we add flavor. On its own, it is pretty bland, like what this post will be. Unlike the last post which for some reason got a large amounts of hits. Perhaps from the Tumbler readers, I have a lot from there, WordPress , not so much. Why? Well in the scope of life it does not matter, like this post…more so, since this is a free trip…for everyone.
I digress
 
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Waiting…I am deep in the waiting zone. As one who meditates daily, does Tai Chi, drinks green tea, hmm ok not so much the green tea part, but slowly down, calming the mind and spirit is part of my everyday training. I live there, it is not someplace I go to for a break. So one would think I would be more at peace with waiting, it is after all like doing sitting Zen. Being still, yet actively waiting…
 
I am in the waiting zone. There are things I notice as I apply Chan mind to behaviors. Sameness like doing zazen and being in the wait zone. The items are small, trivial, they will only be a scratch to an itch, yet desired. I know this and am not attached to item or out-come, still there is desire. Which makes me think about the Four Truth in Buddhism, suffering. More in this care the awareness of the act or case of a possible suffering. Is that a form of enlightenment? The awareness of self foolishness, illusion, attachment. It is not using un-attached mind because I am thinking and registering that I am doing it, and not just doing it. So not in the non-abiding mind state.
 
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My bass has been in the Shop for 10 days, I was told 10 days, then LZ says “about” 10 days he said…waiting…my ya have been sent to the Ya shop’s shop, for 30 days…waiting, my Abbot is going to find out what is the hangup with my Priesthood certificate and get it sent to me…waiting,..new Shakuhachi in the spring…waiting
 
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Life is waiting, we wait to be born, then we wait to die…Zazen should be easier.
 
 

吹禅 – Toyonaka – Another day another recital


Recital in Toyanaka

 
Another day another recital. Sensei had given me info on another teacher’s student recital. The teacher, Ishikawa Toshimitsu famous, in Japan. His teacher Ksuya Yokohama was more famous! My sensei told me tonight at class he could make the introduction for me to study with him…at a later time. As my skill as still somewhat low. apparently the honkyuko songs are his specialty.
 
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It required a bit of a travel to reach Toyanaka, however lucky it was not expensive. All local trains, then just a short walk to the venue. About three minutes, unless you get lost like I did I took sometime thinking about it. I only decided to do so the day before. I figured, hmmm ok, someplace I have not been, listening to different people who are not masters, my peers and sempai. It will give me some idea of where I am at. I have only met my one other sempai. Another thing about this recital it will be all HONKYOKU music. Just for Shakuhachi. I have only I believe heard one or two. Over the course of my appreciation for the instrument I am sure a lot , but now I know what I am listening to.
 
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It was nice it did not start until 2:00 pm . I did not have to leave the house until 11:20. Even then I had a casual trip. I did get lost trying to follow the google map LZ had setup on my phone so I would not get lost. My first time using it, and did badly. oh well. I made it. I arrived as one student was playing, I believe the same song I did for my recital. It was interesting hearing another amateur play it.
 
There were a fair amount of people there. Most of them students, most of them in my age group and older. No one seemed surprised to see me. I thought I was the only foreigner there, but when I was leaving I saw a guy who looked, East Indian. I did not get a clean look. I was also quite surprised when one guy, a Japanese came over and started talking to me. First in Japanese then in English, which he said he learned in High school. Very casual normal stuff and short.
 
 
 
The performance itself was good. Some very good, some so so good. I was surprised to see several of the player were blind. The sensei told of each player’s or most of them’s “dan” . I heard Shodan and Na na Dan several times. It was a worthwhile experience to go, educational.
 
 
 
The area of Toyamaka was not pretty or interesting at all. Now I know. 
 
Picture/videos link here. Videos are still being uploaded, ( not-easily ) so if you go look, stop back a couple times if you want to see the vids. Most of the vids (songs) are just short bits. Only a couple are full lengthThe pictures are nothing other than just a markers for FB and such :-). It is all about the music.

The Bass Story / prt 2


It is all about the money…a Bass story, part 2

 
When I last left off, the Bass was off to the hospital…
 
I had did a quick look see for places nearby to take the bass. Of course my search was limited by doing it in English. I gave LZ the short list. She had something to say about it.  I suggested she look in Japanese. A short while later she had found a shop. They did not do sellijg of musical instruments they only did repiars and customizing. They were somewhat close. 
Yea, call them I said. She spoke with the shop person, it was arranged that he would take a look at the Bass. The part that floored me was he would come and pick it up…at no charge! I was floored. Never happen in the states! As it turns out this shop was not nearby a train station and up in the hills. Doing the pickup was part of there service when needed. He would get the Bass , check it out, and advise me of the repairs and cost. I could have the work done or not, my freedom, no work, no charge! Dayammmm! He made arrangements to leave right away to come pick up the Bass so he could speak Japanese with LZ for details. As she was going out soon , he would leave right away! 45 min later he arrived.
 
The guy came by and did a quick check of the Bass. We talked a bit, him mostly to LZ since he did not speak English. They talked about the bass and about how I hot it from Yahoo Auction. Sometime he says they are good. The private people are mostly good. But there are companies on there who one needs to watch out for. After LZ had done some research she found out some of the bad comments from some customers. Not all but enough had I known I would not have purchased. We learned. Anyway it was arranged what I needed. A few hours later she received the eMail.
 
The Bass can be fixed early fairly cheap. Some small parts should be replaced, a bit of rewiring, and did I want New strings anyway, also they would setup and balance everything and check and ad just. Basically refurbish the Bass for just under 30000 yen. I said go for it! This included doing some work on the body I asked about. It was just under half of the cost of the Bass, but made it almost new again. I was planning that much as my ceiling anyway so it worked out. A like new Bass and a little cash for the Shakuhachi kitty.

So I am still using eBay in the states. They have been really helpful for things I need. The nice thing about them is they have a company policy to get involved with a transaction if they is a problem, and the customers is getting screwed. This Yahoo Auction here in Japan does not. Once the sale is made you are on your own. You can leave a bad rating but they will do nothing for getting you a refund. 
 
The person who purchased my Bass was very happy and left a good mark for LZ . We will leave a very bad one for the seller of the one I purchased. LZ was saying I should just accept the bad deal and buy a brand new one. I said no way will I just waste the money spent from my brother Bass. The body is mostly good, the electronic are bad they can be replaced.
 
All in all I am not saving a great deal of money, but some is better than none. This will most likely be my last Bass purchase…
 
Sometimes I look at my instruments and wonder who will get this when I am gone? I am here alone in Japan. Or when it comes time for the old folks home what will I take? Not really morbid thoughts. Reality. Dealing with the sale of my brother’s Bass brings back thoughts of me having to clear his apartment after his passing. Some of his stuff carries on through me. Mine will be the end of the line. I left my grandfather’s violin with my first son before I left. I took my first formal music lesson on that. I did not want it just lost in Japan…or on the boat! Maybe I pass down one or two of my Kung Fu swords. Yeah at least even through none of the kids do Kung Fu, the swords make great wall displays.
 
I digress…
 
So now my working instrumentation for Japan is complete. Thanks to the passing of my mother and brother. That is kind of weird, but truthful. I have to be grateful to them.
 srt805dxcn
…to be coniuned

It is all about the money…a Bass story


It is all about the money…

 
I learned something the other day. I did not go into the lesson thinking about an economic lesson but music.
 
For a long time I have been thinking about getting rid of my second Bass. On and off I play it. I had recently decided to play it more and adapt myself to it. It is a 6 string bass, made in the US. That is sort of rare since most of that work was, is done elsewhere now. Use to be Japan, then changed to someplace cheaper, then someplace cheaper than that…So Made in the USA has some value on a resale.
greg-n-bass
 
This bass belonged to my youngest brother. He was a musician as well. He even played pro for a while, with a group called the Bus Boys. They got big when Eddy Murphy did a movie with them in it, called 48 hrs.
usboys
Then he hit hard times. He also did graphic design as did I . We were sort of like the mirror image of each other, sort of. He hit upon hard times, and passed away from a medical condition, no money for meds. I was the one who took care of collecting his stuff. He had a 4 String Peavey and a 6 String. I got the 4 string but noticed the 6 string one was missing. I found out he had pawned it. A short while after I gather his things, I got received a forwarded mail from the pawn shop. I contacted them and collected the Bass from a Pawn shop in LA. A beauty, not what I would have picked, but very nice, also heavy and big. Also the neck was too wide for me to be comfortable relaxed playing.
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I have played it as I said here in Japan. Also thought much about selling it and getting a 5 string. Beside being heavy I was not using the bass to its potential. In short more bass than I needed. I still had and used the 4 string, but wanted the deep B to give some bottom at spots. Finally after LZ said she wanted to close the yahoo auction account, I should use it before she does, by the end of the month. Ok, I acted, I figured I would put it up as a test and make sure I had a minimum sell price. I was shocked a bit, but not that surprised after a day or less for the minimum it was sold. 
 
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Now I began the serious hunt for a replacement. What had gotten me started again with the sell thought was seeing a bass in the music store, that looked sweet! The next few days were spent researching, thinking, what did I need, not just want, my plans, taste, age. I was ready to buy something from the states, but after much much much more research I came back to the bass model I saw in the store. I also found I had more of a selection buying used in Japan, as well as saving money. It was settled, I found a good bass, for a great price. I saved enough to help put money on the new Shakuhachi I plan for this spring. 
 
So I feel my brother would be ok with my choice to sell his second bass. He had already done so sort of. I saved it and it got to be played in Japan. Now I will still continuing to play Bass, but also invest in another quality musical instrument. Beside I still have his main bass. Not that he really cares, but it is just the sentimental thought process of humans. Not I have the working setup I want and need for here. Now to just make the music…yosh.
 
So ??? what was the lesson you ask… I found that even in Japan they use the made “country” as a selling point, in some cases. I saw several Japanese basses say, made in Korea. The new bass I saw in the store was made in Indonesia. Some ads for basses said made in Korea, then I saw some that said made in Japan. Those where the considered the best quality, Japan then Korea…
 
Interesting ne! How every country changes their labor to a smaller ranked country to save money. Maybe one day made in China will have the “gold standard”. Things change as the world turns, but it all comes back around.
 
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 Well, my new bass, arrived today. Earlier than I expected! Not a bad looking bass. however, frack me!!! it does not work!!!. Plug it in nothing! Well, the neck is good, and the action feels good along with the weight! The finish is rough as I saw, but the bummer is it does not work. I can refinish the body, not a biggie.
I had considered buying a so-so bass and upgrading the electronics. I guess I have no choice now. LZ says there is no return on this. She wrote the seller anyway, because it was not stated it did not work. and will leave them a BAD rating. Even in Japan there are crooks on-line!! So another lesson…2-for-1. Great, now I am depressed after all that effort to find a good bass and deal!! Sigh! Guess I will go have an adult something for the head and chill! I will find a repair later…tomorrow ! Grrrrrrrrr. 😦
*next day*
Off to the repair shop today…to be con’t…
 
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吹禅 – Owari desu…yokatta


Whewww, glad that is done…
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I was off, it was to be a full day with Kyudo, stuff, Guitar, and Shakuhachi in hand I head out…
It finally here the day I wanted to get over with.
It felt more like taking a test than doing a recital. I have a good grasp on most of the song, but not all the small parts. It was requested that I should memorize the song not read it. Hmmm, ok. I figured out why I am having trouble memorizing this song. Beside me getting old, so many things with just my playing , then to add memorizing …it is a lot for something that is new. 
 
Anyway, no matter. I had it down enough that only those who knew the song, would know I am not playing it “true”, There were other people there beside shakuhachi students. In fact mostly koto students and shamisen. This is what I was lead to believe…it was mostly right.
 
So, anyway, i wanted this over with that was part of it. It would be my first real playing live. I did play a section at my Ordination , but this was the whole song, in front of Japanese strangers, musicians. The “musicians” is the key in this case…peers.
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Also there was the requests from my Sensei to play a couple of other songs with him. One of which I was to sing. I am not sure why I dislike doing that song. That part was not fun , but the other song playing with Sensei was harder, and I did not have the time to practice it. So my guitar work was expected to be poor..It was! Embarrassing to me, maybe they did not care or even notice. I did, Sensei , hmmm, not sure. My timing was there but some notes and cords, where funky (sour) to me.
 
The day started early for me, even though the event was not until 2:00 pm. It was a 90 min train ride about. However since I had a stop to make i left earlier than needed. I was stopping by the Kyudo shop. I wanted my ya fixed. It has been a small thing, but the coloring design has not been right since I got the new Ya. Since the shop was on my way to the recital house it was a perfect time to stop. Finally, I can get that behind me. It is a very small thing , but it irks me everything I use the Ya. I am still attached to the vision of how they are suppose to look. No one cares but me, but it is part of my small joy of if not shooting well, at least looking good whilst shooting bad. 🙂
 
That part of the trip went well. I hope the guy understood !? It will take a month for it to be done. I guess their shop stays pretty busy for custom work. Or something. It took a month for me to get the original set. Hmmm maybe he said a week?! Or well. Not a rush anyway. So just wait, mode engaged. I have my everyday Ya to use anyway and I am not going to shinsa next month. Speaking if which, I went into practice on Sat night expecting quiet and aloneness to practice with my new-to-me winter kimono. Wrong wrong wrong, ran into a a big practice session with several Senseis had to join. Anyway, alway good, to learn something.
 
Yeah, after the Kyudo shop, a quick stop at Subway for a sandwich. That is one of the few things I miss about the states is the mixture of foods I can get. I would love to find a falafel shop. Yummm. Anyway. i got my usual. Flat bread, avo, cheese, all the veggies, with basil sauce. It was good! Then onward to the recital. We were to have a meal afterward but that would not be until 4:30 , it started at 2:00.
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I got on the train and headed to the house of the Koto Sensei where the event was to be held. It was almost to where we used to live when we first arrived and stayed with my Mother-in-law. I made it to the home with no problem, by following the map and a little common sense. My Sense had not arrived yet. There was a Sempai of mine their, I had met before. The rest were a bunch people I did not know. But it was ok, they were all pleasant and tried to be helpful to me, with my limited Japanese. Pretty soon , everyone was there , except for my Sensei. He was not late but it was close when he arrived.
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Once he was there we started. He was the MC it turns out. So he did the speaking. He started off with a small talk introduction of the players for the day and then began with his first song. I was to be next. Great, following the master!! Another reason to be nervous! Just Great! Ok, my turn. I took my music chart just in case. I put it on the stand , but not right in front of me. Just to the side, I could look over if I needed, but for the most part I would have my eyes closed and just play from memory. If I mess up, I just mess up. I will keep going. One thing I learn from playing so long live, just keep going, the mistake does not really standout until the player makes it so. I would keep rolling, and sure enough I got a part or two mixed up. Only my Sensei and maybe his sempai who was there noticed. Afterward, sensei said I passed, I did well. Most people fail to get notes out. I was able to play through-out. I think I also got an approval from his sempai. Although he did not say so to me, they were talking about me. I would get pulled into parts of it. It seemed positive. So I guess I had Shakuhachi Shinsa of sorts.
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The rest of the show was interesting, all traditional Japanese songs. Solo, duo, trio. Cool stuff. No young people in the event, all oldsters like me and older. Sensei told me there is a big event next week, where there are many players semi-pro and pro. I am guessing a mix of ages. Maybe I will go, for some inspiration or something.
 
I am to start a new Honkyoku song, called “Tamuke 手向.”. These are traditional “spiritual” shakuhachi songs. They seem fairly long and complex. Perhaps these are the ones sensei is picking out for me as a teaching path. He says we will be working on this next song of, which the name I do not recall, through the summer and into the fall…
Wow, long time for one song. It does not matter, I have no rush plans on what I learn or pressure to stop. I am just learning and will apply when ready. As for stopping, the universe will determine that. I will continue to play until I can not. Lessons may need to be adjusted due to conditions, but the playing does not stop. 
It just surprised from doing modern western songs. I never really studied classical music in-depth to compare. I will guess there is a mixture like in western music. There is a another honkyoku I am working on to play with the Nara Monk this spring, which I find short and fairly simple after what I have been learning. Which brings me to the thought Sensei is selecting complex works to use as a teaching tool, not so much for the music or to just learn another song. Like in Kung Fu the principal behind the technique is the important part. The soul essence. Understanding that, rather than the physical act at the applied moment is the pearl. Once you own it you can adapt it and needed.
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It is kind of nice studying with this shakuhachi sensei he is somewhat of a rebel, besides the greatness of him speaking English. As a rebel he does not give ranks (dans) to his students. That is still a practice in many schools with. A traditional background. One gets a Dan and also pays more with each Dan for classes. I do not really need a Dan, I have no plans to teach.
 
So now onward. New song, new adventure, new area of learning…yosh!
 
.more pix and vid here
 
 
 

On such a winter’s day


This n that….on such a winter’s day.

 
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I have been looking forward to going to Kamakura. A visit to the Engakuji, not just to see the old Zen temple ground but to see the Kyudojo. Dream perhaps dare to dream of a chance to shot there. We have friends from the states that moved nearby, so besides visiting the Great Buddha we were going to hang out a bit with them.
 
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LZ has made the arrangements we are set for April! It will just be a short stay , but even with the disappointment of the Kyudojo at Engakuji, the trip will, be interesting a short pilgrim for me to the Zen Temple. 
Oh, what’s that I did not tell you about the disappointment of the Kyudojo ? Well, I had Lz do some research and ask a few questions about the Dojo. It turns out it is there and anyone can view it from the outside. The club itself has changes as the an old priest who ran it passed away. The new priest does not do Kyudo. The space it rented out to a private club, not taking new members. Sounds like the shrine I tried to join when I first arrived in this area. They, the temple staff, say they do not know how to get in touch with the club. Of course that is BS , but I get it. Oh well. Another life item to be viewed with non-abiding awareness. The Great Buddha I just want to see for the photo op and say I been there, kind of thing.
 
So yeah , it will be fun seeing our friends. It has been awhile.
 
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Shakuhachi,
Recital next week, I know the piece but not by heart. I still have a week to focus. I have also been working on a another piece called Cho Shi. I am learning this to play with my acquaintance the Komoso in Nara. He has been kind enough to offer me the extra gear, hat, sandals, etc, I need to be a kumoso for a day. I was able to score a plain black kimono. I need to learn the piece now. I am slowly getting it. I will be able to focus more after the recital. Also not having a Yon-dan shinsha staring at me will help. This will come I think shortly after the Kamakura trip…or before. Which will be in April.
I was pleased to find out Golden week is in May, so I may make it to the Kyoto Tai Kai this year.
 
Waterworld
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The weather has really sucked down at the marina as of late. That is hail in the picture above this.
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However it is good to have the couple of days work. More so since the City Park work has dried up for the season. Working inside the boat on some bad weather days , really reminds me of my own boat owning past. The rain on the cabin, the sway of the boat, the comfort of a heat small space. Watching the boats through rain streaked glass, in the marina dance with the waves. I wonder some time will I ever own again. I have noticed a pattern with things I have “owned”. They all go away. My clock is running out, as has my build-able income. Yet, one must stay open to gifts from the Universe, because one never know what the tides will bring.
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Kung Fu dharma world is once again quiet. Not surprising, disappointing but not surprising. This is a different world here, and I am in a way different area. Anyway it is ok, I still keep my feelers out, but return to having my practice for me, improving me. It seems selfish when I say it like that but, that is reality. Use this knowledge and training to keep me healthy and supported in my other practices…
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Music, Chan/Kung Fu study, Kyudo, these are part of what I wanted for my retirement years. So I am mostly there and I am indeed feeling blessed to be able to do this. More so with the oncoming darkness of the Trump years ahead. I am missing the sailing part, but I also have that sort of since I can borrow a boat from Aoki Corp if I want a day sail. So mostly just missing doing ceramics. I ant at some point get back into doing some clay-work, however Kyudo is my big challenge right now. Even though Shakuhachi, is also and will most likely give me more payback as far as actual use. Kyudo remains my big challenge. So mostly things are as I hoped for in Japan, it is rare anything turns out just as one plans, but in life like sailing , one can not control the wind, but one can adjust your sails.
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Anyway with approach of winter all one can do is hold on to their inner light as long as they can have faith in whatever one believes in, even if is just duct tape. Then see what the universe has in mind for you.
 
…for now, it’s winter