Everyday People


“I’m just Everyday people”…Sly and the Family Stone

 
My dad use to tell me, get educated, don’t use you back for work use your brain. I put myself through college and got a degree. I even had a good job with my own office for a while. Yet here I am working with my back after retirement. Almost like all that education, training etc, meant nothing. However I would not be here if not for that. Everywhere we are, is because of where we have been.
 
Once in another past life I was an Auto mechanic. I worked for a car dealer, so yeah I was a serious mechanic. I recall in the 70’s I was working for a Buick dealer, when there was no work, no car at the moment, we would hangout and wait for a job to come up. I would go sit on a large storage shelve unit, crossed legs and just mediate, of sorts. I did not know what meditation was back then. People thought I was just sort of strange, off to myself sitting cross-legs just watching stuff. For me I was just being in the moment.
 
These days I flash on that again, while I wait for the group at the “Silver Center” to organize and go out into the field of whatever day job it is. I have been called back to work for the summer to work at the “Silver Center”. I do not hate it, but do not like it. The money is helpful, the exercise is good for me. I do wish it more year around at something, than only 6 mo. There is other stuff happening though out the year I am sure, but just not for me.
 
What is the Silver Center? It is a city own company/ operation that hires retired people, older than me, to do mostly in my group, landscape work. Like clearing overgrown bush in parks, water channels, yards, sometimes pickup dead flowers and stuff from some local shrines, trimming trees, helping some old person clear a house, or something. When the weather is cool or mild it is not too bad a job most times. Summer, like now can be brutal. Working out in the sun, sometimes on the side of a steep hill, mosquitoes! The big issue I have some times, is there is no toilet, for function #1 , no problem , just go off to the side stand and go. #2 can be a problem. I have to watch what I eat the night before and try to go before I leave the house or shop into the field. There are some places I know where a unit is nearby, a temple, convenience store, on the park grounds. Those are the good places. Some times there is none and I spend a lot of time hoping the morning weird stomach goes away. A couple of times it did not and I had to become a basic animal in the woods…Either way the first thing I check out on the work site is, where is the Loo?
 

The getting up at 5:00am used to be a big deal, now not so much. Except when it is dark and cold. At these times now, summer and hot, I am up, water the plants, Zazen, eat, then off to work. I stop on the way to do some TaiChi/Hsing Yi. So it is good to be up early and get that in before the heat. I ride my bike to work about 15 min. The group has already done their Japanese Morning warmup when I arrive. Usually I stretch then just Zazen off to myself.

Lately a couple of people will come over to me and ask for some kind of Qi Gong /accupressure treatment on their back or shoulder. I helped one guy I like before and the word spread, I can “do stuff” being a Shaolin Sensei. Some of these people I work with have never seen or talked to a real foreigner before, I am “unique” Some of the new peeps are surprised to see me. The older crew already know me after 4 years and are quite comfortable . I can play and joke around with a few of them and they back at me, including with the job foreman. They most times think about me when buying the group coffee and get me tea or juice. All are a nice bunch of guys. Most of them are older than me and yet hold their own out on the field. Even though I get some of the heavier lifting jobs, well most, they all when needed will do what is needed. I see some old guys who look like they are struggling when walking, climb up ladders and trees to cut stuff, or walk along on steep hills where it is hard to walk much less walk cutting growth back with a power machine on your shoulder. Yet these guys do it not complaining other than, “It is hot isn’t “, the normal saying here. I have seen a couple of new people stop working or taking a break , (of which we take a lot in the heat ), at the wrong time, and get scolded by someone, not a super or something just a working guy.

Overall people get along and look out for the group. If someone stops at a store for a drink or something cool, they will bring enough for everyone. Everyone stops what they are doing and take an unscheduled break. When we are working everyone has their job and work as a whole to finish, sometimes switching from role to role as needed.

 

At lunch, sometimes we sit as a group and eat then nap. Sometimes , and some places I can go off to myself as do some others, eat, practice my Shakuhachi and or take a nap. We regroup after lunch and back to the task at hand.

I miss working at the boat yard in some ways, it is/was more skilled required. But the owner was/is not a kind person. One felt weird when on a break which was only 15 min once a day. On the other hand at the Silver Center when we take breaks, no one get paranoid when the “boss” shows up. Our break is our break, and we have them as needed. If we are on break when a supervisor shows up, he will speak to just one person the header or sit with everyone a short while, sometimes bring refreshment. We do not have to feel weird when the “boss” is in a bad mood, or really anyone much, we have our assignments and do it.

 
I am usually a raker and or a dead/cut bush loader. Either into a trash packer or the back of a dump truck. I can put on my face mask for the pollen protection and stuff,. I get really bad allergies from the dried plants here in Japan. Near had it in the States even when I did this kind of outside work in Virginia. With mask on I turn on my iPod, and just work left alone or alone in a group. Really the only days I really hate is when something has to be done on the side of a hill, unless I am on task on top of the hill just pulling up bundles of cuttings and loading them into a compactor or something. Sometimes I have had to load up a pitchfork full of cuttings carried on my shoulder and walk up hill or a distance and uphill, because the access is that difficult. Sometimes, it is rake and compile on the side of a hill, lift the cuttings over a fence and down a another hill or something, all to be collected and loaded on a truck and taken to the city dump, where it is burned.
 
Sometimes we finish up early and sit around chatting so not to get back to the office too early. Since I do not chat well I usually, but not always go sit off to by myself in Zazen and some point think back to being a mechanic sitting on a storage shelf…and feel grateful.
 
Amitoufo
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Then there were three

Then, there were three

Ok yeah, this not the post about working with the blue collar locals either. Things happen, that will also ” be the bamboo” flow with the wind ! This is though about playing the blues, with the locals, and sometimes it is a labor, so, it is close,


I recently wrote about the last gig, a real gig with the Doc’s band. Overall it went ok, good even depending on one’s view. I receive a FB message from the Doc asking if I would like to play with him at an up coming event at a local live house. This is the Doc’s favorite spot. He hosts a blues night there twice a month. I stopped going because the owners wants his band not only to host, but to play most of the evening, AND pay to get in and pay for their weak drinks. Oh hells no! I have said! So, there is this event on Monday coming three days away from when I was asked. This event has been planned for a while and it was known about again for a while. He chose to ask me three days in advance. I have bitched at him before about this. He asks me, can you play with me on Monday I do not have a band yet. Such n such the keyboard player, I was expecting him but he said he is busy… So there is just, the house drummer and him, I am told.

 
This guy, the Doc, is a local, he has been playing in this area for years, people, know him, musicians know him, he has been playing at this Live house “Overheat” for the last year, as blues host… However he can not get people to play with him…hmmmmm
 

I simply said I pass, enjoy yourself!

 
Now I had been asking myself just the day before, do I want to continue with this guy. I am getting Irked, embarrassed at shows, complaining on blog posts, having negative feelings about the whole un-oneness of the group. Feeling like a turkey at times, do I need this??? My wife says, you should just say you are busy when he asks. Hmmmm. I thought on it…
 
In America there at one time was something called a butterball turkey. Maybe it is till there. Since I stopped eating meat I do not know. This turkey had a little button inserted, so when it was finished cooking and ready, this red bottom would pop out, that was your signal it was ready, done! There is an expression in the States people say when they had enough of something, they say I am done! Or stick a fork in me I am done!
 
This latest thing with the last-minute call, invite to play was my red button, it popped! The straw that broke the camels back some also say. I was done! I sent the Doc a formal resignation notice, thanking him for the pleasant times past, but my attitude and goals for playing was not compatible with his, for his band, and as everything has a time and season, this was mine for officially leaving the group.

The final band shot

 
I got a note from one of the other bands asking if I was available to play at Chicago Rock in Sept. the day after my main other band plays. :-). I said yeah, I am in, let’s do it.
 
Another message from a keyboard player I have done shows with in the past, asked me a few days earlier if I would do a spot at a seaside festival I had played at last year. The wife-owner of Snafkin wanted to know. I played at this event two other times before, last year was with the Snafkin owner before he passed away! I am in I said!
 
My other band asked me if I had a friend to play drums for our gig at Chicago Rock also in Sept. Yes,  I am playing in Sept at Chicago Rock, three times with three different groups. It is not a big fancy club, but it is a known club and a good stepping stone and testing ground.
 
So…Wwow all these people organizing their shows months in advance! What a concept! Professional minded players, are real, it is not just a fantasy in my head.
 
So I am down to three bands and my solo career. I think that is plenty, and a great outlet for that side of my musical ministry and clears out some negative energy. I would prefer just being with one good , working often band, however that does not seems to be Japanese style. At least at this level. I have friends whose bands work “regular”, even there the members play it are more than one band, even when their band is a hot band! So when in Rome…or Japan…roll with it
 
Amitoufo

..

The blue collar post is written, it will post next.

…and the band played on

 

An the band played on

All the drama around here finally stopped. We had earthquakes and floods. All close to home but thankfully not at home. It would have wiped us out! All that I have left is what is in my lil studio. It would have broken me to lose what is left of any dreams or life. However Allah be praised it did not happen.
So yeah the band. This is the Doc’s blues band I am referring to. We have not played together since April the Sakai Blues festival. I got a notice from the doc there was a spot for us to play at some Sri Lanka restaurant in Nara. His girl friend had arranged it. We were to play and get a dinner for our efforts. The Doc was going to drive us there , in his Electric car, so it would not cost me anything ok. I said with some reservations. This is about a two-week or more notice. Ok, I agreed , but I Did not say or ask anything else, as I usually do. I wanted to see what would happen. I was told ( not asked told) to sing a certain song by the Doc at another place I met him at. A gig with my other band. I wrote about that. I said no!
It was a nice drive to the venue. A nice place, sort of a farm, restaurant setup. One would never expect it in the Mtn of Nara. We arrive with no problem, and settle in a bit. The drummer shows up a while later. We setup and get ready to play. Then the Doc says, ok what shall we play? I was not surprised at all!! . I just shrugged and left it on him. He picked a song, me going first, I had planned on this song anyway, o just rolled with it! Just before that the drummer tells him he should speak and intro the band and all. Ok we get started. I am struggling with the tuning of my bass, it is way off. Still we make it through a couple of songs. Then I hear ok, it is your turn to do a song the Doc is talking to me. The Drummer says yes please, we are not looking to good, do something to save us. I think…hmmmmm, again.
The Doc says, oh I heard you do “killing floor” the other day, do that! I say No! He says why not?, I respond irked, because I am NOT doing it, that is why. I dislike being told what to sing by him, I dislike not having a song list agreed on by the band, I dislike waiting until we are on stage to discuss what song to do. I dislike playing with no practice, especially on songs not done before. I chose another song and we went through it. It was not too bad, I am still having issues with my bass tuning!
We do a few more songs, I forced the Doc to choose, sometimes by just starting to play them. His songs. We made it through the set and took a break. For the next show set we setup outside. There were more people by this time, not a great amount, this is a afternoon gig, not a niteclub/livehouse.
I am asked now, not told, what I want to sing, by several people. Ok I do a song, then afterward it was kind of like the band stalled, the Doc was not leading. I started just playing some open songs cords to just jam on, the drummer kept right with me with different timing and beats. This went on for a while, I start something, the others would follow. More like I am leading a Jam session not, running a show. Over all it went well. The people enjoyed it. I found out we had collected some money from “tips” . So it was overall good, with the tip, the food was good, the place was nice, and we got decent pocket money. I was happy…at least with that…the band leader, not so much! I said nothing about his lack of professionalism, it would be pointless, I have been there before. I just need to decide if I want to do this any more. The thing that bugs me, is if one to going to name a band after themselves, they need to have their act together, be a really good player, or singer or businessman, or have great stage presence. He has none of those qualities. I am always called on to sing and save the show. Sometimes feeling like the show monkey the way it is done. He is not a bad guy or a jerk, just not professional in skill or attitude. I understand why as long as he has been playing around Osaka he has no one else that will play with him in ‘his” band.
Anyway this is not a post to rag on him, much but the show report. The place was nice, the mountain side was nice as was the weather after the big storm. There was no trace of it here. The Shi Lanka food was good, it looked like Indian but not as spicy and the taste was a little different. I would eat it again if there was a place nearby. I saw pictures of the Chefs from Shi Lanka an I could see why I was chosen to play the Shi Lanka President on Japan TV before.
No idea when this band will play again or if I will be with them. My other band, the main one, Sieki band will be playing at Chicago Rock in Sept. I have a single jam thing planned with the drummer in Aug also at Chicago Rock sort of a pre-test and low key audition for me.
Next up…”Working blue collar”

Gardening, Rain, SuiZen


Gardening Zen and the rain
My Shifu from Dharma Mtn says everyday life is Zen/Chan, in Kung fu we say everything is training. Gardening as practice is certainly not a new concept, so I am not going there, this is just one moment in time…thoughts, clarity
Growing one’s food no matter on the scale, gives a sense of connection to the world, life cycle without the blood of hunting. It is sort of satisfying the God complex, like ceramics because you are creating something from dirt, but in this case you can eat it, instead of eat with it.
We have had a storm for the last couple of days and will continue at least one more. I am loving it! Off from work, just enjoying the rain and wind from a safe spot. Doing some gardening when the conditions are mild. Like the wind taking a breath. Doing some misc trimming, repotting, feeding, rearranging or simplify admiring the garden, savoring the feeling of the elements, the storm, the earth, growth, warm air, being in Japan, the wind, life, gratitude. With the world so nuts, it Is good to view everything with a sense of gratitude and feel the joy of the retirement moment in gratitude and wonder. Five years in to retirement and still surviving. Not without help, grateful for that. It is a simple life but pleasant. Warm int he winter, cool in the summer, dry all year when sleeping and our belly are full. This is a blessing under normal conditions, to have it be so in a new country and life is a major blessing …Amitoufou
I spent most of the last couple of days, practicing Shakuhachi and working in the “backforty”. This year I really feel the blessing of having this space and see the results of my efforts in the landscaping. Both in the front Zen garden and the Back Forty. Same purpose of growth, different missions. Sort of Yin and Yang, eye and body pleasures. Whatever. The front theme Is the bamboo, a couple of small water ponds, some fragrant plants, a couple of herbs. Gives a sense of peace and simple beauty. I still have the image of how it looked when we first moved in. so different now.
The Backforty is about growing food and herbs. The front was tried a bit for some things, because of the sun, but the bugs overran the things. They seem to be less on the Backforty. Not sure why. More other plants around in front, dirt, ??
I have finally figured out after 5 years what grows well, in what spot, and how much to grow since my use is measured and my yield is small. The main stay is lettus, kale, tomatoes, basil, peppers and few misc herbs. This year has been the most productive. I will try potatoes next year or later this one. It maybe too late, for this year, Unknown… some research needed.
Some grown things really add to the table, something are just treats. It is all worth the effort, the sense of “gangster” for growing your own, the flavor!! The spiritual sense of connection to your food.
During the storm I sheltered myself indoors and watch and listen to the storm. I would practice my Shakuhachi during these times. I was told by my Komuso sensei about connecting to the environment was an important part of playing. Today and yesterday I sat at the window, feeling as if I sat on an enclosed patio and played. The storm blew, I blew, we blew. On one song the storm and my energies blended and as I played, the storm followed , or I followed the storm, we ended at the same moment, like matched lovers.

Music is alive – Nihon Do

Music is Alive

This last month got to be petty busy with the music world. I got to be playing with four different bands. Three of them were suppose to be paying “gigs”. People are too casual with that word thee days everyone is using it. Suppose to be a paying job for an artist! Key word here paying! In Japan they use it a lot, I guess because it Is cool to say.
I was asked to play bass for a band whose singer knows me. He is from New Zealand and plays hard and sings. He invited me to play to fill in for the bass player. Ok I said. Another fiend was invited to play keyboards. The same keyboard player I am in the Sieki band with. It was supposed to a paying by the door job, but it ends up we had to pay. I was not pleased as it began to unfold. First thing it was we pay 5.00 and maybe get something from the door. Then it was we pay 10.00 and we get nothing, because of the earthquake. I was very displeased. I went though with it only because I had given my word. However, Now I know about this club and will not play there again like that!
It was/is a nice club but I do not like the musicians pay policy , that is BS!
The next band I was invited into by the keyboard player, from my other two bands. The keyboard player is well known and plays with a lot of people local. He is also Loud and gay so he stands out. He Is a good guy and contact. We are friends, the Kute and Kool Kuruseders. I played with this group number two with him, the first time for most of us. The first the first group where almost everyone was around my age. I was asked to also sing a couple of songs. Everyone sang two songs for the show. We worked out and played good together. All had good musicianship not being kids. The main guy is pretty famous around Kyoto. We played the club well and ended with another booking for Sept I think it is. We did not get much money since the “door” was split between two bands that played. The spot is one of the main Blues clubs in Osaka. I played there before with the Doc’s band before the invite was cancelled. It called Chicago Rock. The name will come up again.
Band three is the Doc’s band. I have not played with him, that I can recall since the Blues Fest. I wa asked to play this coming weekend in Napa with the band, his band. At fist I though it was jus me and him. I was close to saying no. However my wife thought I hold go to help him since he did get me started in the area. The group is supposed to get free dinner and drinks at the ShriLanka vegetarian dishes resturant in exchange for playing. Also the Doc was driving us out to the Location in Nara, on top of some mountain. None of which I have been to before, so ok. I said yes. Later I find out the drummer is also attending , so the original trio is going on a road trip again. I am not looking forward to this, but the food maybe interesting. My first time for that although looks “Indian “. I played the president of Shri Lanka once on TV here and my youngest was dating a woman born there. So it is a bit more tan casual interest to visit this place run by a native Shri Lankan.
The fourth band is my main band. We had the hosting spot at the guitar player’s father’s club. Monthly blue jam sessions, the house band plays with others and also does a full set alone. It went well. We are starting to sound fairly tight, like real band. There were flyers post on FB about the show. I was surprise to have some people I met a couple of years ago returning to Japan, show up to the club. They seem like a nice couple about our age. I made a temp plan to couple up with them over tea or something once my wife is less occupied. We do not have any couple friends any longer , other than my sister in law and her husband, since I no longer want to be around my former employer from WaterWorld. Also this couple speaks some English. We sat on the ame row on the plane from Cal. We do not talk much until the end and not since then other than FB. So yeah it was a nice surprise to see them.
Another surprise that night was the Doc showing up to jam with the band. I guess he wanted to check out the band…
As I was making ready to leave at the end of the session , he says he wants me to do a song I did that night on Sunday at the restaurant. I said it is not the setting for that song, he tried to push me a little into agreeing, which irked me, anyway it will not happen. I am not being paid be told how to sing something I do not want to. Bottom line. That is a place that is sensitive for him to walk.
The rest of the night went well. A song I was kind of questioning if would work, did work, mostly. Actually two songs. One was a first kind of song for this band. However that is what is good about this band. It Is not straight ahead Blues. Neo-Blues band I think is a fair label. The guitar player said at the show we are a “fake blues” band. We do not just do pure blues. I like that, I like my feet hanging out the box sometimes.
I also have my solo venture to work on. I am attending a jam session this Thurs at Chicago Rock. I want to do a few songs with me on Keyboard and singing. I want to owner to see me as a solo act as well a bass player. I want to get a spot there at Chicago Rock, even If I can play there four times a year doing my own thing I would be pleased. I can spread from that. Chicago Rock is the established blues club in the Osaka Bay. I need to build a fan base I want to play the main stage at the Sakai Blues fest and Hard Rock Cafe in Osaka. I notice more people peak to me when I show up places now. With having done a few more spots with “known locals” it is good exposure.
On another side of the coin the music scene here is very different from the states. It is common for clubs to charge the band to play there. To me that is the pits on respect. The club only exits to sell to the musicians in some form. It is very common for one person to be a member of several bands, The drummer from Sieki band asked me if I wanted to play in a group perhaps a trio with him and another guitar player who showed up for the session. This guy is a friend of his. He is a good player, but too loud and wild style for my taste. Also the drummer is to me, is only so so, he is not versatile. Steady which is good , but his beats are limited.
If I had to pick a band with the most potential it would be the band #2, they have the chops for playing mix bag, four people sing, we could have good harmonies, all about the same age.
IN the mist of all this going on I took a trip to Kobe, and sat in on a monthly session there. I know a number of people there so it is good to see them and get to play with some different folks and some familiar ones. I went there a couple of times with the Doc and was embrassed it took me a while to get pass that and be seen as me and not his Bass player. The session was good. I got to play a couple cool songs I wanted with a full band.
Even though I was a bit put off when told I should play bass not keys and should play Bass. I did not press the issue since the guys was running the show, he kind of power trips so I let go, We seriously raised the roof with the songs!
I was so bummed no one got a recording , that I know of. There were pictures but no music at least long enough to enough. Too bad it was off the hook!
In the recent news I find out the Sieki Band has gotten a spot at Chicago Rock in Sept. on a Friday night. That would be great if we get a fair turn out. I would be happy playing there three or four times a year. Plus the same at a couple of other spots that would be very cool in my eyes. I do not have big dreams about the music world. any more no, fantasies. I want to make good music, enjoy it and make some money enough to cover expenses…would be nice. I am understanding it will take a couple of bands to make this happen, the NihonDo.

尺八 – Wind blowing in the rain

 

Wind blowing in the rain

 
I need to sort out now what is going here and what is going to the Komuso blog site. I have that blog up and surprisingly a couple of people have started following it. 
 
So back to just regular Shakuhachi before I publish the next segment on the Komuso blog.
 
I went to the monthly meeting of the”Koten-shakuhachi-kenkyuu-kai” (Society for the Study of Classical Shakuhachi) club yesterday. I have been to the “header’s dojo a couple of times already. Still I got seriously lost. I had a map with me a good thing. I stopped and asked for help a couple of times. People were very helpful!! I was way off track. I started out ok, but took my first turn way too early. After almost a restart, I got where somethings looked familiar and following the last set of help directions. I got to a place I knew where I was. Whewww.
I marked the location this time on my Smartphone map. Although I am fairly certain I know how to get there next time I found where I made my mistake.
 
Not a big deal being late there was only three others there when I arrive. Another member came later than me he had a performance to do before hand. 
 
We went through a few pieces.then I was asked to play what I am working on. I receive some helpful corrections on my technique. I need to focus again on doing some drills not just learning a song. Now that I have my goal somewhat done, I can focus on just improving my skill and not worrying about a performance. 
 
Oota sensei , the header had finished a 2.0 Shakuhachi he had been working on for me. I was surprised. I thought it would take a lot longer, as he is busy. However he comes over and says here try this. The sound was warm and deep but not overly deep. I liked it. It is a solid flute not the light feeling kind, and a big curve. This has some weight to it. It was fairly easy to play and nice looking . Cool ! He had me pick a carry bag from two that his wife had made. She does nice work! I was a happy camper. I did not play it much at the time as we were working with the 2.5 flutes. I also wanted to play with it at home where I would not be self conscience about it.
 
Another sensei there played the new flute and gave his approval.
 
The Sempai who gave me the Komuso application came in later. I thanked him for his help and showed him my new card. He said he just got his renewed as well and showed it to me. I told him I did not get a set of rules. He said nor did he this time. I guess we are just not suppose to do anything to embarrass the group.
 
After our practice sessions , Oota sensei, took us to his workshop to see some bamboo in the pre-flute stage. I was surprised how many he had ! Some of a really curved nature. Most of them big, not the smaller 1.8 version. It was quite interesting!
 
After that we closed up shop and headed out in the rain to an izakaya for our after practice social hour. I do not understand all that is aid , but we still all communicate and have fun. This was a different place from before as the old one closed down. To bad, I thought their select n was better. This place had “kompai” special that worked out well. Even for me with my picky eatingness. I had two small bottles of Sake the others had beers! I like these guys , nice folks. It is hard to make friends it is said in Japan, can understand that. I was lucky to be introduced to these guys and feel comfortable with them. Sharing the same musical connection is a good bonding medium. Of course the people themselves make the difference. As with a certain sailor who shares sailing and Zen practice with me, but is a jerk!
All in all I think my musical connections are stronger than my Kyudo connections, for the most part.
 
In the evening when I returned home, a sat an played with my new flute. I really like it. I played some traditional songs and a modern song. I also did some free style. I enjoy this flute. It will be my main multi-purpose flute. I like the low tone and the highs which are not too high. The second register as well I liked not too tinny sounding.
 
Some players I have seen on-line have a huge selection of flute. I will be basically keeping just the ones I have. 1- 2.5, 1- 2.0, 2- 1.8s. That pretty much covers my needs. I do have one more 2.5 , however I am planing on gifting it to a friend who has always been helpful to me, with Kyudo, and Music instruments I have needed. No need to have things I will not use, when it can be use and appreciated by someone else.
 
Oh one last note on the Kyudo Shakuhachi connection. I last time spoke of a Kyudo sensei who was also a shakuhachi player and a Shorinryu sensei. The one who rarely speaks, but has helped me with Kyudo points. I asked him if he was still playing Shakuhachi. He gave me a small half smile and said, he was on “break” from playing right now. He had played for 20 yrs. I asked what style, Tozen he said. Fairly common and popular style in Osaka.
 
I am glad I did not fall in with a Tozen teacher in my quest for a sensei. The Tozen style is a somewhat newer style and their focus is more about western style pieces seems like. Tozen is what my other sempai from Kyudo plays. My style is call Kinko an it goes back a long way and also linked with the Komuso and Zen practice
 
 

…and the beat goes on. April


And the beat goes on…
The path of “music”
Springs forth, a babbling stream
as do buds of the Sakura.

A lot of music stuff has been happening. I think the last thing I wrote besides Shakuhachi music was about the Blues Festival, complex mixup. I was under the wrong impression about being required to buy a shirt. So that is back on the burner as a ToDo.

 

The Sieki Band, 

 
We had a good rehearsal am I am liking the way the band sounds, especially with the harmonic vocals. However they need work. Like most things worthwhile. ( Ch’an lesson for today) The keyboard guy, Lucky Joe, a real character, good for a group, is good, he fills a lot. The guitar is a good rhythm holder. We have a show coming up on April first. It is a small showcase venue, we are in a show with three other bands. I am fairly sure this is a no pay , just showcase kind of thing. Which is ok we are a totally new band. We have a Practice session this coming Sat. A band that has practice sessions before doing a show ! What a concept! Radical.
 

The Jazz Session


There is a monthly Jazz Jam session, nearby my house. I have been before, and posted stuff. Ozaki Jazz Society, I call it. The people are nice, the club manager also lets me know what there is I can eat from the spread that is put out as a free buffet. He knows I do not eat meat. Most of the players are very good. However I do not like just trying to play a Jazz song with no practice if I do not know it well. Most of the regular songs I know are not Jazz. So when I go to this I have to pick songs to do, that are Jazzy. It is kind of hassle. I go maybe once every three months. I went there last week. It was good. We came together and even though our first time together with these members, and me trying to explain what I wanted, always an adventure. We sounded good. If anyone is interested in hearing the 20 min sessions cuts can click HERE?
 

School of Rock,

 
There is a keyboard player who I have played with on several occasions. I like his style and he speaks a little English. Several months ago he asked me to play a show with him in March. It happened just this past weekend. I was to play bass with him on a few songs, then do a few songs on my own, guitar, or piano and/or with him if I wanted on keyboard.
This was our first gathering, with the other members he brought in. We had a percussionist, steel drum, keyboard and bass, with some vocals from whoever.
We got together before the set to practice. It went well, we fit and worked together as a group. Afterward we went next door to the live house and ate at the small local Izakaya. They were a bit surprised with me there, but were friendly. We ate, chatted, joked and bonded. I already knew the percussionist, she had done backup singing for me before. The only new person was the steel drum player. Still we all got along, no attitudes. This is a cool band. It would be interesting to do more with them, there could be some cool stuff development!
 
We went back to do the show. Not many people, which did not surprise me. Toward the end of the night a few people came in. Those that did seemed to enjoy one woman got up danced. The group sets went well. We sounded like we have played together before, have not, at least with this configuration. Click for a sample HERE
When it was my turn, I figured I would do a test run of the plan for my show at the Blues festival. I had prerecorded bass and drum tracks on to a new loop unit, I recently acquired. So Drum and bass recorded, I played keyboard and Harmonica, with my vocal. It went over well as I had hoped. It sounded good and I did not embarrass myself with a big mistake. 
So I am confident I can pull off the Blues festival and also with the right planning and effort I can do a full solo session at some club, or at least half. I am thinking a club where the docs band used to play. “Chicago Rock” is a pretty popular spot. It would be good to play “here even twice a year.
 

Snafkin

 
It has been quiet there since the owner passed away. Just recently I hear tha his wife will now open the cafe only on the weekends. I always like that place. It is where I met several players I became friends with. This Sat there is to be small session, I will attend. I am considering doing my first non traditional Shakuhachi song. I want my friend to play Shamisen with me, but I do think she is comfortable. I will write out here part just in case, otherwise I will prerecorded on the Looper the rum Shamisen and bass parts, and just play the Shakuhachi live.
Then do one other song with whoever is there, which will include my favorite sax player. I am not a big Sax sound fan, but I like her tone and playing. It should be a fun session and nice to see the Snafkin crowd again.
 

Sakai City Blues Festival

 
This is going down the last weekend in April. I am going to need to be there for both days. Day one I will be playing bass for the Matsuo Blues Band.
The next day, I will be doing a solo set, with me on Keyboard and me on digital backup. Having already did the set at the last club The Happy Rabbit, I am feeling comfortable with some more practice it should go smooth.
You can hear a sample HERE

 

Snafkin by the Sea

 
I kind of feel this is my home base club. It had been awhile since going, since the master’s passing. I had through the grapevine, the place was closing with just
The wife left to run it. However I received a notice it was going to be opening only on the weekends. It seems like a few of ladies have gotten together to help the widow run the place. My friend sends me posting on FB about a few things that have happened there, but I have been busy on those same time.
I had made a point of going last night. I was not sure just what the plan was, if it It an open session or there was a group playing or a mix. I had said to Iyo-san I would do a song with her.
 
 
I showed up about 1 hour after the show started. I was surprised at the turnout, but there was a seat for me. I saw there my two Kyudo sempai who first got me to Snafkin. I was pleased and surprised. I kept being asked by several if I was going to play, where was my bass or something? I said I did not know if I was playing or not. Since I did not how things were being handled. I just watched. It was enjoyable. After a while the owner comes over to me. I thought she was collecting entrance money but she was asking me if I wanted to play something, not pay something. There was a time limit on how long they could play until. I said ok, one song with the band. I liked all of the players so did not want to replace them, piano, Bass, guitar, Sax, and that drum box thing. I did not bring anything with me except my Shakuhachi and Harmonicas. I opted to play Harp and sing. I gave them the key to play a simple funky blues, and the bass line to work around. With the Jazz players it took on a nice nature. Too bad I was not recording for that, it was awesome! Always the best stuff when not planning for it.

 

Page One

 
This is a new to me club. The Sieki band was arranged to play there. It was one of those nights when there are several bands, and it is a mix of styles. Not a loose everyone play with whoever jam session, but each group got a chance to play.
There were five of us, bands. It was a broad mix, metal, punk, blues, big band.
The club is easy to find and not too far from home about an hours. Nice little place, small but not too small. We went on next to last. It was a very comfortable show and went well. A few mistakes but nothing that showed badly. . We must have did good, we were the only band asked to do an encore. Things were a bit loose but not overly. It was a fun night. I did an edited recording of the concert to 20 min if interested HERE
 
So those are the big things happening in my small music world outside of SuiZen Buddhism.
One thing for sure is I am doing far more musically here in Japan than I would in the States. A good path for a retirement. It is different playing when you are young to be rich and famous from when you are older and just play , because you can. I would love to have a steady, even somewhat steady “Gig” as a musician again. I can work toward that hope, goal, but it is Journey not the goal.

尺八 – Kard Karrying Komuso


A Card Carrying Komuso
It took some doing, and time, but it finally happened. I got my membership to the Myoanji temple and entrance into the ranks of the Komuso. Nice to have made a goal. it has been a while since that has happened. It is not really a big deal, yet it sort of is.
The Komuso order is not really an official Buddhist thing or is it? Still working on figuring that out. I was sent the Vow of Suizen with my membership papers. Maybe the 3 together now are the 3 treasures given to the new members to the ranks of the “Priests of Nothiness” back in the day. For sure only in Japan are there official Komuso Buddhist, I guess…
The Komuso are perhaps more Buddhist now…than back in the day. Back then most public records say they had little if any Buddhist practice. But there must have been something organized, formal. Of course they were just living, there was no need to record everything, like now. There was no Facebook back then! Other than the spies, they were mostly out for themselves, food, shelter, enlightenment. Ex-warriors, Samurai, ronin. Some did in fact work in some temples, admin sort of thing. The Buddhist part just gave them some freedom, some breathing space, a tax exempt status so to speak, and the “ok” to travel hassless as a “monk”. The Komuso would beg for alms by playing a honkyoku outside of a home or place of business. However, some practiced something near to extortion in order to receive alms by intimidating people and loitering. Komuso were also the subject of mysticism or superstitions.
I came across/heard something about it being lucky for a pregnant woman to see a Komuso. Some believed that the Komuso were surrounded by the dead and brought evil spirits or bad luck. Conversely, some believed that a Komuso could have a positive affect over such invisible forces. In many ways some Komuso could have been described as spiritual minstrels or priests.
Otherwise, zip.
On the other hand …there is still not much being done/heard of/by them. That I know of so far. Maybe at a Zen temple such as Kokokuji or Myoanji, there are Priest/Monks doing their Zen thing who happen to be part of a smaller/zen group that plays Shakuhachi, for whatever reason. Like there is a “warrior sub-sect” to the Shaolin Zen Temple. Martial Monks of Chan. The Komuso being something like that still today. Busy doing everyday Buddhist stuff at the temple, but part of their practice is playing Shakuhachi not chanting/or with chanting, does not have to be with or without, right…
“At present, Komuso practice with the shakuhachi exists only in a ceremonial way, although the Fukeshu remains as a Zen sect and has retained its traditional base in Kyoto’s Tofukuji Temple.”… Kouzan (Website)

Anyway moving on… Also they are not poor now, that is a for-sure thing. The outfits can be quite costly. Mine is not but it is also simple and from 2nd hand goods. Recycled, doing my part for the earth and humanity’s future.
Anyway, the full blown off the shelf Komuso-wear, can be costly! Which is one reason I ended up joining the Myoanji temple, not the Kokokuji temple in Wakayama. At Kokokuji, the Komuso are required to have a white and a black K-wear to be with that temple group. Also their Komuso-wear is special styled to/for them from what I understood.
The Kokokuji temple, from also what I understood, is not the first “Komuso” temple but the first to have the shakuhachi as part of their meditation or something like that. Yet this above says started wearing the basket. Maybe started here, but labeled elsewhere. Hard to tell. Myoanji is a much newer temple and “custody” holder of the Fuke Zen Komuso sect. Hmm is there still such a thing or is the”komuso” the only image memory of a somewhat colorful past.
Anyway, I digress, Myoanji is not so strict about their dress. Yet, it is ( Myoanji ) also supposed to be the “spiritual center” for the “SuiZen” practice.
 
So what are Modern Komuso? For the most part, a club/fraternity type group, carrying on a Japanese tradition. Maybe not a real “Zen” order, or rather, sub-order. I do not know if the “Fuke” are still considered a sect even though the ban was lifted. Although, who says what is a real Zen order. Although there are real ordained Priests in the group, not all are Zen. They, Komuso show up at events, and festivals. Still not doing much Buddhist type stuff…or maybe just “being” and playing there is Komuso ( Fuke) Buddhist stuff. There are just a few that still go out and beg, carrying on that tradition. I see a few in documentaries around Tokyo. I know of two in Nara, and they are active not just event Komuso. There are ” others ” within Japan that dress the dress but are, let’s say in training, or getting the experience. Like what I did.
I am still learning what Modern Komuso are and do. Now, I know two, no maybe three active ones. One has the philosophy Shakuhachi is not a Musical instrument but a Zen tool! Sadly no English, he is from the Kokokuji. By active I mean out playing in public not just gong to events. I think an interview is in order. An older veteran, My Sponser and a somewhat new guy, my Nara Sempai. That would be interesting, neh!? Yeah, I will have to put that on my “To Do ” List.
Make a pilgrimage to my Komuso Sponser’s temple. I have not done my official pilgrimage yet. That would be a great 3 year Shakuhachi anniversary pilgrimage. Also take along Sempai from Nara. I was going to go to Kyoto to take in my application, but we were told I could mail it. That was cheaper and simpler. So no anniversary pilgrimage yet.
 
For me…the newbie Komuso…hmmm, not sure… I will get out there. It is a good venue for me to develop a practice. I need my wife to make me a “Gebako”. Since my Kung Fu path here in Japan is pretty much nothing other than my own training health practice, not a way of spreading any dharma. Perhaps this mixture of Buddhism and Music will work for me, I can style, develop it pretty much as I please. My Sempai from the large size Shakuhachi group showed me a list of rules as a Komuso member. I will have to get a hold of the list and have it translated. Perhaps the temple will send it to me once all my paperwork gets settled in. I was surprised how fast my cards came. One week turn around from when I sent in the application, I was expecting just to get a membership invoice, but they sent the cards. For Japan, it was a shock to happen so fast.
 
So anyway, now I can officially start my own Zen Komuso Practice in my area. I am clear as a Komuso and a Renzai priest and not worry about the police hassling me over a begging license, or such as I am officially with a recognized temple, goal done, I am legit in Japan! Yatta ! I have not had a goal success in a while! What my practice will be is unknown. I will just let it happen. I figure even just going out and getting a few donations to pass on to charities is doing something, being engaged. Maybe that will be enough for me, with my other projects, expressions of the Dao in operation already. A sempai said being “engaged” is an everyday thing, yes, but other than that, this is a bit more specific purposeful. I do not want to be only an “Event Komuso”.
 
Anyway, maybe a new blog is in order, this one is getting full, hmmm, “tales from the tengai”, “the Rakan 羅漢 Komuso”, ohhh “Shorin Komuso” , or “Kamakiri Komuso”. Maybe not or maybe, just another chapter, e.g.: Kyudo, KungFu, Shakuhachi, Band…, boating seems to have pretty much died…how sad. Still who knows what plans the Tao has in store for me. As it is I never thought I would be a Chan Buddhist Priest in Japan as a Komuso when sailing away from the States,… besides losing the boat…did not plan or think of that either…but that is another story…now A Komuso is born.
Ametofu _/|\_
 
 

尺八 – Exposure

A step into public exposure
 
A while back I sent up this energy flow to join the modern Komuso group here in Osaka. This started coming into a form resently. My Sensei spoke to someone he knew, that lead to get a meeting with his friend an active Komuso, and on the board at the Myoanji Temple that’s basically Osaka HQ for the organization. There was to be a concert /event of some sort. I could come and watch, we would meet there and he would give me Komuso details about joining the temple group. Ok, cool I thought finally. But, wait…I was then invited to play not just watch. Oei Vey!! I had a choice play with my Sensei or play solo. We both felt it was better for me to play on my own. Better presentation…
I thought, ok I will suck it up, breathe and do this.
 
I had a pretty descent grasp on a traditional song called “Tamuke”. The is how a Komuso at the same event played it. This is what one plays as a offering or a prayer for a departed spirit or the like…I started paying more attention to the song, breathing, phrases. Kishi-Sensei had listened to it at the last class a few days before the concert. I thought I only played so so at that time. He gave me a couples of points to be aware of. Otherwise it was ok.
 
I spent the last week, in battle with a virus. I had developed a cold. However with the heavy flu going around I needed to not let this becoming the flu kind of sick. I took care and added some natural body boosters I also slept, a lot! There was some comfortable moments, but I made it through. I practiced my song during this. My concern was having to cough whilst playing. That would have sucked!
 
The day before the event I was feeling fairly like normal. I could mostly relax about the cold thing! Done. Other being concerned about how cold it was going to be that day and not make myself re-sick. We were inside, but I had to get there, and in my travel/day wear. I wore several layers all under my “Samue”. I did not want to wear a Kimono, it felt too much, over kill for my maiden voyage. I needed to vibe “modest”. A western suit, like my Sensei was wearing, nope. Not my style. The Samue was the third opinion and my style. I had heard though one does not wear an overcoat or jacket on top of a Samue. So layers, a lot, were called for! It was a good plan. When I was outside, there was enough with me moving and I could still move. Once inside I ended up taking off a couple of layers. However I always say, “better too many, than too few” !
I found the balance point and it was all good… until I had to dress to leave.
 
However before that….
I arrive after finding my way up in there through the maze. I did not know what to expect the place to be like. Although I was thinking small and old. The place was huge. I walked up looking confused, the guard asked Shakuhachi?. Hai Arigatou, my reply. The guard one of two gave me directions. I was off again, a followed the turn, walk, turn walk and turn, and turn. I found the place, went in scoped out everything and got in line. The lady seemed to be expecting me …. weird I thought for a second. She found my name and I went in. More walk , turn , walk turn and I went into the common area , staging’ room, tea, practice, hall. Shortly after making my spot selection. A man walks up and introduces himself it is Matsutani-san. He seems like a nice man was my first impression. We do the Japanese intro thing and he turns to speaks to some other men. I hear my name, he telling them my name. I bow and return to getting organized.
 
I hear an announcement, not sure what, so I watch, and make note of the time I heard it. Shortly afterward people started making an exit. It was as I earlier thought, the “we will start soon” call. I followed the movement. Once outside I asked the woman from the beginning, which way? I was heading correctly she said just keep straight, then turn. I went down a hall up steps and over a bridge to another building, like a prayer hall. Hmmm, yay, let’s go with a large hall with an alter. Prayer hall. People had taken spots on the floor and or grab a small stool on which to sit. I followed the wave, and picked a spot, my spot.
 
In a short while my sensei arrives, After he heads my way, I wave him down. He takes a spot next to me. I am late but on time he says! We chuckle. Then Matsutani-sensei, starts the event with an announcement. I had no idea what was going on. Afterward a man goes on the floor, I figure out that everyone is going to play Cho Shi. A very simple version. I could follow easy. Next up,… there is some motion. Matsutani-sensei is playing next, then sensei tells I am to play after Matsutani-sensei. Ehhhhhhh!!
I am to be #2 ! I am shown by Kishi-sensei, where to sit and wait. Oh jheez I am thinking. I really need to make a “Loo” run. Really… I have a mini internal battle, should I make a run for relief….or can I hold it. I have no idea how long this song is going….maybe I should try it… no no, Better not, upset the flow, I a miss time it… Too much lost of “face “…just hold , breathe…finally it is my turn.
 
I asked if I can Sit Zazen style, because of my knees. I was given a stool, and a music stand. Ok cool, breath…I get adjusted, bow, breathe and start. I figured once I get that first note, I can adjust or deal with whatever comes after that. The important thing was to inhale, expand, and release, but not too much. Just be the wind Kishiwada-sensei told me a while back, maybe last year. It one was of those things that stick.
 
Ahhh yeah and speaking of last year. In one week it will be my three year anniversary of taking formal lessons with Kishiwada-sensei. Sort of cosmic timing that this first public showing is now, my coming out show. Yeah, sort like a coming out. A public exposure, this will be my first official playing for public, besides play to a bunch of high level players. As well as being the ONLY Gaijin in attendance, maybe the first EVER Gaijin of color to do this. If I do not blow this, It will leave a good impression, give face to Kishi-Senseino …no pressure, right…!
I centered and let out the breath, like the release of an arrow. I got the sound I wanted and it was full enough, not weak, but soft. I continued it went well, even up into the high notes. I had a short feeling of being anxious. A deeper breath and focused. I kept moving thinking but not thinking. I was half way done,… one part was weaker than I wanted but it was only a small foot note, I let it go. Finally the end. I was ok with the offering. Not my best, but far far from my worst. I did not embarrass myself or Sensei. I hear some things being said with my name, I had no idea. I was on the move away from center stage, that was my focus. I found my seat next to Kishi-sensei. He said I did well. He said that Matsutani-had said he was impressed in the announcement. Also that I would be joining the Komuso group, he was sponsoring me.
 
There is no clapping after anyone, ever. These songs are suppose be more a display of respect, an offerings to the “Buddhas”. Not entertainment. especially in this setting. So I could not judge what people thought. Anyway it was done, Kishi-Sensei thought I did well and Matsutani-sensei thought I did well. Ok, my work is done. I can now relax. Ahhhhhhh. It was intense for a half a second finding out when I started , but now , sweet! I do not have to think about it anymore. Yosh!
 
I spent the rest of the day, listening, until lunch break. Sensei and I went back to the lunchroom together. He asked me what I thought about the performances. Some where good I said, he agreed. We talk a bit about, the need to actually make a sound , not just the suggestion of one with mostly air. Sound was important. We were supposed to meet with matsutani -sensei. However we understood he was busy busy. Kishi-sensei started chatting with a couple of other guys. I went out to explore and take pictures. I saw some cool stuff, I was maybe not suppose to be in but area, but I did it Ninja like and then left. I returned to break room, many people went back, I stayed I wanted more pictures. Then Matsutani-sensei entered. He gave me his card and said a few things. I stopped him to ask to look over the application paperwork for the temple. I had prepared since another Sempai with the long 2.5 Flutes group had given me. He at the time said he would sponsor me if I needed. I thanked him at the time and add Matsutani-san would do that, The sempai says , that would be better as Mastutani-sensei is more famous.
So I had everything on the application done I thought , with the help of Kishi Sensei and his daughter. However I did not have it. It must be in the other room. We agreed to connect later perhaps at the drinking dinner. He left. I did a couple of things At the table and moved my clothing I had shed earlier. Bammm, there was my clipboard with the application. I went over to Matsutani-sensei and excused myself into his space. Matsutani-san looked over the application and pointed to the spots needed to sign. He agreed and spoke to the lady that had signed me in to the event. She dug out a pen and he asked about his “mon” stamp. She dig more. Ohhh I said this is your wife!? Yes, we all smiled… Another nice person I find out.
Signed, stamped the application was handed back to me. Sensei says , ” please do well, and ganbatte as a Komuso “.
I was not expecting this part to be done today. But it was. All I need now is a couple of photos and take my application fee into Myoanji. I will be official. A new chapter will start.
Amitoufu
 

Progress in small steps

Even small steps forward, is still progress, it is not the size of the step, it is the direction.

I am starting to feel like I am making some progress on several endeavors. Since I just came in from Kyudo practice I will start with that.

There was a Rei Kai today. It took me a while to figure out it is Rei Kai, not Dae Kai, not that it really matters, it is just a label. The event is important, not what I called it.
The ReiKai today was small as most of inner dojo events are. It was cold, I continue to be grateful we are inside dojo. I would have really suffered had it been outside. Still during break many were standing around our one little space heater, or had on their outside coats.

The day went smooth, it was a relaxed day. My shooting was not great, I was able to hit one out of the first two sets , then as I made adjustments I hit two out of the last set of four. After that time one of my Sempai Sensei said something to me, as him another Sensei who often helps me had been watching my shooting and discussing it. The second Sensei, the senior seem very reluctant to say anything, but the other spoke up. My balance when shooting was off. I guess I was leaning into the shot too much. My pushing toward the mato was turning into a lean toward the mato. I made a note of it.

The main shooting was over now was the time everyone shot again but instead of 4 arrow, it was one, per round. If you made the shot you continued, if not bye bye. I applied a correction to what I had been told. Instead of just pushing, I lifted my head and stretched my spine upward, like when doing Tai Chi, or sitting Zazen. Also then push toward the mato and away from it with the opposite hand. So as I had been told before or read, that it was more of a circular expansion not just vertical. To the Heaven and earth, and to the sides. So I guess not really round, but all around. I also did the tightening of the triceps as Yamashita Sensei had told me, upon release. The other thing was to place myself “in between the bow and the string. Aonther thing I had heard or read about, but I finally figured out the feeling. When I do it the ya goes straight, like an arrow :-). It is sort of leaning into the bow to place yourself in the middle. Technically I am not between the bow and the string, but it feels that way. I am not supporting the pull with my arms, and chest, but “body”, Bam , a hit, I thought I was done for a while. But I was called up again, Bam! hit, and a another time. I was in the finals. I missed my last rotation shot, maybe everyone else did as well. However, wow I was doing good. I am finally starting to understand, things are starting to click. Usually when I think like that, I find I am wrong, but so far this time it has held up. I still have a way to go, but I am making progress and have found the spot to aim from on my Yumi. Now more and more practice and I should be ready for the Shinsa this summer. Sato Sensei asked me was I going to the shinsa in March I said no, more practice yet. But I believe with continued practice Summer will be it. If not there is Autumn, and Winter. Also next year, if God be wiling and the creek don’t rise. Maybe these days it should be If God be willing and hte bombs don’t fall! Either way I am feeling good about this being the year of Yondan. The “Dog” is with me!

The day before I had my monthly meeting with the Shakuhachi group. A cold and rainy day, once agin we met at Oota- Sensei shop. This from what I understand maybe becoming out regular meeting spot. It is a bit rustic, but comfortable and no hassle to be there and no conflicts with other groups wanting to use the space.

We went through the usual drills. I was able to play along on a couple of piece that I had not done before. For me that was a personal victory. Then everyone played the individual pieces they are doing. Finally it was my turn, I was not really excited about, but I did Choshi. The Yamamoto, version. I received some corrections and tips on playing. Then asked to do it again so I could practice. It was better, still needing work but better. I could hear a Sempai grunt an approval of parts I did correct. Afterwards he says, I do the last phrase well, I did need to work on the small adjustments. Another Sempai showed me how to correct one part. Later I was told I have good potential my tone is good. That was good to hear…yatta!

I also decided on the Shakuhachi I wanted Oota-Sensei to make for me. I heard a couple of different sizes being played and my ear was most pleased with the 2.0. It was told to me later by another Senpai about having six hole instead of 5. I had not thought of that, but upon hearing it said and explained why, it is a good idea for my experimental flute. It will take some time before it all comes together. Oota-Sensei will have me select the Bamboo I want as the next step, now that I have chosen the size.

I was given the application for joining the Myoanji temple. This was helpful. I can fill out the form before meetinG with Matsutani-San next month. The Sempai who gave me the application, told me later that he would be my sponsor if needed. I thanked him told him that Matsutani-San a friend of my Sensei said he Would sponsor me. The Sempai said, ohhhh, yes, you should go with him as a sponsor he is very well known…Yatta, Another plus for me!

After the practice meeting, as is the custom we went out for food and drinks. I have never done that in the States, hanging out with the guys at a bar drinking and chatting. Even with my Kung fu family. We did that at the Dojo with Shifu after our closed door classes. My brother and I when we went out it was to eat Chinese food. It was not that often like a ritual as it is with the Japanese. It is a normal custom in Japan, at lest with companies. It was fun, even with my limited Japanese we had a good time. One Sempai is heading to Hawaii soon and wanted to practice some English. They made sure I had what I could eat and we had a good time talking misc stuff including, Shakuhachi technique playing compared to feeling playing,

So process is being made. The new band is feeling positive, Kyudo is feeling positive, Shakuhachi world is also feeling positive. I need to crack down on my Japanese study next. still…The year of the Dog is off to a good start…Yosh!