Shakuhachi Pilgrimages: Cambodia- finale

Have Flute will travel: Cambodia

It was the last day. The plans had changed some during the evening. We opted to pay for an extended stay at the hotel. Instead of 1:00 pm check out, we went for 4:00pm. The typhoon had fizzled out so the planes were flying. That was not going to be an issue. Our flight was at 9:00pm. we had most of the day to hang out. I had arranged with my driver to pick me up at 12:30, to take me around town. My wife wanted to do something or another then just hang out poolside in the Jacuzzi.

After my morning drills, a light breakfast, my ride came and I was off. The first stop was the Killing fields Memorial. He gave me the story about what happened. I was under a different impression from what I had heard. He gave me the story then let me walk around. I read the posted writings. It was sad. I went around to the Misc statues and bowed in respect and silent prayer. Over in one unit were the bones of those they had recovered. I paid respects there also. Then we left. I had thought of canceling that part of the day at first in the morning because of the time, but I am glad I went. Interesting, and educational. I just was watching a youtube show about the 7 wonders of the Buddhist world. Some of story of Cambodia was included.

 

We next went to a local Buddhist temple. It was old but not like the Stone ones at the paid sections. This small shrine/temple complex also had a new temple being built on the grounds and it was an active temple, with monks there. Nothing spectacular but still interesting.

Next stop was a local made in Cambodia marketplace. We pulled into the parking lot. I thought the place was closed as there were no cars or anything in the lot, not even people. That is other than a few musicians lounging on a raised platform. My driver tells me after I say something about no people, it is lunchtime. Ohh. I said.

When the musicians saw us they sat up and started playing. I looked at them for a small bit. My mind flashed back to my earlier thoughts a few days ago. I had seen no street musicians other than a trio of the same instrumentation at a marketplace the other day. I had thought briefly them about asking to play with them. As were ever I went I had my Shakuhachi. However, I did not follow through on my brief thought at that time. Again I had the thought now should I go up to them???

I was taken over to the entry doors of the main store by my driver and entered. I walked around looking at stuff. I felt uncomfortable. The people here have a habit of following you around the store and jumping on selling anything you touch or look at for more than a moment. It is irksome. In the states that is done more so to make sure people of my color are not going to steal something. I have never had that in Japan. Here it is for a different reason but it still was irksome. I walked through, and I found nothing of real interest to buy at least. In my price range in mind.

I went back outside. My driver was waiting. The musicians sat up and started playing. I listened for a bit. Then walked over and gave a donation. These were not just street musicians they were disabled in some way or another. I bowed and made a motion asking if I could join after pulling out my shakuhachi. They smiled and nodded yes. I tried to play along, but could not quite find the notes. Other than one or two I could not get the tone pattern. The tuning was different. They finished that song. One of the players of a violin type instrument played a note for me to hear and sample. Hmm Ok, I could get that and another. Hmmmm I thought maybe it could work. I asked to take a picture with them. They made a spot for me to sit with them on the platform. I gave my driver the camera and sat. This time I lead the music and they followed. It was better, not perfect, it was rough but ok, different and interesting. I think if we did another take on something it would have been a lot better, but I did not want to stay too long, my time was limited for the day. A few other local people from the next stand came over to see what was going on as we played for a bit, then stopped. They asked a few questions about me of my driver and the shakuhachi. Also, I had on my old kung fu pants. I did not change from my morning Tai Chi set. loose and very comfortable. They had some Chinese symbols on the legs. That was noticed and commented on. My Driver translated. I explained about my background being a Cha’n priest and a Komuso in Japan doing sort of what they do. I showed them a picture of me as a Komuso and gave the one guy who spoke a little English, my card. This little session was the other high point of the trip for me. I bowed and we took off just as a couple of Tuk-tuks pulled up with other tourists.

We made our way through the town and along the river. Interesting views all around. Interesting, but not always pretty. The next stop was at the Imperial gardens and another Temple. This was a mix of Hindu and Buddhist. Cambodia is a very Buddhist country however at one time it was Hindu. There was a big conflict at one time in the past between the two. It was resolved that they could get along. The Angkor Wat building design is a sort of reflection of that past. It foundation design was Hindu in nature. Later the Buddhist influence became more dominant at Angkor Wat. This temple we visited today was mixed, but more in practice than just design. Hindu dominated here though it was a more modern building it leaned more to the Hindu side of Spirituality. A combined worship place. Sort of like how the Buddhist and Shinto con-exit in Japan. Just that here it was the same temple. I walked around a bit here and ended up getting overrun with ladies wanting to sell me scarfs. When I spoke with one, then others seeing that came over. I was surrounded. I politely got away. I told one I would think about it and come back. She got on the cell phone. I walked away. I few minutes later she comes over to where I am, with another price. I speak with her, then others see and again swamp, me. I am ready to buy one, then the others overwhelmed me. I start to get pissed and strongly say NO! One of the women “got it” from my tone and laughed and backed off, as did a couple of others. One keep at it! I made a purchase from the first woman. The other woman is still at it. I ask, are you married? She looks weird and says yes. I say, “you must drive your husband nuts being so pushy”. She goes back into her selling mode. I walk away she follows still talking, I ignore her, and she walks off, to another person.

I go back to my ride and say I had enough for the day. Off we go back to the hotel. I have not yet paid this guy for the two days he drove me around. I ask the price. It comes out to about $28.00. I give him 30.00 it was worth it. If you go to Cambodia, I will give you the hookup for him if you want.

The rest of the day is spent after packing, poolside until dinner. Afterward, we are taken to the airport and it we are off back to Japan.

It was a good and educational trip. My wife really enjoyed the hotel and wants to return. She felt comfortable. Most people spoke English so she could cope. For me once to Cambodia was enough. I would rather go to Taiwan. Even though the hotel was not all that where we stayed, and did not really get to spend any time outside the city, other than the Ch’an monastery. Modern cities are the same, and Taiwan is not poor, but I would rather go back there. I am sure they have some scenic places. The food there was better for me, there is a nightclub I can jam a bit at, there is Kyudo there, there is my Cha’n Shifu, I have local friends. If I could find a Kung Fu Shifu it would be wonderful. Maybe maybe maybe, if the Kyudo seminar turns out to be real thing I can go back. That is a big maybe, almost doubtful due to finances.

Our reality starts with a dream…so we’ll see how the Universe wants me to roll with this…Amitoufo

 

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尺八 – The blessing…

In the broad Cha’n sense, every day is a blessing, Gohan Shifu says every day is good. Narrowing it down though to a smaller scope here I am referring to a blessing pilgrimage of sorts I took. Hmmm thinking on it more, it would be better called a purifying pilgrimage. I went just before going to Myoanji, the last trip.

While practicing some songs on different flutes to determine some sound differences. I got carried away on playing with my “A” shakuhachi. 2.0 , that Oota-san from the Shakuhachi society gifted me. I had not thought of it in my Takuhatsu practice, but it could be used. This thought came when I could play some high notes on it but not the 2.5. Also about taking it to Moriji next time and use in an offering at the temple.

I also wanted at some point to go to the nearby bamboo grove and get some bamboo for a new project, several in fact. One of which was a simple as stakes for the tomatoes and anything else. Instead of buying tomatoe racks. This grove was on or next to my favorite local Buddhist temple. I have gone there before and sat and played. Most times it is very very quiet. The thought was born to take the 2.0 to the local temple and give it my own purification ritual.

So now with the need for bamboo and the thought of taking my 2.0 flute and do a purifying ceremony. The next day was chosen, the weather was excellent. A lovely autumn day I mounted my bike and peddled off to the temple. I gave inner thanks for the beauty, peace, and blessing of riding my bike to the local temple in Japan to play my flute and do some Tai Chi. Also, grab a few photos. I am still a stutter bug. I do not get off on taking photos of myself but I am a handy model whilst out and about.

It is a fairly easy trip to the temple, other than the last bit, where it is easier to walk the bike up the hill or leave the bike at the bottom and take the steps. There is some kind of tradition to the steps. I think it is 100 steps. If you use the stone steps one gets a blessing or merit or something, a wish filled…? Usually, I take the steps just because, I can. However not today I walked the road outside and around the temple grounds to another entrance. I wanted my bike there. and I had to go to the bamboo grove just across the road, the lot, something. Anyway, nearby and still needing to climb the hill. From that side of the temple, one must also go to the highest point around for quite a ways. One has a great view of the countryside.

From the other side of the grounds, one can see to the bay. That is the side of the grounds where the 100 steps are and the old main gate with the two stone guards. Next to that is the cemetery.

So I guess technically I enter from the back side of the temple. No matter. I had some concern about where I had parked my bike but, unwarranted concern. I enter the grounds and felt the spiritual presence of the area and again gratitude for being there. I went to the main temple urn, and found insense burning. I took out my flute and passed it through the smoke and bowed. Then played a single Ro note. I did this also at the main temple steps.

Once done there I went to the front side of the temple to where the great bell is located. There I played more. Maybe Cho Shi and/or Tamuki. I do not recall. Afterward, I did some Taiji, to bring my physical vibe up speed. Balance out, it a good thought. Sort of like doing walking meditation after doing sitting.

 

I left this spot after a while and went to another of my favorites. It is next to a pagoda just behind a sand and rock garden. I can climb up on the rock and hang out. There I settled in an do some playing. A group of people came onto the grounds, they were heading for the great bell and one of the other smaller pagodas. I kept playing at one time I would have stopped, or tried to play softer, now I am Komuso and I play for others. On Buddhist temple grounds and people coming to pay respects or homage to their departed loved one, it felt appropriate…Amitoufo

 

 

 

Return to Myoanji

This maybe a boring post if you are not into Shakuhachi…

Today there was a Shkuhachi concert at Myoanji temple. in Kyoto. Myoanji is the home temple of the Komuso SuiZen sect. It is now also my home temple. It is hard to believe it has been a year since I was there, listening to the same concert. It is some kind of event, but I do not know what.

I did realize it had been a year until I saw the leaves starting to color today. I am aware of that because I want to go to Muroji soon. I am trying to work out when is the best time. Next week is sort of early I am thinking. I want colors still on the trees mostly, and not too cold. So I am on tree watch for the color changes, today I noticed it starting in Kyoto. So the tree in the temple yard today gave me notice and I recalled it was like this last time I was there.

Not only did I go because I am now a member, but mostly because my Shakuhachi group had players there. I wanted to support them and get some shots for the group’s FB page. Last time I got there after it started. This time I was almost right on time. It had just started when I arrived. They started with chanting the Heart Sutra. Then played “Cho Shi”. I was sort of surprised to hear them chanting, but it was a good lead into Cho Shi.

After that and a few brief words, the players started. Almost all of my group was playing in the morning, including the group leader who I had never met. Only one of the group was scheduled for the afternoon. He was number 45, I would miss him. I had no plans to hang there all day.

I was surprised how chilly it was in the hall. Cold in fact. I was glad I dressed as I did and wished I had a something else, like a heavier coat or another sweater.

 

One thing that came to my attention was the different colors and patterns of the Buddhist neck wear…the Rakusu (O-kuwara (大掛絡) for Komuso). I do not know if it is just a Komuso thing or what. In the states I always thought, Plain solid blue was for Novices or the like. Black was for Priest, Brown was for teachers. I found out later Purple is for “Masters”. Here I heard any Buddhist wears them. The colors, hmmm unknown about that I will have to research, seems like it does not matter. Here at least I noticed with the Komuso they have other colors and patterns. I am wearing my black one, that my Abbot gave me. Which gives it some personal significance. Other Komuso wear more colorful ones. It does not matter really, it is just a “thing”. Sort of egoish to desire something more than my functional black. I do get twang of fashion desire when I see the other Komuso “feathers”. I saw a cool purple one with a nice pattern. Yeah, I love purple and it was a dark purple. Nice, I had a moment of lust. It passed 🙂

 

It was good to listen to other players. Hear their phrasing on songs that I knew. Listening to the quality of their notes and the sound of their flute. My ear has changed. It rolled along smoothly. At one point there was a fairly large number of people in attendance listening. I was surprised.

After my group had played. I got to met the head guy, said my good-byes and took off. I was invited to stay for lunch but, I chose to hit the road. I did stop at a local “Indian” restaurant before catching the train home. Last time I was there the guys asked me if I was from India, this time another guy asked if I was from Brazil.

The wrap, it was a good day, listening, learning, the visuals. It was on the chilly side but bearable. I am pleased I went. It was a good day trip…Amitoufo

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Days in the Life

I spent most of the day doing gardening. When one reads that you would think I have a big yard . However it is quite small, my rear Balcony mostly. There is a small front yard. In this case I am speaking mostly about the vegetable space which is on the rear balcony. The front yard space gets too many bugs! The rear space is manageable.

So I spent most of the  day there and doing related stuff instead of going to Kyudo. More on that later. The veggie garden is a good source of Chan awareness of life, interdependence and a sort of meditation. Working the soil, watching something grow, nurturing it, then eating it. A life cycle. I picked up a bunch of chicken poop for plant food the other day. Cheap. I was not getting the results I wanted with the Fish poop. I am hopefully this will be better. It is what the farmers use around these parts. I also picked up new soil for some bigger pots I got for tomatoes, and some new shelf making items. I did not really do much planting , just getting organized for the spring planting and arranging some things for the autumn stuff. There are a few things I can grow pretty much all year round, like Kale. It is a blessing to have mild winters.

Right now I have some cayenne peppers I am looking forward to harvesting I picked a few here and there now drying. Also just did a new group of lettuces plants. My one pot of Kale is recovering from the caterpillar attack this summer, and planted some news one that are coming up well. Yeah the Bamboo mantis Veggie garden is doing well.

 

 

After 4.5 years of experiments I have a good sense of what is needed, and what will work. Part of the time was also spent going to the store and picking up a few things for the gardens, front and back. It was good to do and a blessing to have and do…Amitoufo.

Kyudo…

In other news. ( that more readers care about)…Kyudo. The next shinsa is a few weeks away. I have a different attitude about it this time. I am less mental intense, but at the same time, more focused. I have gotten some new adjustments I am working on, angle of the Yumi after release. If it is the wrong way it means I messed up during the release and most likely opened my hand. This I was told by Yamashita Sensei.  Do not when going from DaiSan to Kai bring the Yumi straight down the cheek. It should be away from the face until at the lip line then brought in to the face. Left arm is completely straight, the small twist comes when pushing the left thumb toward the Mato. Not from turning the arm which makes the shoulder rise. Yamashita Sensei, Nanadan told me the other day. Your hitting on the right side of the mato is a good thing , even missing. Hitting on the left is not so good. There was a because stated, but I did not get it!  Anyway little by little it is coming together. Even if it is not time yet, when it is time, I will be awesome… Amitoufo

 

Music:

Two of the three bands have gigs schedules, so that is picking up, sort of. I had one practice session with band 1, Sieki Band, the other day. It was ok, not everyone was there, some it was very loose. But ok, by way of just reconnecting. The 3rd band has a gig next month, we will practice a couple of days before that. The gig is the same night as my Shinza. Then up at 4:45 am the next morning, Monday to go to work. It will be a looonnnng day, really a long two days.
Casually thinking about my own solo show. Slowly getting a song list together. I am really more focus right now on Kyudo and Shakuhachi.
I really have no goal plans for shakuhachi, just to get better. The goals I had were learning to play the right way , not just by ear, and self-taught and then becoming a Komuso. I got both of those now, it is just to improve for the sake of improving. Also explore more of the Sounds and Meditation/healing aspect.

Music life has two parts. Pop/Blues and Shakuhachi…The Spiritual Side. It is not as fun, but it is an internal spiritual thing. The reward is different.

I am planning a trip to Muroji next month to do Takuhatsu and visit Matsutani Sensei. I am looking forward to playing there among the Autumn colors. I hope I can time it right. We have a trip to Cambodia also coming next month. It is be a busy interesting, hopefully fun month.

The survival job…

Work at the silver center goes on. At least for another 2 months before I am off for the winter. I am up at 4:45 so I can do my morning thing and get to work by 7:00 am. There after I do my morning greetings and check in, I find a quiet spot for some Qi Gong and a bit more stretching. Then find another spot to just sit and meditated. This spot is sometimes right there with the Lads who are chatting or just off to myself. Everyone is pretty friendly with me at this point. I am one of them some have taken to calling me “Chan” instead of “San”.

I from time to time get asked to do some Qi Gong/point Pain relief for some. Sometimes interrupting my meditation, but it is ok. I am usually looked out for when refreshments are being gotten for the crew. I have a good relationship there. It is much more comfortable than working for Marina for the zen “master”. Much harder physically, but that is ok, I look at it as training and exercise. It is all perspective and gratitude…Amitoufo

At lunch I usually go off to a quiet spot and sit alone. Depending on the location. When I am alone I can eat for 30 min, practice Shakuhachi for 15, nap for 15. Sometimes I grab a selfie for my SuiZen @ Lunch photo series. Once in a while depending on the location I just eat and nap like everyone else.

 

 

 

 

生活 – so now what…

I had written on my last post we had just had a Typhoon. This weekend, now, we are supposed to be the middle of another. The Force was with us on this one and it turned to rain Havoc on China instead. Even still the winds here are up with stronger gusts. Nothing to be concerned about though. I am doing a bit of blog work, listening to the local drums, it is a holiday weekend. Drums, flutes and those pull or carry floats are out and about. I forget the name I will check it out for later…if I remember…Matsuri.  It really has nothing to do with this post, other than it is what’s happening now. One thing about this Matsutri festival, they go late into the night. One of the main stations is just around the corner. With the drums, chanting, flutes, in my head I am not in Japan, but at a Native American Pow Wow ( tribal gathering). The sounds take me back there…

I will be going off to Kyudo soon as soon as there is a break in the weather, it is raining on and off from the passing typhoon.

Things has been quiet with the bands lately since our last gigs. Band number 3, our job was cancelled due to the Typhoon ( two ago), just got a notice to play in Nov. Band # 1 the drummer is out-of-town and I have not heard anything other than our submission to the Sakai Blues fest. Band #2 no news there either. I expect this means it is time for me to get back to working on a single act, to help support this addiction to play. Really “help to support” is kind of a joke, a lame one. Japan, at least this music life I am in, is not structured for band living support. For Real not as/with a single band, one has to have several items going, several pans on the fire you could say.  Even then still need a regular pay check from somewhere.

So yeah, Pop music life for me here will be from all “signs” purely a hobby. No money to be made, can be fun or a fantasy, not a way to make a living, at least at my level, at my age…even making transportation cost would be a good thing. A blessing!

And speaking of a good thing, –  I will use that as a Segway into  – …my Shakuhachi of which the Komuso aspect is a good thing. It gives me a sense of doing something worthwhile. Not chasing fame or fortune, but a more spiritual goal to my music study by blending Cha’n practice. It gives it all some point, some purpose other than making me feel good. Trying to get that musical orgasms playing. However the band players are not quite that good, and there is no money. So at this time in life, with no real dreams to fill, and the clock winding down on my earth passage, it is important to feel, at least for me, like I am filling a purpose. Making a contribution to easing suffering for someone on some level. Doing it via music is a big plus.

Hands in the dirt…

My summer gardening is for the most part done. I started a few Autumn plants. This year was, I think my most successful in terms of crops. I did not get a lot, but there were several and some variety. That was successful not the volume. I need to find a good organic fertilizer. I am more aware now of what will work. I need to develop a bug repellant formula and some way of applying it. The spray nozzles I have been using clog after a few uses.

I had an interesting time growing cayenne pepper. When it finally starts to grow, after many tries. The peppers did not look like the package picture. I was excepting small, thin and long. These were fat , thick and long. Also they were purple! Not red or green…ehhhh? Now that they are older, the Peppers turn green then red! Wow different! Now I have to let them dry once they are mature. Maybe mid winter or late winter I will finally have my shaker cayenne seasoning. I am thinking of making my own special mix, two kinds of pepper, some pink salt, lemon peel, maybe something else. I will wait for inspiration, I have time. 

Ok what else, boating. After working through a few things with the boat owner from BLISS! I am going to give another shot to a sailing club. I feel like my marine life was taken from me by the boatyard owner who I thought was my friend but now shall remain nameless.

I did go to kyudo after I started writing this post. it was sad. I got really depressed afterward. However…oh well, no one said it was gong to be easy. Going out to Takuhatsu the next day at Osakajo castle was a lift to my spirit. Out from under desire, other than to make a good sounding note, breath, take a step. The day pilgrimage is posted on the Komuso Blog it was a worthwhile day. Not in money terms but in sharing wordless Dharma.  Small blessings can be huge…Amitoufo 

 

 

Gardening, Rain, SuiZen


Gardening Zen and the rain
My Shifu from Dharma Mtn says everyday life is Zen/Chan, in Kung fu we say everything is training. Gardening as practice is certainly not a new concept, so I am not going there, this is just one moment in time…thoughts, clarity
Growing one’s food no matter on the scale, gives a sense of connection to the world, life cycle without the blood of hunting. It is sort of satisfying the God complex, like ceramics because you are creating something from dirt, but in this case you can eat it, instead of eat with it.
We have had a storm for the last couple of days and will continue at least one more. I am loving it! Off from work, just enjoying the rain and wind from a safe spot. Doing some gardening when the conditions are mild. Like the wind taking a breath. Doing some misc trimming, repotting, feeding, rearranging or simplify admiring the garden, savoring the feeling of the elements, the storm, the earth, growth, warm air, being in Japan, the wind, life, gratitude. With the world so nuts, it Is good to view everything with a sense of gratitude and feel the joy of the retirement moment in gratitude and wonder. Five years in to retirement and still surviving. Not without help, grateful for that. It is a simple life but pleasant. Warm int he winter, cool in the summer, dry all year when sleeping and our belly are full. This is a blessing under normal conditions, to have it be so in a new country and life is a major blessing …Amitoufou
I spent most of the last couple of days, practicing Shakuhachi and working in the “backforty”. This year I really feel the blessing of having this space and see the results of my efforts in the landscaping. Both in the front Zen garden and the Back Forty. Same purpose of growth, different missions. Sort of Yin and Yang, eye and body pleasures. Whatever. The front theme Is the bamboo, a couple of small water ponds, some fragrant plants, a couple of herbs. Gives a sense of peace and simple beauty. I still have the image of how it looked when we first moved in. so different now.
The Backforty is about growing food and herbs. The front was tried a bit for some things, because of the sun, but the bugs overran the things. They seem to be less on the Backforty. Not sure why. More other plants around in front, dirt, ??
I have finally figured out after 5 years what grows well, in what spot, and how much to grow since my use is measured and my yield is small. The main stay is lettus, kale, tomatoes, basil, peppers and few misc herbs. This year has been the most productive. I will try potatoes next year or later this one. It maybe too late, for this year, Unknown… some research needed.
Some grown things really add to the table, something are just treats. It is all worth the effort, the sense of “gangster” for growing your own, the flavor!! The spiritual sense of connection to your food.
During the storm I sheltered myself indoors and watch and listen to the storm. I would practice my Shakuhachi during these times. I was told by my Komuso sensei about connecting to the environment was an important part of playing. Today and yesterday I sat at the window, feeling as if I sat on an enclosed patio and played. The storm blew, I blew, we blew. On one song the storm and my energies blended and as I played, the storm followed , or I followed the storm, we ended at the same moment, like matched lovers.

Kyudo , rainy day musing


Musings on a rainy day

 
I am off today, due to the rain, nice my back needs some more down time. There was a big earthquake this morning, so not a run of the mill start. My plan was and still is to settle down in my studio with tea and catch up on some writings…
Yesterday I went to Kyudo practice. I had planned on doing some Komuso practice afterwards, but that did not work out. Which I wrote about on the Komuso blog. As for Kyudo, I have been working more t home with the Makiwara to cement things into my “bones” . I had a revelation last week at the Kimono class about my shooting. Actually my stance not my shooting, if I was to knit pick. Posture, jumongi. I was noticing I was not turning fully perpendicular to the mato, with my upper body. I did not have a chance to fully test the thought, but I did have a chance yesterday. 
 
I had originally planned for a two-hour practice, then go out for my Buddhist Komuso practice, but I cut it down to an hour o as not to tart too late. Which tuned out to be pointless. So yeah, I got in some practice , it did make a difference. I got on the first shot, and just missed on the second. 
I still need some adjustment and other work , because I missed a lot after that. I think I slacked off on other points. Because towards the end when I really focus on every detail I improved. The Kaicho gave me a quick check over on his way out , on my last shot. It hit he said I need to keep my head back more and raise my chest. Other wise good. 
 
The week before at Kimono practice. I was corrected on some Tai Hai points. Not lifting heels off the floor when walking backward to Honza from Shai, placing my Yumi on the outside on my knee cap not the inside, leaning the yumi slightly outward when turning out of the Kimono disrobe part. “Hadanugi “. Plus some other small points, nothing to do with shooting but having to do with proper form. So still getting bit by bit instructions. Taking them in, logging, implementing, the process continues. 
 
When starting back to for the summer, I should be able to return to going to the dojo twice a week now, without hearing static from the minister of finance. I am pretty certain I will attend the next Shinsa in September at my home dojo. Feeling ready or not, taking it as part of practice. Like one is supposed to approach doing meditation, the goal is doing it, not the result.

尺八 – Wind blowing in the rain

 

Wind blowing in the rain

 
I need to sort out now what is going here and what is going to the Komuso blog site. I have that blog up and surprisingly a couple of people have started following it. 
 
So back to just regular Shakuhachi before I publish the next segment on the Komuso blog.
 
I went to the monthly meeting of the”Koten-shakuhachi-kenkyuu-kai” (Society for the Study of Classical Shakuhachi) club yesterday. I have been to the “header’s dojo a couple of times already. Still I got seriously lost. I had a map with me a good thing. I stopped and asked for help a couple of times. People were very helpful!! I was way off track. I started out ok, but took my first turn way too early. After almost a restart, I got where somethings looked familiar and following the last set of help directions. I got to a place I knew where I was. Whewww.
I marked the location this time on my Smartphone map. Although I am fairly certain I know how to get there next time I found where I made my mistake.
 
Not a big deal being late there was only three others there when I arrive. Another member came later than me he had a performance to do before hand. 
 
We went through a few pieces.then I was asked to play what I am working on. I receive some helpful corrections on my technique. I need to focus again on doing some drills not just learning a song. Now that I have my goal somewhat done, I can focus on just improving my skill and not worrying about a performance. 
 
Oota sensei , the header had finished a 2.0 Shakuhachi he had been working on for me. I was surprised. I thought it would take a lot longer, as he is busy. However he comes over and says here try this. The sound was warm and deep but not overly deep. I liked it. It is a solid flute not the light feeling kind, and a big curve. This has some weight to it. It was fairly easy to play and nice looking . Cool ! He had me pick a carry bag from two that his wife had made. She does nice work! I was a happy camper. I did not play it much at the time as we were working with the 2.5 flutes. I also wanted to play with it at home where I would not be self conscience about it.
 
Another sensei there played the new flute and gave his approval.
 
The Sempai who gave me the Komuso application came in later. I thanked him for his help and showed him my new card. He said he just got his renewed as well and showed it to me. I told him I did not get a set of rules. He said nor did he this time. I guess we are just not suppose to do anything to embarrass the group.
 
After our practice sessions , Oota sensei, took us to his workshop to see some bamboo in the pre-flute stage. I was surprised how many he had ! Some of a really curved nature. Most of them big, not the smaller 1.8 version. It was quite interesting!
 
After that we closed up shop and headed out in the rain to an izakaya for our after practice social hour. I do not understand all that is aid , but we still all communicate and have fun. This was a different place from before as the old one closed down. To bad, I thought their select n was better. This place had “kompai” special that worked out well. Even for me with my picky eatingness. I had two small bottles of Sake the others had beers! I like these guys , nice folks. It is hard to make friends it is said in Japan, can understand that. I was lucky to be introduced to these guys and feel comfortable with them. Sharing the same musical connection is a good bonding medium. Of course the people themselves make the difference. As with a certain sailor who shares sailing and Zen practice with me, but is a jerk!
All in all I think my musical connections are stronger than my Kyudo connections, for the most part.
 
In the evening when I returned home, a sat an played with my new flute. I really like it. I played some traditional songs and a modern song. I also did some free style. I enjoy this flute. It will be my main multi-purpose flute. I like the low tone and the highs which are not too high. The second register as well I liked not too tinny sounding.
 
Some players I have seen on-line have a huge selection of flute. I will be basically keeping just the ones I have. 1- 2.5, 1- 2.0, 2- 1.8s. That pretty much covers my needs. I do have one more 2.5 , however I am planing on gifting it to a friend who has always been helpful to me, with Kyudo, and Music instruments I have needed. No need to have things I will not use, when it can be use and appreciated by someone else.
 
Oh one last note on the Kyudo Shakuhachi connection. I last time spoke of a Kyudo sensei who was also a shakuhachi player and a Shorinryu sensei. The one who rarely speaks, but has helped me with Kyudo points. I asked him if he was still playing Shakuhachi. He gave me a small half smile and said, he was on “break” from playing right now. He had played for 20 yrs. I asked what style, Tozen he said. Fairly common and popular style in Osaka.
 
I am glad I did not fall in with a Tozen teacher in my quest for a sensei. The Tozen style is a somewhat newer style and their focus is more about western style pieces seems like. Tozen is what my other sempai from Kyudo plays. My style is call Kinko an it goes back a long way and also linked with the Komuso and Zen practice
 
 

Komuso; a step on the path


Small steps are still steps… the path

 
I went Shakuhachi class tonight. It is now monthly, Not bi-weekly. Cutting back on expenses…
I took along a couple of the Komuso items I have recieved from the Myoanji Temple. One was my Begging permit. The other was a prayer/poem, charm sort of thing. my wife did not know what it was. My Komuso sempai said it was the SuiZen “vows” An “oath”…of sorts is a better word.
 
I showed it to my Sensei. He said, well… to me, as I am not a Buddhist, or at least a full Buddhist, I am half, to me it is just decoration. However to someone who is Buddhist, and like you as a Komuso it has meaning to the core of being a Komuso.
He then went through and explained everything in struggling English. The main “text” is this: 
 
One blow to remove evil
One blow to bring the good
One blow for all to come together in Buddhism 
 
 
There are variations on interpretations of this, but the same sort of meaning.
It came down to mostly this…hearing his talk.
 
“A Komuso does not play for himself, he plays for others first, himself last”. 
 
That was the thing that stuck with me out of all that he tried to explain, on the philosophy and code of the Komuso from the writing. One can think of the playing as a healing, a prayer, an offering. Sensei often speaks of sound offering, meditation, purity of the note and peacefulness of spirit. He said tonight when speaking of some players that if they can not blow the Shakuhachi and make a pure sound, a real note, not just mostly wind noise, this person should not being playing Shakuhachi, their spirit is not calm, they should just sit ZaZen. Give up Shakuhachi, just sit Zazen. What is funny hearing him speak of these things, he will say, or add that he is not a Buddhist, or Komuso, but blah blah blah.
 
He told me it is more important to play than to receive donations. Also hear that from my wife. Playing as a Komuso is not about taking, or receiving, but giving. He also told me I could play another song beside, “Cho Shi”. But a modern songs, NO no no! The Honkyoku I am currently working on, San Ya, is ok, he said. In Japanese songs such as this it is not about playing the whole song, for it to be a whole song. I could play the number of Lines I had learned and it could be used as a Komuso. He then showed me an example of how to play it. It is really feeling and interpretation of any part, yet each part is still part of the whole and still the whole. Like as drop of the ocean is still ocean water, an ocean, just smaller. As we as it is Ch’an are just a small part of all that is …
My friend and Kung Fu Sihing, liken this to the golden spiral of life. Wherever you cut this spiral it is the same angle, small as it’s larger or smaller piece. He based a workout stick/wand, on this idea.
Hmmm maybe I digress or something there… oh well, it is my blog, of sorts. It is my story for sure
! …or is it?
 
Sensei had said he was or held a membership at a temple in Fukuoka, but he had not done begging. But understood it. He knows a lot of stuff around Shakuhachi, even if he does not follow, the stuff. He as he has a lot of respect for those past masters who thought ( and those now) of the Shakuhachi as not a Musical instrument, but a Zen tool. Even though he does not follow that philosophy.
 
I hope to learning some interesting things as a Komuso if I keep my eyes and ears open. Learning Japanese would help a lot, but I will make do for now as I “take another step”.
IMG_20180403_163801
 
Another thing he said , from reading my card is I am number 2,380 (an about number) Komuso registered with the Myoanji HQ. I thought, Wow! There will be a new blog coming, dealing with just my life and times as a Komuso. “THe Komuso Khronicles”. This blog is getting full, and will just get the summary.

尺八 – Kard Karrying Komuso


A Card Carrying Komuso
It took some doing, and time, but it finally happened. I got my membership to the Myoanji temple and entrance into the ranks of the Komuso. Nice to have made a goal. it has been a while since that has happened. It is not really a big deal, yet it sort of is.
The Komuso order is not really an official Buddhist thing or is it? Still working on figuring that out. I was sent the Vow of Suizen with my membership papers. Maybe the 3 together now are the 3 treasures given to the new members to the ranks of the “Priests of Nothiness” back in the day. For sure only in Japan are there official Komuso Buddhist, I guess…
The Komuso are perhaps more Buddhist now…than back in the day. Back then most public records say they had little if any Buddhist practice. But there must have been something organized, formal. Of course they were just living, there was no need to record everything, like now. There was no Facebook back then! Other than the spies, they were mostly out for themselves, food, shelter, enlightenment. Ex-warriors, Samurai, ronin. Some did in fact work in some temples, admin sort of thing. The Buddhist part just gave them some freedom, some breathing space, a tax exempt status so to speak, and the “ok” to travel hassless as a “monk”. The Komuso would beg for alms by playing a honkyoku outside of a home or place of business. However, some practiced something near to extortion in order to receive alms by intimidating people and loitering. Komuso were also the subject of mysticism or superstitions.
I came across/heard something about it being lucky for a pregnant woman to see a Komuso. Some believed that the Komuso were surrounded by the dead and brought evil spirits or bad luck. Conversely, some believed that a Komuso could have a positive affect over such invisible forces. In many ways some Komuso could have been described as spiritual minstrels or priests.
Otherwise, zip.
On the other hand …there is still not much being done/heard of/by them. That I know of so far. Maybe at a Zen temple such as Kokokuji or Myoanji, there are Priest/Monks doing their Zen thing who happen to be part of a smaller/zen group that plays Shakuhachi, for whatever reason. Like there is a “warrior sub-sect” to the Shaolin Zen Temple. Martial Monks of Chan. The Komuso being something like that still today. Busy doing everyday Buddhist stuff at the temple, but part of their practice is playing Shakuhachi not chanting/or with chanting, does not have to be with or without, right…
“At present, Komuso practice with the shakuhachi exists only in a ceremonial way, although the Fukeshu remains as a Zen sect and has retained its traditional base in Kyoto’s Tofukuji Temple.”… Kouzan (Website)

Anyway moving on… Also they are not poor now, that is a for-sure thing. The outfits can be quite costly. Mine is not but it is also simple and from 2nd hand goods. Recycled, doing my part for the earth and humanity’s future.
Anyway, the full blown off the shelf Komuso-wear, can be costly! Which is one reason I ended up joining the Myoanji temple, not the Kokokuji temple in Wakayama. At Kokokuji, the Komuso are required to have a white and a black K-wear to be with that temple group. Also their Komuso-wear is special styled to/for them from what I understood.
The Kokokuji temple, from also what I understood, is not the first “Komuso” temple but the first to have the shakuhachi as part of their meditation or something like that. Yet this above says started wearing the basket. Maybe started here, but labeled elsewhere. Hard to tell. Myoanji is a much newer temple and “custody” holder of the Fuke Zen Komuso sect. Hmm is there still such a thing or is the”komuso” the only image memory of a somewhat colorful past.
Anyway, I digress, Myoanji is not so strict about their dress. Yet, it is ( Myoanji ) also supposed to be the “spiritual center” for the “SuiZen” practice.
 
So what are Modern Komuso? For the most part, a club/fraternity type group, carrying on a Japanese tradition. Maybe not a real “Zen” order, or rather, sub-order. I do not know if the “Fuke” are still considered a sect even though the ban was lifted. Although, who says what is a real Zen order. Although there are real ordained Priests in the group, not all are Zen. They, Komuso show up at events, and festivals. Still not doing much Buddhist type stuff…or maybe just “being” and playing there is Komuso ( Fuke) Buddhist stuff. There are just a few that still go out and beg, carrying on that tradition. I see a few in documentaries around Tokyo. I know of two in Nara, and they are active not just event Komuso. There are ” others ” within Japan that dress the dress but are, let’s say in training, or getting the experience. Like what I did.
I am still learning what Modern Komuso are and do. Now, I know two, no maybe three active ones. One has the philosophy Shakuhachi is not a Musical instrument but a Zen tool! Sadly no English, he is from the Kokokuji. By active I mean out playing in public not just gong to events. I think an interview is in order. An older veteran, My Sponser and a somewhat new guy, my Nara Sempai. That would be interesting, neh!? Yeah, I will have to put that on my “To Do ” List.
Make a pilgrimage to my Komuso Sponser’s temple. I have not done my official pilgrimage yet. That would be a great 3 year Shakuhachi anniversary pilgrimage. Also take along Sempai from Nara. I was going to go to Kyoto to take in my application, but we were told I could mail it. That was cheaper and simpler. So no anniversary pilgrimage yet.
 
For me…the newbie Komuso…hmmm, not sure… I will get out there. It is a good venue for me to develop a practice. I need my wife to make me a “Gebako”. Since my Kung Fu path here in Japan is pretty much nothing other than my own training health practice, not a way of spreading any dharma. Perhaps this mixture of Buddhism and Music will work for me, I can style, develop it pretty much as I please. My Sempai from the large size Shakuhachi group showed me a list of rules as a Komuso member. I will have to get a hold of the list and have it translated. Perhaps the temple will send it to me once all my paperwork gets settled in. I was surprised how fast my cards came. One week turn around from when I sent in the application, I was expecting just to get a membership invoice, but they sent the cards. For Japan, it was a shock to happen so fast.
 
So anyway, now I can officially start my own Zen Komuso Practice in my area. I am clear as a Komuso and a Renzai priest and not worry about the police hassling me over a begging license, or such as I am officially with a recognized temple, goal done, I am legit in Japan! Yatta ! I have not had a goal success in a while! What my practice will be is unknown. I will just let it happen. I figure even just going out and getting a few donations to pass on to charities is doing something, being engaged. Maybe that will be enough for me, with my other projects, expressions of the Dao in operation already. A sempai said being “engaged” is an everyday thing, yes, but other than that, this is a bit more specific purposeful. I do not want to be only an “Event Komuso”.
 
Anyway, maybe a new blog is in order, this one is getting full, hmmm, “tales from the tengai”, “the Rakan 羅漢 Komuso”, ohhh “Shorin Komuso” , or “Kamakiri Komuso”. Maybe not or maybe, just another chapter, e.g.: Kyudo, KungFu, Shakuhachi, Band…, boating seems to have pretty much died…how sad. Still who knows what plans the Tao has in store for me. As it is I never thought I would be a Chan Buddhist Priest in Japan as a Komuso when sailing away from the States,… besides losing the boat…did not plan or think of that either…but that is another story…now A Komuso is born.
Ametofu _/|\_