Return to Paradise…Kung Fu Kyudo Sunday
Return to Paradise…Kung Fu Kyudo Sunday
Ok, so the explaining went on, finally another Japanese woman said to Ai-Chan it was getting late they should start the training…Ai-chan was energetic about talking.
Having no bow, I just stayed off to the side in front of the mirror and practice with my imaginary Yumi. Watching my shoulders. Feeling my alignment, making the best of the time…yup, rolling with it!
That evening went out with my wife to a restaurant and did the happy hour thing with her. The PuPu ( small meal, snacks) there was pretty good, we enjoyed those with a drink.
So day 4 and 5 were Pau ( Done/finished in Hawaiian).
Next, we stood in a circle held hands and did some Hawaiian call and response chanting. After that we sat and did introductions around, who was who, was who, your name, where do you consider yourself from, and why are you here. That was sort of interesting, where do you consider yourself from, sort of like what was your face before you were born type of question when you thought about it. After I did my part in the circle sharing we did some movement drills, is the best way to describe it. Moving around the room in a line, not in a line, avoiding someone else moving around the room with their eyes closed and try not to hit them. It was explained as a drill in awareness. Like moving through your life, trying to get somewhere, but needing to avoid some random item, issue, person, a thing. Needing to be aware of it and that it is coming, but continue to move forward.
The last section of the class the leader asked about who wanted to do some Tai Chi or do some chanting. I wanted the Tai Chi, but the group wanted the chanting. So I remained quiet and went with the flow to learn, experience something new and different. I have never been big of chanting. Maybe to self-conscious, weird for a person who sings in a band. Anyway, we sat in a circle. We were given a book of chants. A bit was discussed about the nature of the chant. It was not about the words, in some cases, the words have been lost. It is about the sound, the vibe. The body as a sound chamber. The same as what is being done playing Shakuhachi as SuiZen. It is not the music it is the sound, the vibe.
We chatted for a while with the leader banging the fish for the timing. It was interesting, more so now that I am thinking back on it.
We ended the session with another Hawaiian hand-holding group call and answer chant.
The class session name “Zen and Aloha Spirit” makes sense now. It was not what I was looking for, but I got something out of it. I learned something, which was part of the point of going to this Hawaiian pilgrimage.
“Sometimes times one learns what they need, not want they want.”…Brown Buddha
…sometimes you are the statue!
I arrived at the dojo in plenty of time. I got changed and went out to see who was there that I had not seen in the changing room. There were maybe 8- 12 of us from Kishiswada. Not a big turn out but ok. we settled in and the header gave instructions. I had no idea what was being said I just figured I would roll with as always.
There was the big group lineup and everyone took a spot with their group. Announcements were made, etc, etc. and we got started. The best shooters went first. I was not in that group. After a bit, I figured out there were maybe 6 rounds for each school. I mostly just hung out, milled about, watched took a few pictures and hung out by the heater, a popular spot for the day.
Finally, it was my turn. I settled myself and got in line. I was in the middle. That was good because I need to see what others are doing, I like those in charge knew that. Ok, we went on the floor. that was smooth. then the shots. Four arrows, I miss three and hit the last. sigh, oh well. At least I got one. I am checking out the hit rate afterward. someone else only got 1, several got only two, even the Kaicho got only one on his turn. So I did not feel so bad. One more group then a lunch break. I went with my group to gather arrows, I knew that much from other Tai Kai it is something one does.
I sat in the changing room for lunch, along with several others. It was warm there, I was not about to go elsewhere. Most of my group ate somewhere else together. Which was fine with me, I was warm, I had a comfortable seat. I was not about to move on my own choice.
Long and winding road.
Society for the Study of Classical Shakuhachi
We had our monthly meeting a few days ago. The day before my return to Shitennoji to play. So it was another good chance to practice in front of serious ears.
Today we were supposed to have a guest. A student of Oliver, a sempai to me of course. He is a college prof and a writer. You can read his blog/webpage here on Komuso, shakuhachi, Ok, so his student from China who is visiting in Japan was going to be there. Hopefully, she would bring her Chinese Koto and play.
I was coming for sure that day. I came from another part of town than usual, I wanted to attend a Buddhist meetup I had been pushing off for a long time. A spent a lot of lost time that morning searching for the location. However, all of that is another story. I arrived at the Shaku group meeting a little later than planned but not enough to have missed a lot. I needed to pick up food to bring and grab something to eat then.
I slipped in and joined in the song that was upcoming on the agenda. A short while later another elder sempai bows his way in. We continue and also repeat Cho Shi together once more.
The way is made around the table for everyone to play a solo piece. I did Tamuki as a test for the Komuso offering event at Shitennoji. ( FYI: that whole story is on the Komuso blog). It went over ok, no one gave up any corrections except do not move the flute around so much. ( I was trying to find the sweet spot). The correction I was given last time I got the ok nod from another sempai when I asked him it was, ok? So ok, past that. I am feeling better about the performance on Sunday.
The visitor is up. She says she will not play shakuhachi but will play her Koto for the group. Perfect! we all some questions about the Koto as she was tuning. We all looked it over from all angles.
When she played it was heavenly. We all loved it. It was suggested that since I was the musician that she and I do a song together. If there was the time I would have liked that, however, I was feeling a bit shy about that at the moment as was she, so neither of us stepped to make it happen. Thinking back now I should have tried. It was not like a big deal to sound bad. Hahahah. It would have been all in fun. Sometimes being humble and shy is a fun blocker. I still need to step out of my comfort zone more, yet another personal challenge to work on….Amitoufo
Life can get in the way of blogging. LIfe rules. Life goes on, blog or not. You can not blog without life. I am in the deep post stage of healing now from the operation. No side effects I can see. ( hehehe) . I am so glad it is over. My eyes sight is still recovering, I am told about a month for vision to stabilize. Even I am so much better off now, visually speaking.
…In the world of bows and arrows.
I will get back to Kyudo training now, I can see clearer. Visually and mentally. I think I should make some progress now. I do not expect a lot of change because of the vision thing, but because I am understanding more about alignment, holding it, without tension. The other “seeing”. I can go back to shooting now, the weather is warming up a little. Summer shinza will be here soon. I will pass this year! I have signed up for a Tai Kai at Osakajo park dojo. It is the end of the month. It has been a while since I have gone to a Tai Kai outside of Kishiwada. I have not felt confident. I am better now and improving. This will help strengthen dojo ties, focus, form and be fun…I hope 🙂
…In the world of Sounds and beats.
I have been working on a couple of musical projects. Oh, wait did I tell you the drummer with the Sieki band quite. Not a big deal, I did not think he was that good. Ok in a limited scope. The leader has found a new guy. I do not know if he is long-term or filling in for the spring Shows. I hope he is a good player.
Then there is my stuff. I have a Komuso Shakuhachi memorial coming up this weekend. This is the one had to play at in front of the masters last year. to have my sponsorship announced. Now I am back, I have been putting some extra time as possible. Trying to memorize the song. Having eye surgery and no job kept me time free to get some practice in. I decided this year to go with the long length Shakuhachi. At first the 2.0 now I am thinking the 2.5. The sound is much richer and fitting a shrine performance offering. Also, I seemed to have improved because now I can hit the higher notes. Sensei said to me today at my lesson. If you miss a note, let it go as part of the performance. In other words, It is done, let it go. Make the wind part of the note. In short, roll with it.
That’s something that every musician learns. Life is Zen, Music is Zen.
Life (Sound) is impermanence. When poo happens ( bad notes), learn and move on. The moment like the sound has faded away…Amitoufo
Ok, yeah I am doing the long flute. Another point today in class, I was shown more than told the answer to a question I did not ask but had been thinking about. Did I have to play the way it was written? No, I play what I feel, that is the point of an offering. I was corrected on a way I played a line at the Shakuhachi Club when I was giving a demo of me playing for the temple. Sensei gave me an example of playing the song as an offering in the temple. Much more in keeping with my thought, although much much better! LoL! So my main key to mind is playing to enjoy it, the feeling is more important than the notes!
The other project also involves the Shaku, but in a completely different setting. I had not been to the Ozaki Jazz society session in a while. I wanted to make a point of going this month. I organized 4 songs, to play. with whoever wanted to join. I also arranged for a friend who plays Mandolin to attend and another woman friend who attends regularly was going to be there. She agreed to play piano for me. I like her playing. So she and the mandolin player knew in advance what I wanted music wise. So I felt pretty set. The rest of the players could be sorted out on their parts as they felt them.
When I arrived it was quite crowded, I was surprised. Many faces I did not know. I greeted all I knew when I came in and had a seat near my friend. The session was lively and interesting. It was my turn…
I thought I had things all worked out about the sound. The last time I played the Shaku with a band I could not hear it well. I brought along a small amp and a clip-on mic holder, this time. I thought I was set. I explained things to the drummer and keyboardist how I wanted the beat and tempo. Turns out they both speak English, the keyboardist I knew did. I counted off and we started. slowly fleeing the groove. I got organized and stepped-up up to the mic for a note check. BLahhhh. Weak ! Weak! sadly weak I signaled to the MC for another mic to switch with the one I brought. We did a quick swap to the house system, I could sort of hear. I had to make do and just roll with it. I could not get into the feeling I wanted because I could barely hear myself, I am flat or off, or what. I suffered to hear. I could hear a few notes and I could hear some shouts of approval from the crowd. so I played on trying to hear by feeling, by sense. We made the timing change in the song it was a tricky part. The drummer blew it but we got past it and went into the next groove. I kept my Shakuhachi playing low-key, like background strings. Once in a while, I throw in a few solo bars notes. We made the tempo switch again this time the drummer really blew it, I was able to reset the time and get it back up to beat. Listening back on the video, it is not too bad. Some parts were even good. The attendees seemed to love it!
I was only able to do the one Shakuhachi song, then another song on the Bass, two total, because of the size of the attendees. No matter I found out what I needed to know, it was an experiment. It went well, it is no longer a question if I can play well enough or if I can pull it off mixing the sounds. The next issue is being heard. I mentioned that also to Sensei today. He told me the correct position to place a Mic and the best angle. I was way off-putting it at the end, it needs to be next to the mouth like a metal flute. Duh!!! ok, Now I know so it was a successful mission. Next, I will take it to the Blues club for a run. If the sound issue is solved I should be good to go. If you want to hear the cut-instrumental cut of the song, you can click here. X
next return to the temple
Aftermath …this n that
It is a very small group with me it would be 6 total over a couple of days and different times. I looked at some of the students work. Nothing great but some were a few nice pieces. I had taken photos of some of my past work, they were impressed.