吹禅 – Toyonaka – Another day another recital


Recital in Toyanaka

 
Another day another recital. Sensei had given me info on another teacher’s student recital. The teacher, Ishikawa Toshimitsu famous, in Japan. His teacher Ksuya Yokohama was more famous! My sensei told me tonight at class he could make the introduction for me to study with him…at a later time. As my skill as still somewhat low. apparently the honkyuko songs are his specialty.
 
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It required a bit of a travel to reach Toyanaka, however lucky it was not expensive. All local trains, then just a short walk to the venue. About three minutes, unless you get lost like I did I took sometime thinking about it. I only decided to do so the day before. I figured, hmmm ok, someplace I have not been, listening to different people who are not masters, my peers and sempai. It will give me some idea of where I am at. I have only met my one other sempai. Another thing about this recital it will be all HONKYOKU music. Just for Shakuhachi. I have only I believe heard one or two. Over the course of my appreciation for the instrument I am sure a lot , but now I know what I am listening to.
 
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It was nice it did not start until 2:00 pm . I did not have to leave the house until 11:20. Even then I had a casual trip. I did get lost trying to follow the google map LZ had setup on my phone so I would not get lost. My first time using it, and did badly. oh well. I made it. I arrived as one student was playing, I believe the same song I did for my recital. It was interesting hearing another amateur play it.
 
There were a fair amount of people there. Most of them students, most of them in my age group and older. No one seemed surprised to see me. I thought I was the only foreigner there, but when I was leaving I saw a guy who looked, East Indian. I did not get a clean look. I was also quite surprised when one guy, a Japanese came over and started talking to me. First in Japanese then in English, which he said he learned in High school. Very casual normal stuff and short.
 
 
 
The performance itself was good. Some very good, some so so good. I was surprised to see several of the player were blind. The sensei told of each player’s or most of them’s “dan” . I heard Shodan and Na na Dan several times. It was a worthwhile experience to go, educational.
 
 
 
The area of Toyamaka was not pretty or interesting at all. Now I know. 
 
Picture/videos link here. Videos are still being uploaded, ( not-easily ) so if you go look, stop back a couple times if you want to see the vids. Most of the vids (songs) are just short bits. Only a couple are full lengthThe pictures are nothing other than just a markers for FB and such :-). It is all about the music.
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The Bass Story / prt 2


It is all about the money…a Bass story, part 2

 
When I last left off, the Bass was off to the hospital…
 
I had did a quick look see for places nearby to take the bass. Of course my search was limited by doing it in English. I gave LZ the short list. She had something to say about it.  I suggested she look in Japanese. A short while later she had found a shop. They did not do sellijg of musical instruments they only did repiars and customizing. They were somewhat close. 
Yea, call them I said. She spoke with the shop person, it was arranged that he would take a look at the Bass. The part that floored me was he would come and pick it up…at no charge! I was floored. Never happen in the states! As it turns out this shop was not nearby a train station and up in the hills. Doing the pickup was part of there service when needed. He would get the Bass , check it out, and advise me of the repairs and cost. I could have the work done or not, my freedom, no work, no charge! Dayammmm! He made arrangements to leave right away to come pick up the Bass so he could speak Japanese with LZ for details. As she was going out soon , he would leave right away! 45 min later he arrived.
 
The guy came by and did a quick check of the Bass. We talked a bit, him mostly to LZ since he did not speak English. They talked about the bass and about how I hot it from Yahoo Auction. Sometime he says they are good. The private people are mostly good. But there are companies on there who one needs to watch out for. After LZ had done some research she found out some of the bad comments from some customers. Not all but enough had I known I would not have purchased. We learned. Anyway it was arranged what I needed. A few hours later she received the eMail.
 
The Bass can be fixed early fairly cheap. Some small parts should be replaced, a bit of rewiring, and did I want New strings anyway, also they would setup and balance everything and check and ad just. Basically refurbish the Bass for just under 30000 yen. I said go for it! This included doing some work on the body I asked about. It was just under half of the cost of the Bass, but made it almost new again. I was planning that much as my ceiling anyway so it worked out. A like new Bass and a little cash for the Shakuhachi kitty.

So I am still using eBay in the states. They have been really helpful for things I need. The nice thing about them is they have a company policy to get involved with a transaction if they is a problem, and the customers is getting screwed. This Yahoo Auction here in Japan does not. Once the sale is made you are on your own. You can leave a bad rating but they will do nothing for getting you a refund. 
 
The person who purchased my Bass was very happy and left a good mark for LZ . We will leave a very bad one for the seller of the one I purchased. LZ was saying I should just accept the bad deal and buy a brand new one. I said no way will I just waste the money spent from my brother Bass. The body is mostly good, the electronic are bad they can be replaced.
 
All in all I am not saving a great deal of money, but some is better than none. This will most likely be my last Bass purchase…
 
Sometimes I look at my instruments and wonder who will get this when I am gone? I am here alone in Japan. Or when it comes time for the old folks home what will I take? Not really morbid thoughts. Reality. Dealing with the sale of my brother’s Bass brings back thoughts of me having to clear his apartment after his passing. Some of his stuff carries on through me. Mine will be the end of the line. I left my grandfather’s violin with my first son before I left. I took my first formal music lesson on that. I did not want it just lost in Japan…or on the boat! Maybe I pass down one or two of my Kung Fu swords. Yeah at least even through none of the kids do Kung Fu, the swords make great wall displays.
 
I digress…
 
So now my working instrumentation for Japan is complete. Thanks to the passing of my mother and brother. That is kind of weird, but truthful. I have to be grateful to them.
 srt805dxcn
…to be coniuned

It is all about the money…a Bass story


It is all about the money…

 
I learned something the other day. I did not go into the lesson thinking about an economic lesson but music.
 
For a long time I have been thinking about getting rid of my second Bass. On and off I play it. I had recently decided to play it more and adapt myself to it. It is a 6 string bass, made in the US. That is sort of rare since most of that work was, is done elsewhere now. Use to be Japan, then changed to someplace cheaper, then someplace cheaper than that…So Made in the USA has some value on a resale.
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This bass belonged to my youngest brother. He was a musician as well. He even played pro for a while, with a group called the Bus Boys. They got big when Eddy Murphy did a movie with them in it, called 48 hrs.
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Then he hit hard times. He also did graphic design as did I . We were sort of like the mirror image of each other, sort of. He hit upon hard times, and passed away from a medical condition, no money for meds. I was the one who took care of collecting his stuff. He had a 4 String Peavey and a 6 String. I got the 4 string but noticed the 6 string one was missing. I found out he had pawned it. A short while after I gather his things, I got received a forwarded mail from the pawn shop. I contacted them and collected the Bass from a Pawn shop in LA. A beauty, not what I would have picked, but very nice, also heavy and big. Also the neck was too wide for me to be comfortable relaxed playing.
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I have played it as I said here in Japan. Also thought much about selling it and getting a 5 string. Beside being heavy I was not using the bass to its potential. In short more bass than I needed. I still had and used the 4 string, but wanted the deep B to give some bottom at spots. Finally after LZ said she wanted to close the yahoo auction account, I should use it before she does, by the end of the month. Ok, I acted, I figured I would put it up as a test and make sure I had a minimum sell price. I was shocked a bit, but not that surprised after a day or less for the minimum it was sold. 
 
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Now I began the serious hunt for a replacement. What had gotten me started again with the sell thought was seeing a bass in the music store, that looked sweet! The next few days were spent researching, thinking, what did I need, not just want, my plans, taste, age. I was ready to buy something from the states, but after much much much more research I came back to the bass model I saw in the store. I also found I had more of a selection buying used in Japan, as well as saving money. It was settled, I found a good bass, for a great price. I saved enough to help put money on the new Shakuhachi I plan for this spring. 
 
So I feel my brother would be ok with my choice to sell his second bass. He had already done so sort of. I saved it and it got to be played in Japan. Now I will still continuing to play Bass, but also invest in another quality musical instrument. Beside I still have his main bass. Not that he really cares, but it is just the sentimental thought process of humans. Not I have the working setup I want and need for here. Now to just make the music…yosh.
 
So ??? what was the lesson you ask… I found that even in Japan they use the made “country” as a selling point, in some cases. I saw several Japanese basses say, made in Korea. The new bass I saw in the store was made in Indonesia. Some ads for basses said made in Korea, then I saw some that said made in Japan. Those where the considered the best quality, Japan then Korea…
 
Interesting ne! How every country changes their labor to a smaller ranked country to save money. Maybe one day made in China will have the “gold standard”. Things change as the world turns, but it all comes back around.
 
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 Well, my new bass, arrived today. Earlier than I expected! Not a bad looking bass. however, frack me!!! it does not work!!!. Plug it in nothing! Well, the neck is good, and the action feels good along with the weight! The finish is rough as I saw, but the bummer is it does not work. I can refinish the body, not a biggie.
I had considered buying a so-so bass and upgrading the electronics. I guess I have no choice now. LZ says there is no return on this. She wrote the seller anyway, because it was not stated it did not work. and will leave them a BAD rating. Even in Japan there are crooks on-line!! So another lesson…2-for-1. Great, now I am depressed after all that effort to find a good bass and deal!! Sigh! Guess I will go have an adult something for the head and chill! I will find a repair later…tomorrow ! Grrrrrrrrr. 😦
*next day*
Off to the repair shop today…to be con’t…
 
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吹禅 – Owari desu…yokatta


Whewww, glad that is done…
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I was off, it was to be a full day with Kyudo, stuff, Guitar, and Shakuhachi in hand I head out…
It finally here the day I wanted to get over with.
It felt more like taking a test than doing a recital. I have a good grasp on most of the song, but not all the small parts. It was requested that I should memorize the song not read it. Hmmm, ok. I figured out why I am having trouble memorizing this song. Beside me getting old, so many things with just my playing , then to add memorizing …it is a lot for something that is new. 
 
Anyway, no matter. I had it down enough that only those who knew the song, would know I am not playing it “true”, There were other people there beside shakuhachi students. In fact mostly koto students and shamisen. This is what I was lead to believe…it was mostly right.
 
So, anyway, i wanted this over with that was part of it. It would be my first real playing live. I did play a section at my Ordination , but this was the whole song, in front of Japanese strangers, musicians. The “musicians” is the key in this case…peers.
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Also there was the requests from my Sensei to play a couple of other songs with him. One of which I was to sing. I am not sure why I dislike doing that song. That part was not fun , but the other song playing with Sensei was harder, and I did not have the time to practice it. So my guitar work was expected to be poor..It was! Embarrassing to me, maybe they did not care or even notice. I did, Sensei , hmmm, not sure. My timing was there but some notes and cords, where funky (sour) to me.
 
The day started early for me, even though the event was not until 2:00 pm. It was a 90 min train ride about. However since I had a stop to make i left earlier than needed. I was stopping by the Kyudo shop. I wanted my ya fixed. It has been a small thing, but the coloring design has not been right since I got the new Ya. Since the shop was on my way to the recital house it was a perfect time to stop. Finally, I can get that behind me. It is a very small thing , but it irks me everything I use the Ya. I am still attached to the vision of how they are suppose to look. No one cares but me, but it is part of my small joy of if not shooting well, at least looking good whilst shooting bad. 🙂
 
That part of the trip went well. I hope the guy understood !? It will take a month for it to be done. I guess their shop stays pretty busy for custom work. Or something. It took a month for me to get the original set. Hmmm maybe he said a week?! Or well. Not a rush anyway. So just wait, mode engaged. I have my everyday Ya to use anyway and I am not going to shinsa next month. Speaking if which, I went into practice on Sat night expecting quiet and aloneness to practice with my new-to-me winter kimono. Wrong wrong wrong, ran into a a big practice session with several Senseis had to join. Anyway, alway good, to learn something.
 
Yeah, after the Kyudo shop, a quick stop at Subway for a sandwich. That is one of the few things I miss about the states is the mixture of foods I can get. I would love to find a falafel shop. Yummm. Anyway. i got my usual. Flat bread, avo, cheese, all the veggies, with basil sauce. It was good! Then onward to the recital. We were to have a meal afterward but that would not be until 4:30 , it started at 2:00.
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I got on the train and headed to the house of the Koto Sensei where the event was to be held. It was almost to where we used to live when we first arrived and stayed with my Mother-in-law. I made it to the home with no problem, by following the map and a little common sense. My Sense had not arrived yet. There was a Sempai of mine their, I had met before. The rest were a bunch people I did not know. But it was ok, they were all pleasant and tried to be helpful to me, with my limited Japanese. Pretty soon , everyone was there , except for my Sensei. He was not late but it was close when he arrived.
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Once he was there we started. He was the MC it turns out. So he did the speaking. He started off with a small talk introduction of the players for the day and then began with his first song. I was to be next. Great, following the master!! Another reason to be nervous! Just Great! Ok, my turn. I took my music chart just in case. I put it on the stand , but not right in front of me. Just to the side, I could look over if I needed, but for the most part I would have my eyes closed and just play from memory. If I mess up, I just mess up. I will keep going. One thing I learn from playing so long live, just keep going, the mistake does not really standout until the player makes it so. I would keep rolling, and sure enough I got a part or two mixed up. Only my Sensei and maybe his sempai who was there noticed. Afterward, sensei said I passed, I did well. Most people fail to get notes out. I was able to play through-out. I think I also got an approval from his sempai. Although he did not say so to me, they were talking about me. I would get pulled into parts of it. It seemed positive. So I guess I had Shakuhachi Shinsa of sorts.
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The rest of the show was interesting, all traditional Japanese songs. Solo, duo, trio. Cool stuff. No young people in the event, all oldsters like me and older. Sensei told me there is a big event next week, where there are many players semi-pro and pro. I am guessing a mix of ages. Maybe I will go, for some inspiration or something.
 
I am to start a new Honkyoku song, called “Tamuke 手向.”. These are traditional “spiritual” shakuhachi songs. They seem fairly long and complex. Perhaps these are the ones sensei is picking out for me as a teaching path. He says we will be working on this next song of, which the name I do not recall, through the summer and into the fall…
Wow, long time for one song. It does not matter, I have no rush plans on what I learn or pressure to stop. I am just learning and will apply when ready. As for stopping, the universe will determine that. I will continue to play until I can not. Lessons may need to be adjusted due to conditions, but the playing does not stop. 
It just surprised from doing modern western songs. I never really studied classical music in-depth to compare. I will guess there is a mixture like in western music. There is a another honkyoku I am working on to play with the Nara Monk this spring, which I find short and fairly simple after what I have been learning. Which brings me to the thought Sensei is selecting complex works to use as a teaching tool, not so much for the music or to just learn another song. Like in Kung Fu the principal behind the technique is the important part. The soul essence. Understanding that, rather than the physical act at the applied moment is the pearl. Once you own it you can adapt it and needed.
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It is kind of nice studying with this shakuhachi sensei he is somewhat of a rebel, besides the greatness of him speaking English. As a rebel he does not give ranks (dans) to his students. That is still a practice in many schools with. A traditional background. One gets a Dan and also pays more with each Dan for classes. I do not really need a Dan, I have no plans to teach.
 
So now onward. New song, new adventure, new area of learning…yosh!
 
.more pix and vid here
 
 
 

On such a winter’s day


This n that….on such a winter’s day.

 
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I have been looking forward to going to Kamakura. A visit to the Engakuji, not just to see the old Zen temple ground but to see the Kyudojo. Dream perhaps dare to dream of a chance to shot there. We have friends from the states that moved nearby, so besides visiting the Great Buddha we were going to hang out a bit with them.
 
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LZ has made the arrangements we are set for April! It will just be a short stay , but even with the disappointment of the Kyudojo at Engakuji, the trip will, be interesting a short pilgrim for me to the Zen Temple. 
Oh, what’s that I did not tell you about the disappointment of the Kyudojo ? Well, I had Lz do some research and ask a few questions about the Dojo. It turns out it is there and anyone can view it from the outside. The club itself has changes as the an old priest who ran it passed away. The new priest does not do Kyudo. The space it rented out to a private club, not taking new members. Sounds like the shrine I tried to join when I first arrived in this area. They, the temple staff, say they do not know how to get in touch with the club. Of course that is BS , but I get it. Oh well. Another life item to be viewed with non-abiding awareness. The Great Buddha I just want to see for the photo op and say I been there, kind of thing.
 
So yeah , it will be fun seeing our friends. It has been awhile.
 
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Shakuhachi,
Recital next week, I know the piece but not by heart. I still have a week to focus. I have also been working on a another piece called Cho Shi. I am learning this to play with my acquaintance the Komoso in Nara. He has been kind enough to offer me the extra gear, hat, sandals, etc, I need to be a kumoso for a day. I was able to score a plain black kimono. I need to learn the piece now. I am slowly getting it. I will be able to focus more after the recital. Also not having a Yon-dan shinsha staring at me will help. This will come I think shortly after the Kamakura trip…or before. Which will be in April.
I was pleased to find out Golden week is in May, so I may make it to the Kyoto Tai Kai this year.
 
Waterworld
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The weather has really sucked down at the marina as of late. That is hail in the picture above this.
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However it is good to have the couple of days work. More so since the City Park work has dried up for the season. Working inside the boat on some bad weather days , really reminds me of my own boat owning past. The rain on the cabin, the sway of the boat, the comfort of a heat small space. Watching the boats through rain streaked glass, in the marina dance with the waves. I wonder some time will I ever own again. I have noticed a pattern with things I have “owned”. They all go away. My clock is running out, as has my build-able income. Yet, one must stay open to gifts from the Universe, because one never know what the tides will bring.
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Kung Fu dharma world is once again quiet. Not surprising, disappointing but not surprising. This is a different world here, and I am in a way different area. Anyway it is ok, I still keep my feelers out, but return to having my practice for me, improving me. It seems selfish when I say it like that but, that is reality. Use this knowledge and training to keep me healthy and supported in my other practices…
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Music, Chan/Kung Fu study, Kyudo, these are part of what I wanted for my retirement years. So I am mostly there and I am indeed feeling blessed to be able to do this. More so with the oncoming darkness of the Trump years ahead. I am missing the sailing part, but I also have that sort of since I can borrow a boat from Aoki Corp if I want a day sail. So mostly just missing doing ceramics. I ant at some point get back into doing some clay-work, however Kyudo is my big challenge right now. Even though Shakuhachi, is also and will most likely give me more payback as far as actual use. Kyudo remains my big challenge. So mostly things are as I hoped for in Japan, it is rare anything turns out just as one plans, but in life like sailing , one can not control the wind, but one can adjust your sails.
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Anyway with approach of winter all one can do is hold on to their inner light as long as they can have faith in whatever one believes in, even if is just duct tape. Then see what the universe has in mind for you.
 
…for now, it’s winter
 
 

Things change…

1960s – As a youth I spent time with my Grandfather, in Virginia. There was a “white high school” and a ” colored high school”, a party line telephone. We had no central heating. Gramps wore “long johns”. I thought dang seriously old Man’s style. It was part of my ” chores’ to get the house heated in the mornings. We had wood stove and kerosene heaters. I would have to walk across the yard to our gas station, open the shop and get the oil container filled up, the back to the house to start the fires …

oil
2017. I can speak with someone on the other side of the world on my phone that I carry in my pocket, there has been a “colored” President, now a new one who is backed by the KKK, we have no central heating in Japan, I am still filling the kerosene cans, and starting the fire,…
The difference… I wear the “long johns”

吹禅 – Sounds -n- passage


Sounds and passage…I have a Shakuhachi recital coming up in a couple of weeks. Not really nervous , but somewhat, i do not know what the word. Is for the middle state. Not quite, but sort of…what ever
 
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It is has been almost two years since I took up formal practice. It has been an interesting journey. This recital sort of put me on a different level. If I was in a formal traditional school I would get a dan, and a raise in class cost. Thankfully I am not, but still this is like a my first passage, the student recital. I have been asked to not only do a song on the shakuhachi as a class thing, but do another song, sing, while sensei plays Shakuhachi. Yeah, my way again. I sort of mind, but not really. I wasp also asked to do another song. I have decided to do a version of Summertime for Shakuhachi drum and shamisen, I have been working on. Sensei there will be shamisen players there. I can show them, him , her what I want. If will be fun he says….food will be served. About 20 people. Shakuhachi, Shamisen, and Koto Instruments. I think it will be interesting. I maybe even meet someone to pay with.
 
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Shakuhachi, is an interesting pursuit. I have been giving some thought to the study and practice of it. From both a musical point and a spiritual point. I have been reading a book called “The Sound of Bamboo” a lot of the standard stuff. Also a decent section on Shakuhachi, Zen and meditation. The author compared Buddhist practice and principles with the playing of the Shakuhachi. One of the more interesting parts of the read was about the breath, meditation and playing , as well as doing chanting. Breath is the key thing here. I thought it would be more the tones of the music, but seems to be in the breath. As for music itself , perhaps the formlessness of the music and the non-music rather than the notes, but the shaping of the tones also is added to the act. For as the sound is shaped the un-sound is also shaped.
Back to the breath itself. It seems to me the breath, the use of the breath is like doing Qi Gong. How it is developed, controlled…yeah, playing Shakuhachi is like doing Qi Gong or chanting before meditation…
I can see this scenario. Stretch – shakuhachi – zazen – tai chi walk – shakuhachi – zazen. That would be a balanced meditation session.
Another interesting little bit I found out from reading and then confirmed with my Sensei is that Osaka area has more Tozan players than Kinko. Kinko is more popular in the North , like Tokyo. My sensei staid he started with Tozan and changed to Kinko. Kinko is the older style. It is liked to the Komuso and has a much deeper history. I am glad I found the Kinko style. A Kyudo sempai plays Tozan style, he plays well, but does all modern songs, none of the traditional stuff.
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As far as my own playing, again the timing here is interesting when looked at the gestalt of the situation. I am not confident playing, but, I am to that point I would go out there in public, within a certain parameter. As said I have been working on the “summertime” time song, not only from the point of doing it at the recital but also at Snafkin. I still have a long ways to go before being good , but I think for now I can do some pass-able things.
 
I am working on my second Honkyoku song. These are like standard of Shakuhachi music. Komuso stuff, with history. So I was given by a helpful spirit “Cho Shi”. A standard Honkyoku song done by the Komuso monks. I was offered help learning it. I have started on my own to get things, rolling since I was given the music chart. I am still pretty tied up with learning the first honkyoku by heart for the recital It is my plan to learn this so go play this spring in Nara. I said this already right?! I will not repeat.
 
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So, that makes two traditional songs, plus my Sensei is going to be starting me on another song soon, bring up to three. I heard somewhere some students spend years just on that. I am not sure what I want to do with this, other than play well. Some learn with the intent of teaching, or becoming a pro. I do not have that. I would like to use it as a Buddhist tool, as well as a modern musical tool. I want the whole coin not just one side.
 
This point for this spring is I will be meeting with a master Shakuhachi maker, on making a purchase from him. This will be a big deal. All this in the Spring of my second year.

 

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Do without doing


Do without doing…

 
The difference is noticeable, to me. Deeper seeking internally than externally, while keeping the external alive. I am speaking on shooting with the shinsa over my head, and the change since not choosing the shinsha this time. The sense of urgency is gone. I can just shoot with more internal conscience . Like going from Mato to Makiwara shooting.
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My latest tips from Yamashita sensei, have been worked into my programing. A big one I think is, I was holding my right arm too high. Lower then stretch the triceps from the elbows. Two directions, yin yang.
 
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Another sensei, had me readjust my tenouchi. I have some callous now on my hands from doing the park work for the city. On my left palm it is where the Yumi rests. It was becoming very painful the other day while I was shooting. My grip was way wrong! Once the Sensei showed me the right way, hand stopped hurting. This lesson will stick because of the pain. Funny how we learn that way. Pain can be looked at as a good thing, it is our friend…at times. Perspective is a big deal.
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Non-abiding awareness. This has been a word one of my Chan teachers uses a lot. It is how we should deal with things, life, tasks. Attention to detail, breath, victories, failures. When shooting, be the details, the moment, have no concern for the outcome, non-abiding awareness ( detachment) to the joy of success, hitting or pain of lost. Do what you do, without being attached to it, or the outcome. “Do without Doing.”
Sort of like “mushin”. I have been relating non-abiding awareness, more to Kyudo these days. I also notice my “Kyudo” things popping into regular Life. Walking straighter, is a big one, use of the eyes is another. Plus Cross stuff from Tai Chi to Kyudo, Kyudo to Tai Chi. I think that means I am understanding it more.
Understanding better the cycle of support, the interdependence of my arts; sitting chan, Kung Fu, Kyudo, Shakuhachi, Yoga…living and life…
…or,
I have grown more delusional …