Hatsukai – 2018
Hatsukai – 2018
Four days…4 Temples
What a Long strange trip it’s been
It is almost a new year as I start this writing. Maybe it will be the New Year, year of the Dog by the time I post this. Year of the dog, btw, is suppose to be a good year for me. I am not dog year, I am Tiger but we are compatible. Going by Chinese horoscopes. Which I have dabbled into. But that is another story time… This one is about the changes in life, paths we walk, the many lives, not just one. I am writing a book about the sailing adventure. I had not put in much background about before sailing, maybe this will go in the book…
Winter is coming…
There have been a couple of Rae-kai and Tai-kais. They have been fun and I have gotten some great pictures. I have taken my serious camera a couple of times and got some cool shots, cooler shots than I had been getting with my yumi. I have been doing ok there, not really good, but getting at least a few hits out of a couple of rounds of shooting. Nothing to write home about or blog.As for my practice, still at it. Although much less intensely. I have taken that pressure off myself as there is no reason for me to have it. There is a saying in Zen, “before enlightenment one chops wood and carries water, after enlightenment one chops wood and carries water.” The Kyudo version : before Shinza one trains and practices, after Shinza one trains and practices ! One’s life does not change with or without a new rank. Unless maybe it is getting Hanshi-Dan ! Even then it only matters in the small world of Kyudo.I practice a few times a week, sometime twice or more sometimes once. It puts the fun back in Kyudo for me not to be focused on the Shinza but the moment of shooting.
I have changed my training days and due to finances most times these days I go to the dojo once a week and shoot makiwara at home on the other days. I am pretty flawless on my tai hai. There is the kimono tai hai practice on Tues. it is rare that I get a correction, and then it is something small. My big challenge is hitting, or to narrow it down my shooting form. Daisan to Hanare is my problem area.
At a recent practice session with the main sensei He was having some problems with his shoulder, some pain. I did some accupressure on him. It helped. At the following Tai Kai he came to me and asked for help again. I have noticed a change in the amount of attention he gives me when I am there at the dojo during his teaching time.
Finally the other day I felt like I was making some progress. Usually when that happens it is gone the next time I shoot. However this time over the last few times I have noticed improvement. Not so much at first with my hitting , but with my grouping and arrow placement. I have narrowed it down to my right elbow. I was pulling it far back in order to keep my arrow flight straight. I was told no, that is too much. I need to raise my elbow more in daisan and not pull it out of line with my back in Kai , but keep everything in line with the mato.
The other day I was shooting with my favorite sensei I there. He is now Nanadan. He is the one introduced to me by Nagomi Sensei, before he passed away. Every time he is there with me, I get some helpful adjustment, tip, suggestion. He explains well even though not in English, I get it! So I am shooting and surprisenly to me I am hitting well. He comments his aprroval and then gives me a tip for the day. Having to do with tightening my triceps at release and closing my left fist. He says I am going too limp upon release. Something new to add to my practice.
I have changed my attention on my tracking my shots. Instead of how many I hit, I watch how many I hit in a row. The other day was my best. I got six in a row! Now that I consider real progress. Now the question for me, the test is can I do it again, or even close to that. A consistent three in a row would be nice. Consistent being the key word. Maintaining that would be a real indication I am nearing Shinza time. My casual goal is not spring but the Summer session. Spring session will be at a dojo I dislike due to stepping in is done with the right foot and leaving with the left foot and it is not through a doorway but just lines on the floor. I think the summer session will be once again back at my first dojo. I would feel extra good passing there. However it is too early to tell where it will be. Maybe by late Febuary I will feel confident enough to go to the spring Shinza…maybe.
Meanwhile it is just steady training, and keeping a mental mindset of shooting because I can shoot. Not to get a reward. Like doing mediation not to gain enlightenment, but because I can do meditation. My ego feels some redemption in the fact that others who I have tested with in the past are also still trying to make it off that San-Dan plateau.
Ok yeah, so moving on. I have been busy musically of late. The Snafkin master passed away. I went to “wake” after the cremation. There was a fairly big turn out. Many did songs, including me. I did a couple. I played a Buddhist Shakuhachi song, it had to do with prayers, an offering for passing/passed spirits into another realm. It is more complex than that but that is a simple break down. It was my first non-shakuhachi related playing of this song. I had done a recital a couple of weeks earlier and played this song then. I was somewhat nervous about doing this song, but I pulled it off with no mistakes and it seemed everyone enjoyed it. So that was a success.
I next did a song on the piano. A New one I was just working on. I am getting more comfortable playing the piano now after many years of being shy about it. I have had enough practice and figured out I only need to play well enough to back-up myself singing. The cool part was my favorite Sax player sat in with me. I am not a big Sax fan , but I really like her tone. To bad it was not recorded. A few people were surprised I played the keys, including of couple of piano players I had jammed with in the past. I was surprised I did it with no errors for my first playing of this song.
Another spot, I was invited to do a spot by the percussionist I play with from time to time at a small concert he was putting on locally. It went fairly well. Not as planned. Life is like that. I had packed up my guitar and new ( to me) keyboard I had purchased to bring. However I was told there was a piano already there so no need to bring mine. The problem it turns out with that was it was not on stage. So after I did my guitar songs and moved to piano. I had no drum tracks, so I had to wing it with the beat. Not as effective as I had planned. Even though I have done it beat-less before. Also something sounded off to me. unknown if the piano was not just in tune or I was playing in the wrong register. Anyway I cut my play time on the keys to just one song instead of two. Which was ok, because the show was long already. I had a total of three songs instead of four. No big deal. I got good feed back for my key work from another pianist. That is my new musical challenge to up my Blues keyboard skills. That has been a desire of mine for a while, now I am making it real.
The doctor asked me to do a small session with him at his favorite club “live house” they call them here in Japan. I agreed , but under conditions. I was not going to sing all the songs, he needed to do that. Another was I wanted a song list before the show not on stage at he show. I gave him two days to do that. Even then morning of the show he wants to change things and do a couple of song I had never played before or sang. I refused! So we stayed with the original plan. It went well, in fact we sounded pretty good, I was surprised. The drummer filling in is steady and the keyboard player listens to me and the drummer. So the three of us are listening to each other to stay on track, the doc not so much. However it was ok. We did not embarrass ourselves (me).
I was asked by a club owner called the Red House, to play bass for a guy coming into town on tour. He is sort of famous being Japanese, but living and studied Harmonica in the states. It went well. We had a short rehearsal before the show, the day of the show. It made for a long day, but we rocked the house. It was fun and I got paid. The two guitar players were great and the drummer was steady. The Harmonica player is good , but I did not think he was all that. I do nt think I am all that, but I am truthfully better, even when playing bass at the same time. Anyway, it was fun and I got paid.
last week at the same club I entered a contest. I played a couple of songs on piano and one of guitar. It went over well. I got a lot of positive feedback afterward. I did not win, which is not a big deal. I did not expect to do so. The majority of the bands were hard rock, myself and one or two other people were the only ones not doing hard rock. I was also the first act, that is never good in a contest. Still it was a success to me. My purpose was to just get out and play live keys. The other bands were loud loud loud, after I played I went outside and stayed until it was over. When it was done I listen from outside. I heard clapping and not my name so I left after chatting with a few people there.
The next day I sent the club owner a note. Thanks for the spot I would settle the entry fee with him next time I saw him. Also said I was planning on doing more solo spots, did he had any suggestions for my act. He said he loves my vocals and I would have more impact with a band. I said yeah, band are more fun, but I am limited with my Japanese. I did most of the singing in the past for the Doc’s band. However he does not like to practice or care about being organized for a show, so I limiting my playing with him. A couple of days later I get a note from the owner asking if I wanted to do a session with him and a friend. Sounds like there maybe a new band in the making. I had mentioned before I was looking for a band that needed a singing bass player. He had said he was looking for one. Now it seem like it is going to life. If I couple get with a serious group that worked even once a month I would be pleased and feel fulfilled.
Another venue…It had been a while since I went to this club. It was where I first got the first Japan gig with the Doc’s band. We worked there for a couple of months, then did not get asked back due to lack of people coming out to see us. This club has a couple of Jam sessions a month. I had been not going. However as of late I decided to show up for one. I can see other players and also get my “rep” out more. The club owner was pleased to see me and I was recognized by a few. Even though arriving late I was given a play spot. At first just for playing bass, then the owner told the organizer to have me on the mic. It went over well.
My actual purpose for attending this jam was to meet the person doing the organizing. He was going to be the drummer for the band I was sitting in with for the touring Harp guy. He is pretty well know and I see him playing a lot in the Blues circle here in Osaka. I wanted to meet him before hand. This writing is not really in order of how things went down over the last month, but it is the general idea. This was before I did the bass only gig at the other club.
I went again to this club the other night for another session. It was my plan to play keys, but it did not work out. I was called up to play Harp on a couple of songs and sing. Later called up to play Bass. When it came my turn again to play this time of the keyboard that had been setup. I had to cancel in order to catch my train home. If I missed it I was screwed. The train stop at 12:00 am here. Which sucks! I found out when in Taiwan it is the same there.
So lastly, there is a Big Blues festival which is held yearly. The Doc’s band played the last couple of years. He asked me if I would play with them again this year. I said ok, however if it would not interfere with my playing on my own in the festival. I had asked the organization committee if I could perform with a band and also as a solo artist. I got the ok. This is a non-paid event, mostly just PR. I still have to submit a video audition, but I can can do that. I have been told in the past my vocal are my strong point. I am finally accepting that and making use of it. I like playing the piano and singing blues more than playing guitar and singing. I like the fuller sound of the keys, even though I am not that skilled with them …yet. With the drum machine and the combination of piano and harp it sounds reasonable enough to step up and out. Being one of the few Blacks here, and can sing and play gives me some marketability, I think. So I will see how things go from here. Possible new band, new solo act. Some progress.
On the Shakuhachi path. I spoke to my Sensei about my wish to be a full real Komuso, not just a dressed up player. HE in turn spoke with a friend of his. This person turns out to be on some board for the main temple in Kyoto that deals with Shakuhachi Komuso affairs. It has been arranged for me to meet this person and he will “sponsor” me for membership into the main headquarters temple. Only thing is I have to wait until spring. This priest lives in a fairly far off place and he says it will difficult to reach in the winter. In the spring there will be a large Komuso gathering in Osaka. I should attend and he will give me the details on joining officially and make the arrangements afterwards. I will be “In like Flint. “Yatta!
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